Here is an engraving by Matthias Gottfried Eichler from 1799, View of Moscow from the Balcony of the Imperial Palace in the Kremlin towards the Orphanage.
At first glance nothing seems out of the ordinary, until we notice the Kremlin wall is buried to the top, none of the ground is paved, walls are destroyed with shrubs and other plantlife growing rampantly.
This is not one engraving, I've covered other artists of the same era who all identically portray these medieval cities in total ruins. Those who are adamant on modern chronology and a global flood being fake don't have anything to address this fact. Was it some kind of art trend in the past to depict every single city as having been abandoned in ruins?
Were the rulers of the past this negligent to maintain their cities? After all, how could they possibly construct such enormous architecture yet fail to pave a road or cut a bush.
That's how we know they didn't build it, but inherited it from a previous civilization who left it all abandoned.
At first glance nothing seems out of the ordinary, until we notice the Kremlin wall is buried to the top, none of the ground is paved, walls are destroyed with shrubs and other plantlife growing rampantly.
This is not one engraving, I've covered other artists of the same era who all identically portray these medieval cities in total ruins. Those who are adamant on modern chronology and a global flood being fake don't have anything to address this fact. Was it some kind of art trend in the past to depict every single city as having been abandoned in ruins?
Were the rulers of the past this negligent to maintain their cities? After all, how could they possibly construct such enormous architecture yet fail to pave a road or cut a bush.
That's how we know they didn't build it, but inherited it from a previous civilization who left it all abandoned.
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Vsevolod's Vedic Russia
Many have seen these paintings, likely in the context of internet memes pertaining to Hyperborea and lost civilizations or simply while searching for Pagan artwork. However, very few know who the artist behind these paintings is and what their motives are.
Most will be quick to assume that the artist is depicting fairy tales or mythology, perhaps a fictional fantasy or a work of science fiction. Meanwhile, others, failing to notice the depictions of mammoths, giants, and flying machines, simply assume these paintings to be of Pagan times.
But to Ivanov Vsevolod, who was born in the Soviet Union in 1950, this was not fiction. Vsevolod believed that the history of Russia had been falsified, as had the history of the world for that matter.
"Vedic Russia," as he named the series of paintings, sought to depict Russia as it truly was. The artist shows us Vedic Gods, herds of mammoths, and the pagan rites of Vedic Russia. He paints the daily life of the legendary land and its inhabitants.
Many have seen these paintings, likely in the context of internet memes pertaining to Hyperborea and lost civilizations or simply while searching for Pagan artwork. However, very few know who the artist behind these paintings is and what their motives are.
Most will be quick to assume that the artist is depicting fairy tales or mythology, perhaps a fictional fantasy or a work of science fiction. Meanwhile, others, failing to notice the depictions of mammoths, giants, and flying machines, simply assume these paintings to be of Pagan times.
But to Ivanov Vsevolod, who was born in the Soviet Union in 1950, this was not fiction. Vsevolod believed that the history of Russia had been falsified, as had the history of the world for that matter.
"Vedic Russia," as he named the series of paintings, sought to depict Russia as it truly was. The artist shows us Vedic Gods, herds of mammoths, and the pagan rites of Vedic Russia. He paints the daily life of the legendary land and its inhabitants.
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I will not be the only one to testify that when I look at these paintings, they put me into a trance. I know this place; I've seen all of this before. I was there. It was real.
I am not the only one who experiences this, as many have. This is a case of genetic memory that no ordinary painting could tap into. Maybe this is why we are so drawn to the genre of high fantasy. Much of our modern fiction is based on fantasy settings, legendary races, vast kingdoms, forgotten languages, cataclysmic wars, advanced technology, lost continents, mythical creatures, and much more.
Ironically, critics have compared Anatoly Fomenko's New Chronology to Tolkien's fantasy world of Middle Earth. But perhaps Tolkien was the one inspired by the genetic memory of our ancient past, and not Fomenko (who critics joke about being inspired by Tolkien).
There is more truth in fairy tales than in history books.
I am not the only one who experiences this, as many have. This is a case of genetic memory that no ordinary painting could tap into. Maybe this is why we are so drawn to the genre of high fantasy. Much of our modern fiction is based on fantasy settings, legendary races, vast kingdoms, forgotten languages, cataclysmic wars, advanced technology, lost continents, mythical creatures, and much more.
Ironically, critics have compared Anatoly Fomenko's New Chronology to Tolkien's fantasy world of Middle Earth. But perhaps Tolkien was the one inspired by the genetic memory of our ancient past, and not Fomenko (who critics joke about being inspired by Tolkien).
There is more truth in fairy tales than in history books.
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According to the official Scaligerian history, The Cossacks were simply a culture of nomadic paramilitary horsemen in the Russian Empire on the coast of the Black Sea. But I find that they were much more than that, they are the last memory of the old world culture, hence their targeted extermination by Bolsheviks.
I see the mirroring of dozens of epic cultures scattered throughout the Scaligerian timeline, Mongols, Huns, Turks, Babylonians, Egyptians, Scythians, Rig Vedic Aryans, and what scholars call "Yamnaya". When we cease to view history through this distorted lens of blatant duplication, relabeling, and mistranslating history over a 5000 year timeline, we see a single unified civilization.
When I read about these Eurasian horseback nomads, powerful and independent, I read about one ancient culture, that is The Old World Order, otherwise known as Tartaria. They were not merely horse riders who occupied Europe and Asia, the entire planet was their empire until it was forcefully taken by enemy parasites.
I see the mirroring of dozens of epic cultures scattered throughout the Scaligerian timeline, Mongols, Huns, Turks, Babylonians, Egyptians, Scythians, Rig Vedic Aryans, and what scholars call "Yamnaya". When we cease to view history through this distorted lens of blatant duplication, relabeling, and mistranslating history over a 5000 year timeline, we see a single unified civilization.
When I read about these Eurasian horseback nomads, powerful and independent, I read about one ancient culture, that is The Old World Order, otherwise known as Tartaria. They were not merely horse riders who occupied Europe and Asia, the entire planet was their empire until it was forcefully taken by enemy parasites.
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Asgard - Not mythology but a real city once located in modern day Omsk, Siberia. Asgard of Iriy was the capital of Aryan civilization on Midgard Earth, where the salvation of humanity began.
They had built bastions and fortresses, star cities and starports, terrestrial infrastructure, tens of thousands of kilometers of canals, artificial waterworks, and dams. They had built power stations capable of producing millions of megawatts of electricity, jewel-covered towers with domes of gold. Alien enemies could not penetrate its forcefield for only those with pure intent could enter. A million fairy tales could never capture the beauty and sanctity of Asgard.
Asgard was later moved to Dagestan and from there to Uppsala, Sweden. This movement was described by Snorri Sturluson in the Heimskringla. Snorri also tells us that the Aesirs came from Asia, pointing to its etymology, as we know the name "Asia" means Land of Aces, the root "As" in Proto-Slavic Sanskrit refers to your true higher self, the god incarnate.
They had built bastions and fortresses, star cities and starports, terrestrial infrastructure, tens of thousands of kilometers of canals, artificial waterworks, and dams. They had built power stations capable of producing millions of megawatts of electricity, jewel-covered towers with domes of gold. Alien enemies could not penetrate its forcefield for only those with pure intent could enter. A million fairy tales could never capture the beauty and sanctity of Asgard.
Asgard was later moved to Dagestan and from there to Uppsala, Sweden. This movement was described by Snorri Sturluson in the Heimskringla. Snorri also tells us that the Aesirs came from Asia, pointing to its etymology, as we know the name "Asia" means Land of Aces, the root "As" in Proto-Slavic Sanskrit refers to your true higher self, the god incarnate.
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