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With the Lions, Not the Hunters.

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53 years on, we honor Kwame Nkrumah, the torch-bearer of African liberation. He didn’t just lead a country, he challenged Western dominance. Our Facts of the Week delve into why Kwame Nkrumah wasn’t just Ghana’s first president but a pan-African threat to imperialism itself. Swipe through to understand why his vision shook the West, triggering efforts to destabilise his government and CIA-backed coups - and why it still matters today.

Hear Us Roar: https://news.1rj.ru/str/AfricanStream
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ZAMBIA 1993 PLANE CRASH: FROM TRAGEDY TO GLORY

Today, Zambia remembers its golden generation of footballers - killed in a plane crash thirty two years ago. On 27 April 1993, the country was only one game away from qualifying for its maiden FIFA World Cup tournament. Carrying the dreams and aspirations of an entire nation, the team flew out to Senegal to play that crucial fixture. They never arrived as their plane crashed off the coast of Gabon’s capital, Libreville, where they had stopped to refuel.
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NKRUMAH REMEMBERED

Today marks 53 years since pan-African icon and Ghana’s founding father joined the ancestors. Swipe though to learn about Kwame Nkrumah’s life and dedication to the liberation of our continent. As he once said, “the independence of Ghana is meaningless until it is linked to the total liberation of Africa.”

Sources
https://www.workers.org/2009/world/nkrumah_1008/

https://www.theghanareport.com/ghana-a-country-that-demonised-its-hero-dr-kwame-nkrumah/

https://expressnewsghana.com/2025/02/24/remembering-osagyefo-dr-kwame-nkrumah-a-visionary-leader-and-the-unfulfilled-potential-of-his-overthrow/

https://agricjournalist.com/kwame-nkrumahs-state-farms-ghanas-agricultural-dream/
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This week's proverb highlights the strength found in community, collaboration and unity. There is undeniable power in coming together. A fine example is the Alliance of Sahel States (AES). By presenting a united front, Burkina Faso, Mali and Niger have arguably been better able to stand up to the West - breaking exploitative agreements and booting out foreign militaries. They are just three countries. Think how much ‘jingle’ there’d be if all of Africa came together!
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THREE DECADES OF 'FREEDOM' THE SOUTH AFRICA OF TODAY

On April 27th 1994, there was excitement across South Africa as millions of South Africans queued up outside polling stations to participate in the country’s first democratic election, in which citizens of all races were allowed to participate.

It was more than just an election. Many saw it as the final nail into the coffin of a system that had oppressed Black South Africans since 1652 when Dutch colonialist Jan Van Riebeck arrived at the shores of modern-day South Africa.

As widely expected, the African National Congress (ANC), the country’s most prominent liberation movement, convincingly won the election.
After decades of bloody struggle, the ANC finally transitioned from a liberation movement to the country’s new rulers.

Hopefulness was in the air, free at last, or so they thought!
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Continued…….. Three decades later, many are asking if that transition delivered and met the hopes and aspirations of the masses who stood in the long queues outside voting booths in 1994.

African Stream has been on the ground in South Africa, examining the country’s painful past and the long road to freedom and how its indigenous population feel three decades after the end of apartheid. Please watch and give us your thoughts in the comments.

Hear Us Roar: https://news.1rj.ru/str/AfricanStream
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FATHER OF AFRICAN FILM

Senegal’s Ousmane Sembène (1923-2007) is widely regarded as the father of African cinema.

He started out as a writer addressing social issues in his books. However, he began to believe that film could serve as a more powerful instrument for activism. ‘To encapsulate history through our oral traditions,’ he stated, ‘cinema is a vital tool for us.’

As a filmmaker, Sembène aimed to confront colonial practices in film production and storytelling. He directed films in several African languages, including Wolof, Fulfulde and Mandinka. His decision to use indigenous languages was a conscious effort to reflect Africa’s diverse cultural and linguistic heritage. This choice aligned with his larger goal of decolonising African cinema and fostering authentic narratives grounded in local realities.
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