https://www.youtube.com/watch?v=9-6bTGZ3DEw
Artwork: Tuco Amalfi - Fire, 1996 / Birth of an Intention II, 1998 / Dancers, 1996
Artwork: Tuco Amalfi - Fire, 1996 / Birth of an Intention II, 1998 / Dancers, 1996
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The central image of The Blind Owl is the vision that our narrator sees through the ventilation hole at the top of his closet, the likeness of which he seems to unconsciously paint on all of the pencase covers that he decorates:
“On the open ground outside my room I saw a bent old man sitting at the foot of a cypress tree with a young girl — no, an angel from heaven — standing before him. She was leaning forward and with her right hand was offering him a blue flower of morning glory. The old man was biting the nail of the index finger of his left hand.”
The most important element of this iconic scene is the feminine“angel,” whom the narrator goes on to meet in person in the present time frame and who, as we shall see, bears so many resemblances to both his wife and his mother from his past lifetime in Rey, that she must in some sense be one and the same figure as them.
This “angel,” glimpsed only for a moment, is unforgettable to the narrator because she is “so intimately bound up with” his “own existence,” and yet at the same time he beholds “all the wretchedness of” his “existence” in “the glory and splendor of the star.”
[...]
Our narrator repeatedly tells us that he knows the angel’s name and that he has long known it — but he will not mention it for fear of defiling her; it is too sacred to utter amidst this world of lies.
Her name is Daenâ.
- Jason Reza Jorjani, NOVEL FOLKLORE
Artwork: Marcos Alvarado, 2020s
“On the open ground outside my room I saw a bent old man sitting at the foot of a cypress tree with a young girl — no, an angel from heaven — standing before him. She was leaning forward and with her right hand was offering him a blue flower of morning glory. The old man was biting the nail of the index finger of his left hand.”
The most important element of this iconic scene is the feminine“angel,” whom the narrator goes on to meet in person in the present time frame and who, as we shall see, bears so many resemblances to both his wife and his mother from his past lifetime in Rey, that she must in some sense be one and the same figure as them.
This “angel,” glimpsed only for a moment, is unforgettable to the narrator because she is “so intimately bound up with” his “own existence,” and yet at the same time he beholds “all the wretchedness of” his “existence” in “the glory and splendor of the star.”
[...]
Our narrator repeatedly tells us that he knows the angel’s name and that he has long known it — but he will not mention it for fear of defiling her; it is too sacred to utter amidst this world of lies.
Her name is Daenâ.
- Jason Reza Jorjani, NOVEL FOLKLORE
Artwork: Marcos Alvarado, 2020s
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You can try to send as many bombs as you like, even if they're nuclear. But you won't defeat us, because WE ARE THE FIRE. We are the prophetesses and prophets of The Flame, and in the end, YOU are parasites crawling on the edge of a steak knife. https://www.youtube.com/watch?v=ZFNW3heSkq8
YouTube
Nuclear Explosions Compilation / Aphex Twin
Music: Aphex Twin
- Xtal
- Heliosphan
- Alberto Balsalm
Film: Peter Kuran - Trinity and Beyond: The Atomic Bomb Movie (1995)
- Xtal
- Heliosphan
- Alberto Balsalm
Film: Peter Kuran - Trinity and Beyond: The Atomic Bomb Movie (1995)
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If you listen to this carefully, line by line, you can HEAR the PsyOp… Read my CLOSER ENCOUNTERS if you want a broader and deeper perspective than what this Military-Intelligence operative is telling you while he postures as a ‘disclosure’ hero, and while he maneuvers to secure legal amnesty for a Syndicate who took over the USG in 1947, murdered JFK in 1963, and blew up the Twin Towers in 2001. https://x.com/UAPJames/status/1826031598913073473
X (formerly Twitter)
UAP James (@UAPJames) on X
Lue Elizondo tells Ross Coulthart the U.S. has retrieved “vehicles of unknown origin” and “the occupants of these vehicles to include biological specimens.”
“We are not alone in this universe… the U.S. Govt has been aware of that fact now for decades.”
…
“We are not alone in this universe… the U.S. Govt has been aware of that fact now for decades.”
…
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UFOs and the various trickster-type phenomena involved in Close Encounters are like “Trojan Horses” of this Cosmic Joker — deceptive “paraphysical objects” that disguise the Thing’s true nature so that it can manipulate us for purposes ultimately known only to itself.
For us to let it in, this Thing once had to assume the form of “angels”; now “aliens” have more authority. It is only the limits of the human mind, with its dualistic framing of things, that wants to see “demons” — or “bad aliens” — as a class of beings set against “angels” or putatively benevolent “Space Brothers.”
- Jason Reza Jorjani, CLOSER ENCOUNTERS
Artwork: Burmistrov - Flowers to Aliens, 1970s
For us to let it in, this Thing once had to assume the form of “angels”; now “aliens” have more authority. It is only the limits of the human mind, with its dualistic framing of things, that wants to see “demons” — or “bad aliens” — as a class of beings set against “angels” or putatively benevolent “Space Brothers.”
- Jason Reza Jorjani, CLOSER ENCOUNTERS
Artwork: Burmistrov - Flowers to Aliens, 1970s
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Films that have influenced me, #012.
Katsuhiro Otomo, AKIRA (1988).
Katsuhiro Otomo, AKIRA (1988).
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If the archons are writing this, they're good. https://www.youtube.com/watch?v=arPxBqDmjAc
YouTube
WE ARE X! X JAPAN -「X」 [PV]
X JAPAN -「X」
TOSHI - LEAD VOCAL
YOSHIKI - DRUMS
hide - LEAD GUITAR & BACK VOCAL
PATA - GUITAR
TAIJI - BASS
FOREVER X! WE ARE X!
「X」
作詞:白鳥瞳
作曲:YOSHIKI
さめきった街に別れを告げ
荒れくるう刺激に身をさらせ
あいつの瞳は光り失せた
燃えくるう心は操れない
乱れた愛に流され おまえは全てを失った
身体貫く叫びで おまえの心壊してやる
錆付いた言葉投げ捨てて…
TOSHI - LEAD VOCAL
YOSHIKI - DRUMS
hide - LEAD GUITAR & BACK VOCAL
PATA - GUITAR
TAIJI - BASS
FOREVER X! WE ARE X!
「X」
作詞:白鳥瞳
作曲:YOSHIKI
さめきった街に別れを告げ
荒れくるう刺激に身をさらせ
あいつの瞳は光り失せた
燃えくるう心は操れない
乱れた愛に流され おまえは全てを失った
身体貫く叫びで おまえの心壊してやる
錆付いた言葉投げ捨てて…
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Let the storm come. https://www.youtube.com/watch?v=QhOFg_3RV5Q
YouTube
X JAPAN 『ENDLESS RAIN』(HD)
X JAPAN - "ENDLESS RAIN"
is taken from the album, 'BLUE BLOOD' (Sony Music - 1989)
「EMDLESS RAIN」のダウンロード&ストリーミングはこちら https://xjapan.lnk.to/endlessrainAY
X JAPAN Streaming and DL available here: https://xjapan.lnk.to/ListenAY
X Japan on YouTube: https:…
is taken from the album, 'BLUE BLOOD' (Sony Music - 1989)
「EMDLESS RAIN」のダウンロード&ストリーミングはこちら https://xjapan.lnk.to/endlessrainAY
X JAPAN Streaming and DL available here: https://xjapan.lnk.to/ListenAY
X Japan on YouTube: https:…
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Like Artemis, Hecate was a lunar goddess. Hecate also shared with Artemis an association with wolves, being called the “She-wolf” on certain protective charms. Other charms even referred to her as “chief huntress,” clearly a noscript of Artemis. Hecate also shares with Artemis, the role of nurse goddess who presides over childbirth.
On account of all of these affinities, images of Artemis and Hecate are often indistinguishable. In addition to both being the goddess of crossroads, they were both also known as the watcher over harbors. In this connection, I suspect that the Statue of Liberty in New York harbor is actually Artemis-Hecate. As with Artemis, the priestesses of Hecate were torch bearing.
- Jason Reza Jorjani, LOVERS OF SOPHIA
Artwork: Chema Mendez, 2020s
On account of all of these affinities, images of Artemis and Hecate are often indistinguishable. In addition to both being the goddess of crossroads, they were both also known as the watcher over harbors. In this connection, I suspect that the Statue of Liberty in New York harbor is actually Artemis-Hecate. As with Artemis, the priestesses of Hecate were torch bearing.
- Jason Reza Jorjani, LOVERS OF SOPHIA
Artwork: Chema Mendez, 2020s
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