Forwarded from Sebastian Bieniek
„MAMAface no. 18“, series of photographs by Sebastian Bieniek, 08.12.2024 (7 days before the birth). More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
MAMAface no. 19“, series of photographs by Sebastian Bieniek, 09.12.2024 (6 days before the birth). More: www.bieniek.at/ma
Forwarded from Sebastian Bieniek
„MAMAface no. 20“, series of photographs by Sebastian Bieniek, 10.12.2024 (5 days before the birth). More: www.bieniek.at/ma
Forwarded from SABMYK
They make money with annexation - not with work or creation.
After they realized that they can’t make anymore money with annexation of countries, markets, resources, currencies, data, nature, climate, values, religions, science, because they own them all
already, they turned against the only one they don’t own.
Now they want to annex your body and thoughts.
When they achieve what they want, they’ll destroy every human being and so also the entire humanity.
This is a global war against every human. They are an enemy every human has to fight to survive.
We are all at the most dangerous war the humanity had have ever to fight.
We fight for our survival as God-Made creatures - not to become their creatures.
SABMYK no. 35
(02.04.0001 AS)
www.linktr.ee/SABMYK
After they realized that they can’t make anymore money with annexation of countries, markets, resources, currencies, data, nature, climate, values, religions, science, because they own them all
already, they turned against the only one they don’t own.
Now they want to annex your body and thoughts.
When they achieve what they want, they’ll destroy every human being and so also the entire humanity.
This is a global war against every human. They are an enemy every human has to fight to survive.
We are all at the most dangerous war the humanity had have ever to fight.
We fight for our survival as God-Made creatures - not to become their creatures.
SABMYK no. 35
(02.04.0001 AS)
www.linktr.ee/SABMYK
Forwarded from Sebastian Bieniek
Zora
bieniek
bieniek is on Zora.
Forwarded from Sebastian Bieniek
You can buy my „Hello Sarah“ song on Zora now!!! 🎶🔥
https://zora.co/coin/base:0x620ca7788701796a7b46043c5e58fb9c1c37a644?referrer=0x1a6b4bbf79ee538b483ddfea2c8cdbb3f78e34a0
https://zora.co/coin/base:0x620ca7788701796a7b46043c5e58fb9c1c37a644?referrer=0x1a6b4bbf79ee538b483ddfea2c8cdbb3f78e34a0
Zora
Hello Sarah 🎶
Forwarded from Sebastian Bieniek
"Media Democracy - Rendezvous of Truth," 120 x 150 cm. Oil on canvas, 1995. A media-critical painting by Sebastian Bieniek (born 1975). Berlin-based artist.
Signed on the front (lower right) and back. Titled on the back. Website: https://www.bieniek.at/m
Signed on the front (lower right) and back. Titled on the back. Website: https://www.bieniek.at/m
Forwarded from Sebastian Bieniek
Follow me also on my WhatsApp channel:
Follow:
SEBASTIAN BIENIEK on WhatsApp: https://whatsapp.com/channel/0029VaOvRIF47Xe2BL0SUl12
Follow:
SEBASTIAN BIENIEK on WhatsApp: https://whatsapp.com/channel/0029VaOvRIF47Xe2BL0SUl12
Forwarded from Sebastian Bieniek
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Official website:
https://www.bieniek.at/md
https://www.bieniek.at/md
Forwarded from Sebastian Bieniek
The "all-seeing eye" becomes the "tree of knowledge"
As can be seen in this image, a tree emerges from the eye, which rests on the legs of an old man and is located within a screen (television or computer monitor). A tree whose branches wind like the body of a snake. A tree, therefore, that becomes a snake, which brings us to the iconography from the biblical story of the Garden of Eden. The Tree of Knowledge.
The red apple appears to be the acorn of a phallus. Is the Tree of Knowledge, then, being portrayed here as a media-dominated instrument of manipulation and control? That, at least, seems to be the artist's message.
For Bieniek, therefore, cognition is merely a kind of program and a sequence of commands, not the knowledge stylized in the Western tradition that allows the knower to see more than others. Quite the contrary. Bieniek denies the measurability of knowledge in the sense of measuring depth or breadth...
More: https://www.bieniek.at/md
As can be seen in this image, a tree emerges from the eye, which rests on the legs of an old man and is located within a screen (television or computer monitor). A tree whose branches wind like the body of a snake. A tree, therefore, that becomes a snake, which brings us to the iconography from the biblical story of the Garden of Eden. The Tree of Knowledge.
The red apple appears to be the acorn of a phallus. Is the Tree of Knowledge, then, being portrayed here as a media-dominated instrument of manipulation and control? That, at least, seems to be the artist's message.
For Bieniek, therefore, cognition is merely a kind of program and a sequence of commands, not the knowledge stylized in the Western tradition that allows the knower to see more than others. Quite the contrary. Bieniek denies the measurability of knowledge in the sense of measuring depth or breadth...
More: https://www.bieniek.at/md
Forwarded from Sebastian Bieniek
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In Sebastian Bieniek's painting "Media Democracy - Rendezvous of Truth", the "all-seeing eye" becomes the biblical tree of knowledge.
More: https://www.bieniek.at/md
More: https://www.bieniek.at/md
Forwarded from Sebastian Bieniek
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„Media Democracy - Rendezvous of Truth,“ 120 x 150 cm. Oil on canvas, 1995. A media-critical painting by Sebastian Bieniek (born 1975). Berlin-based artist.
Signed on the front (lower right) and back. Titled on the back. Website: https://www.bieniek.at/m
Signed on the front (lower right) and back. Titled on the back. Website: https://www.bieniek.at/m
Forwarded from Sebastian Bieniek
A weeping face dissolving into the dry sand of the desert, or just pareidolia, a face that has been misinterpreted?
The context may answer the question. The detail of the face, composed of lines and dissolving like branches or liquid, is located in the lower left corner, right next to the signature, of Sebastian Bieniek's painting "Media Democracy - Rendezvous of Truth." Does media-induced manipulation dissolve our self-image, or does it even determine it?
If one were to believe the artist: yes. The individual, therefore, exists only nominally and merely as a label, as something unique, and reality is a deliberate standard created by the media and other sets of rules. Thus, the artist's view of human individuality coincides with his view of democracy. The artist sees both only as labels and not as reality.
More: https://www.bieniek.at/md
The context may answer the question. The detail of the face, composed of lines and dissolving like branches or liquid, is located in the lower left corner, right next to the signature, of Sebastian Bieniek's painting "Media Democracy - Rendezvous of Truth." Does media-induced manipulation dissolve our self-image, or does it even determine it?
If one were to believe the artist: yes. The individual, therefore, exists only nominally and merely as a label, as something unique, and reality is a deliberate standard created by the media and other sets of rules. Thus, the artist's view of human individuality coincides with his view of democracy. The artist sees both only as labels and not as reality.
More: https://www.bieniek.at/md
Forwarded from Sebastian Bieniek
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The context may answer the question. The detail of the face, composed of lines and dissolving like branches or liquid, is located in the lower left corner, right next to the signature, of Sebastian Bieniek's painting "Media Democracy - Rendezvous of Truth." Does media-induced manipulation dissolve our self-image, or does it even determine it?
If one were to believe the artist: yes. The individual, therefore, exists only nominally and merely as a label, as something unique, and reality is a deliberate standard created by the media and other sets of rules. Thus, the artist's view of human individuality coincides with his view of democracy. The artist sees both only as labels and not as reality.
More: https://www.bieniek.at/md
If one were to believe the artist: yes. The individual, therefore, exists only nominally and merely as a label, as something unique, and reality is a deliberate standard created by the media and other sets of rules. Thus, the artist's view of human individuality coincides with his view of democracy. The artist sees both only as labels and not as reality.
More: https://www.bieniek.at/md