Video Games: The Youngest Art
essay by Erik Ilmuratov
“Games as an interactive medium and artistic method are used in contemporary art works. [...] The exhibition space can be designed as resembling a video game, like the GARAGE Museum of Contemporary Art and Novoe Architecture Bureau did at the exhibition ‘Assuming Distance: Speculations, Fakes, and Predictions in the Age of the Coronacene’ in 2021.
The viewers were invited to follow a route along special trails and a floor surface that was made of luminous squares and connected the museum halls. The very process of exploring the exhibition space was transformed into a gamified process reminiscent of arcade video games, questionnaires and scanwords.”
🔗read the full essay on </odra> platform
essay by Erik Ilmuratov
“Games as an interactive medium and artistic method are used in contemporary art works. [...] The exhibition space can be designed as resembling a video game, like the GARAGE Museum of Contemporary Art and Novoe Architecture Bureau did at the exhibition ‘Assuming Distance: Speculations, Fakes, and Predictions in the Age of the Coronacene’ in 2021.
The viewers were invited to follow a route along special trails and a floor surface that was made of luminous squares and connected the museum halls. The very process of exploring the exhibition space was transformed into a gamified process reminiscent of arcade video games, questionnaires and scanwords.”
🔗read the full essay on </odra> platform
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Mass Makeup: Freckles
by The Rodina | Tereza Ruller & Vit Rulller
Inspired by Korean standards of beauty, makeup trends, and facial plastic surgery, artists examine beauty as a socially constructed category. During the Mass Makeup performance, Tereza’s face was restaged into a canvas — a surface where action can take place. This act questions the involvement of society in how natural assemblages of muscles and skin are transformed into cultural artefacts.
🔗read more about The Rodina, a post-critical design studio with an experimental practice drenched in strategies of performance art, play, and subversion
#daily_art
by The Rodina | Tereza Ruller & Vit Rulller
Inspired by Korean standards of beauty, makeup trends, and facial plastic surgery, artists examine beauty as a socially constructed category. During the Mass Makeup performance, Tereza’s face was restaged into a canvas — a surface where action can take place. This act questions the involvement of society in how natural assemblages of muscles and skin are transformed into cultural artefacts.
🔗read more about The Rodina, a post-critical design studio with an experimental practice drenched in strategies of performance art, play, and subversion
#daily_art
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Sleeping Beauty
by Carlijn Jacobs
— an excursion into a world of mysterious festivals where other-worldly creatures wander amid the pageantry of a masked ball💫
The photographs will be exhibited at FOAM in Amsterdam until January 21, 2024.
#daily_art
by Carlijn Jacobs
— an excursion into a world of mysterious festivals where other-worldly creatures wander amid the pageantry of a masked ball
The photographs will be exhibited at FOAM in Amsterdam until January 21, 2024.
#daily_art
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AAMU SONG AND JOHAN OLIN
Secrets of Russia
Back in 2012, Aamu Song and Johan Olin, the two Finnish designers, travelled from Moscow to the Urals, into Siberia, and to the Caucasus in search of authentic crafts techniques and skilled masters.
These expeditions started the project called Secrets of Russia, where traditional technologies are lovingly used in making new products.
DAFES PROJECTOR🔦 outlined the main conclusions drawn from Aamu’s and Johan’s experiences exploring a different culture without knowledge of language and being mentored by the traditional masters → read here
Secrets of Russia
Back in 2012, Aamu Song and Johan Olin, the two Finnish designers, travelled from Moscow to the Urals, into Siberia, and to the Caucasus in search of authentic crafts techniques and skilled masters.
These expeditions started the project called Secrets of Russia, where traditional technologies are lovingly used in making new products.
DAFES PROJECTOR🔦 outlined the main conclusions drawn from Aamu’s and Johan’s experiences exploring a different culture without knowledge of language and being mentored by the traditional masters → read here
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1774
by Aranda\Lasch studio🪩
Designers refer to the year 1774, when Louis XV died, marking the sunset of one of history’s most lavish monarchies. In the same year, a young Swede named Johann Gahn, working in the deepest and wettest levels of a mine, discovered the metal Manganese.
At a molecular level, when combined with oxides, manganese displays a striking “super-crystal” modularity. In this solid aluminum chair, two historic events — the super-excess of Louis XV and the super-crystal of Manganese — are fused into a single moment of design.
The object was produced in 2007 for Johnson Trading Gallery.
#daily_design
by Aranda\Lasch studio
Designers refer to the year 1774, when Louis XV died, marking the sunset of one of history’s most lavish monarchies. In the same year, a young Swede named Johann Gahn, working in the deepest and wettest levels of a mine, discovered the metal Manganese.
At a molecular level, when combined with oxides, manganese displays a striking “super-crystal” modularity. In this solid aluminum chair, two historic events — the super-excess of Louis XV and the super-crystal of Manganese — are fused into a single moment of design.
The object was produced in 2007 for Johnson Trading Gallery.
#daily_design
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