A poetic black-and-white fine art photograph in the style of classic analog film, depicting an empty vintage wooden chair placed near a softly textured wall, illuminated by slanting sunlight filtering through blinds or a nearby window. The real chair is completely empty, yet on the wall beside it exactly aligned with the chair’s own shadow appears the shadow of the chair together with the shadow of (توصیف کاراکتر یا سوژه), as if the person’s shadow is quietly sitting on the shadow of the chair. The mood is nostalgic, introspective, surreal yet calm, evoking a sense of invisible presence and poetic loneliness. Lighting is natural daylight filtered through blinds, casting strong directional beams and cinematic shadow patterns with subtle gradations. The textures include cracked wall paint, aged wood grain, faint dust in the air, and delicate film grain. The composition is minimal and balanced, with the empty chair in the foreground and the projected shadow as the emotional focal point, using negative space to emphasize solitude. Captured through a 50mm film lens aesthetic with shallow depth of field, analog silver gelatin contrast, and fine grain detail, the image features deep blacks, soft highlights, and delicate midtones in a high-contrast chiaroscuro tone. Keywords: fine art photography, surreal realism, analog film aesthetic, shadow illusion, absence and presence, poetic solitude, timeless monochrome, cinematic minimalism.

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