♻️Go For Quality
by Dina Isaeva

The exhibition Go For Quality highlights the release of microplastics from clothing during wear, washing, and other forms of damage.

The exhibition design was created using the special display font Raspustilsya Sans as its foundation. The font's concept draws inspiration from the visual representation of holes in synthetic fabric, which are created when microplastics are released. Raspustilsya Sans was constructed by removing elements from a square grid.

🔗explore the project in detail

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Here is our new tag #dafes_follows to discover amazing creators from around the world that you definitely don't want to miss 💫
 
Today, let’s have a look at Jay Zhong, a student of the Fashion Design programme at the University of Westminster, focusing on sustainable fashion, tech packs, pattern cutting, print design, and more.

Zhong is already running his own brand, ZHONG studio 🪩

The brand is dedicated to pushing the boundaries with its unconventional use of materials like waste metal and plastics, resulting in unique, one-of-a-kind pieces. Influenced by a blend of East Asian and Western styles, Zhong is drawn to subcultures and incorporates dark undertones into the designs.
 
🔗read more about the creator in the graduate season review

Ball Chair
by Eero Aarnio

⚪ Eero Aarnio is an innovative designer who is always ahead of his time. Back in the 1960s, he was one of the first to start working with plastic. The chairs and tables of unimaginable shapes and colours invented by him are the personification of the era of the sixties.
 
It is no coincidence that his famous Ball starred in such films as Mars Attack! and Men in Black. The innovator himself, living ten metres away from the purest lake and being in constant contact with wildlife, is convinced that the era of plastic hasn’t come to an end.

→ read the interview in DAFES PROJECTOR🔦

⚡Typoapocalypse Digital Art Exhibition
by Anastasiya Zelenkevich

The exhibition draws inspiration from zombie movies, using visual metaphors to explore the tension between order and disorder in typographic design. It challenges the traditional purpose of fonts and layouts, pushing the boundaries of readability and legibility in an apocalyptic context.

🔗see the project in detail

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