MachineMeat – Telegram
MachineMeat
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Self-portrait but I'm uglier. #sketch
Refrence by Kilgaraaa in twitter.
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یک جای کار رنگ‌روغن‌ام‌ رو خراب کردم می‌خواستم Cz بگیرم
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Forwarded from THIS ENDLESS BLUE SKY IS DRIVING ME INSANE
Forwarded from THIS ENDLESS BLUE SKY IS DRIVING ME INSANE
دوستان کسی یک فایل درست و درمون از اسپاتیفای (مود) داره؟ اغلب اون‌هایی که من نصب کردم مشکل لاگین و کرش شدن دارن.
TW//Trypophobia(holes)
The little pot I made for an academy project, currently in progress.
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MachineMeat
Photo
It's my first experience with pottery, in fact.
And I have Trypophobia, I must add.
Wip #oc
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Good cat Fish🐟
Art vs artist 2025
Art vs artist — but I barley drew this year... Lame.
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I will do much more when my academic projects are over, promise. I'm having a lot in my plate, barley surviving.
Forwarded from THIS ENDLESS BLUE SKY IS DRIVING ME INSANE (SETH)
art vs artist per request (shahin told me so)
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2025/11/16
The Vampire Lestat — December 2025
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MachineMeat
The Vampire Lestat — December 2025
My overview of his motal did a lot in my painting's concept, actually.
He is indeed a perfect idol of a morally grey character, which understanding and reflecting on his actions and emotional process provided me kneeling to a crazy concept I had in mind.
The right side of the painting shows light, devine and a glorious perspective of his face, lines more focused and more of a clean, well draw hair. however, slight splashes of blood and the further part of devine being clumsy shows the error and egotist of his light.
On the other side, the picture fades into something darker. The shade gets close to darkness until it's possessed by it. Lines and colours develops to roughness and corruption occupies/blinds his eyes. The splashes of red get more bold and glorifies itself with slight splashes of gold, showing the acceptance of his violent identity.
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I'm in an awkward placement of art-block where nothing I draw pleases me, nor I got enough time to practice so I can stimulate the pleasure with a better result.
Khodaya komak.
Door Of The Damned—2020
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