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Lazarus Symposium
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Dulce et decorum est pro patria mori
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Lazarus Symposium
"Raise your head, brother, the days of humiliation are past.' With this phrase, which would have adapted to Germany in 1934, Nasser announced on the walls of Cairo, in 1954, the advent of a new era. Twenty years later, another people broke their chains. …
...But looking even better, we find in Nasser's regime visible characters of pre-war fascism. In particular that character of fascism from which the inspiration of a fascist movement is recognized and the idea that the latter has of its mission. In every fascism there is a moral and an aesthetic. Nasser and his fascists found this fascist mysticism in Islam.

In the Koran there is something warrior and strong, something virile, something that can be called Roman. Therefore Nasser is so well understood by the Arabs; he speaks the language that speaks their race in the depths of their hearts."

~ M. Bardèche, What is fascism?, Rome 1980, p. 88-92
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My Dinner with Andre (1981)
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Forwarded from Disgruntled Citizen
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“Therefore, I am bringing you a beautiful sign, a new Eagle, even simpler than the Piast, so that you, who are possessed, are also you, the intention of the mission of the Rodosławi; with an open heart they adopted on their banners, a sincere confession of national and racial patriotism, this is the sign of Topor, which became the Eagle. Let the Axor give us all, regardless of the different paths of attaining to the same Ideal, inspiration is needed today.”

— Stanisław Szukalski 🇵🇱
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Lazarus Symposium
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Read Søren Kierkegaard
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Z-Library still available on tor.
Site can be found on warosu, just search tor onion (onion links will only work in Tor browser I think):
https://warosu.org/lit/?task=search&ghost=&search_text=tor+onion

Some people use soulseek as well.
Forwarded from Diary of an Underground Ronin
"This battle is life, and life in the true Nietzschean sense of a cruel, pitiless, relentless battle deriving from the Will to Power.”

— Oswald Spengler
"One can, of course, induce a form of this silence by saying a short prayer-such as the Kyrie eleison-over and over again until the words become meaningless sound and yet exclude other thoughts, a method used by the Hesychast mystics of the Eastern Orthodox Church. But Western Christians, Protestants especially, think of this as the vain repetitions of the heathen, who "think they will be heard for their much speaking," not realizing that vain repetition more aptly describes their own endlessly talkative devotions."

- Alan Watts, In My Own Way, pages 182-3
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Forwarded from Lazarus Symposium
Alexander Nevsky (1938)
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"When has religion ever been one? It has always been two or three, and war has always been raged among coreligionists. How are you going to unify religion? On the Day of Resurrection it will be unified, but here in this world that is impossible because everybody has a different desire and want. Unification is not possible here. At the Resurrection, however, when all will be united, everyone will look to one thing, everyone will hear and speak one thing."

- Jalalludin Rumi, Signs of the Unseen
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Forwarded from Ghost of de Maistre
"Since St. John of the Cross was a man of great energy and intellectual curiosity and had been accustomed to dealing with Moriscos since his childhood in Medina del Campo (near Valladolid), it is difficult to believe that he had no contact with the Mora de Ubeda. Therefore, of all the great figures of Sufism it is al-Ghazzali who has the firmest and best documented connections with St. John of the Cross. The great Arabist Fr. Miguel Asin Palacios demonstrated convincingly the influence of the great Hispano-Muslim Sufi ibn Abbad of Ronda in Dark Night of the Soul by St. John of the Cross. There is a firm if oblique relation between al-Ghazzali and ibn Abbad. Al Ghazzali considered al-Hallaj to be among the greatest of mystics and esoterics, "among the fewest of the few", while ibn Abbad belonged to the Shadhiliyyah School or Order of Sufism, one of whose leading figures was al-Hallaj."

- "Persian Traditions in Spain" by Michael McClain