Insurgence (Socks Blown): Inside Man Remix
TMSSP
My Personal Best: A Best of, of... Er?... My Personal Best...
Is it too soon to create a best of album?
Maybe?
I've been creating tracks for 3, or maybe even 5 years now?
Shit, time goes fast!
Recent events have caused me to look at things, look back at things and appreciate the things I've enjoyed doing and the people around me.
One of those things I've always had a passion for, but more so, since I started producing it myself, is Electronic music and in particular Techno, Drum N Bass and Trance in particular.
So with that in mind, I've kind of compiled a selection of, what I feel are my best work from my music creations library. Some are old (and if I'm brutally honest, were likely a fluke that they were that good, considering my skillset at the time?) and some not so old, but all of them span my time making tunes.
Hopefully you'll enjoy this selection anyway?
Thank you to everyone who's subbed to my music channel and supported this other side of me, it really is very much appreciated.
Sam
Is it too soon to create a best of album?
Maybe?
I've been creating tracks for 3, or maybe even 5 years now?
Shit, time goes fast!
Recent events have caused me to look at things, look back at things and appreciate the things I've enjoyed doing and the people around me.
One of those things I've always had a passion for, but more so, since I started producing it myself, is Electronic music and in particular Techno, Drum N Bass and Trance in particular.
So with that in mind, I've kind of compiled a selection of, what I feel are my best work from my music creations library. Some are old (and if I'm brutally honest, were likely a fluke that they were that good, considering my skillset at the time?) and some not so old, but all of them span my time making tunes.
Hopefully you'll enjoy this selection anyway?
Thank you to everyone who's subbed to my music channel and supported this other side of me, it really is very much appreciated.
Sam
🎉1
Forwarded from Thumper
To be clear this is a HYPOTHESIS but if its true then the implications are grim and shedding is very real. https://www.tmrjournals.com/public/articlePDF/20221114/483e983160eb24f1ef94bdd666603ac9.pdf
Sam Fisher (Data Drops)
The New Chronology by Anatoly Fomenko, Gleb Nosovskiy, Et al. is one of few scholarly works to take Grazian Quantavolution seriously. Among its criticisms of Quantavolution, The New Chronology, naturally, rebukes some of Alfred De Grazia's chronology, though…
There is a great plethora of false information circulating about orgonomic science.
The US Secret Service catch counterfeit by expertise in genuine: there's no such thing as expert in counterfeit because new counterfeits may be invented at any time whereas genuine remains in controlled and limited supply. Suffice it to know the genuine to spot a counterfeit. If it's not genuine, then it's counterfeit. If it's genuine, it's not counterfeit. If it doesn't look like it, doesn't smell like it, doesn't feel like it, and doesn't taste like it, it's not it.
With the death of James DeMeo last year, went the Natural Energy Works bookstore. These images below are from the last available copy of Pulse of the Planet #3 on Amazon.com, like that, sold out, but I can share this much Fair Use with you; otherwise, "No part of this journal may be reproduced or transmitted in any manner without written permission from the publisher and authors" and "©1991, 2015. All Rights Reserved by the Orgone Biophysical Research Laboratory, Inc., a non-profit research and educational foundation."
I had promised more research on Atlantis and Mudflood to complement what I have already shared on Grazian Quantavolution and Fomenko's New Chronology and Jim's cloudbusting field work is a direct result of Velikovskian Catastrophism as well as as Reichian Functionalism. Velikovsky published that the Greek Dark Ages were a fictitious half millennium invented before Anatoly Fomenko was old enough to know who Isaac Newton was, let alone that Newton's chronology found that the entire Medieval Dark Ages were also an historical fallacy, pure invention.
All these scholars agree that humanity continues to suffer the trauma of Earth's dessication, and Jim's cloudbusting was the immediate continuance of Reich's promise of healing these wounds of the past.
I hope this is helpful for you?
The US Secret Service catch counterfeit by expertise in genuine: there's no such thing as expert in counterfeit because new counterfeits may be invented at any time whereas genuine remains in controlled and limited supply. Suffice it to know the genuine to spot a counterfeit. If it's not genuine, then it's counterfeit. If it's genuine, it's not counterfeit. If it doesn't look like it, doesn't smell like it, doesn't feel like it, and doesn't taste like it, it's not it.
With the death of James DeMeo last year, went the Natural Energy Works bookstore. These images below are from the last available copy of Pulse of the Planet #3 on Amazon.com, like that, sold out, but I can share this much Fair Use with you; otherwise, "No part of this journal may be reproduced or transmitted in any manner without written permission from the publisher and authors" and "©1991, 2015. All Rights Reserved by the Orgone Biophysical Research Laboratory, Inc., a non-profit research and educational foundation."
I had promised more research on Atlantis and Mudflood to complement what I have already shared on Grazian Quantavolution and Fomenko's New Chronology and Jim's cloudbusting field work is a direct result of Velikovskian Catastrophism as well as as Reichian Functionalism. Velikovsky published that the Greek Dark Ages were a fictitious half millennium invented before Anatoly Fomenko was old enough to know who Isaac Newton was, let alone that Newton's chronology found that the entire Medieval Dark Ages were also an historical fallacy, pure invention.
All these scholars agree that humanity continues to suffer the trauma of Earth's dessication, and Jim's cloudbusting was the immediate continuance of Reich's promise of healing these wounds of the past.
I hope this is helpful for you?
Forwarded from Orgone Channel Telegram (ned)
*Breathe deep and fly high."
~ James DeMeo
~ James DeMeo
Forwarded from Orgone Channel Telegram (ned)
Orgone Channel Telegram
*Breathe deep and fly high." ~ James DeMeo
Cloudbuster Icarus
What's in the name?
Some readers of the Pulse have asked why the experimental cloudbuster used in our field research is named Icarus. One questioner wonders why we do not use the name Daedalus, from the same Greek Legend. In the legend, Daedalus and his son, Icarus, escaped from the isle of Crete by making wings of wax and feathers. Daedalus warned his son not to fly too close to the Sun, but his son ignored the warning. Icarus soared higher and higher until, finally, his wings melted and he fell into the sea. Daedalus, who safely stayed at lower altitude, and who did not soar to the heights, made it back to the mainland. Daedalus was also credited with the invention of the Labyrinth, a complication maze in which the half-bull, half-man Minotaur was confined. On the surface, these myths seem to condemn Icarus for his foolhardiness, in ignoring the wise words of his father and flying too close to the Sun. But upon analysis, the myth indicates something else. Daedalus played it safe, and never experienced either the ecstasy of soaring, nor of touching the Sun, nor of the fall (surrender). The young Icarus yields to feeling and soars; he melts; he surrenders and drowns in the sea, which is a metaphor for oceanic feeling, or sea of emotion. Daedalus, instead, traps his bull-like rage inside the complex Labyrinth of armored structure, and cannot soar, cannot melt, or feel deeply, except for sorrow at the loss of his untamed son, Icarus. In this sense, Daedalus is Reich's Homo normalis, afraid to make any deep contact with nature or self, while Icarus is the Child of the Future. The essence of this interpretation of the Icarus myth was captured in a large bronze sculpture by Charles Umlauf. I first observed that bronze statue of Icarus in 1977, in front of Nichols Hall at the University of Kansas Space Technology Center, when I was a student there. It captured the ecstacy of Icarus in the fall, or surrender, which also appears as an embrace. Hopefully, in my drawing, I have captured some of Umlauf's portrayal. I was so deeply impressed with Umlauf's sculpture, and this interpretation of the legend, that, in 1977, the newly-constructed cloudbuster was named: Icarus.
J.D.
Pulse of the Planet #3, Summer 1991, p. 117
Orgone Biophysical Research Laboratory, Inc.
Natural Energy Works
What's in the name?
Some readers of the Pulse have asked why the experimental cloudbuster used in our field research is named Icarus. One questioner wonders why we do not use the name Daedalus, from the same Greek Legend. In the legend, Daedalus and his son, Icarus, escaped from the isle of Crete by making wings of wax and feathers. Daedalus warned his son not to fly too close to the Sun, but his son ignored the warning. Icarus soared higher and higher until, finally, his wings melted and he fell into the sea. Daedalus, who safely stayed at lower altitude, and who did not soar to the heights, made it back to the mainland. Daedalus was also credited with the invention of the Labyrinth, a complication maze in which the half-bull, half-man Minotaur was confined. On the surface, these myths seem to condemn Icarus for his foolhardiness, in ignoring the wise words of his father and flying too close to the Sun. But upon analysis, the myth indicates something else. Daedalus played it safe, and never experienced either the ecstasy of soaring, nor of touching the Sun, nor of the fall (surrender). The young Icarus yields to feeling and soars; he melts; he surrenders and drowns in the sea, which is a metaphor for oceanic feeling, or sea of emotion. Daedalus, instead, traps his bull-like rage inside the complex Labyrinth of armored structure, and cannot soar, cannot melt, or feel deeply, except for sorrow at the loss of his untamed son, Icarus. In this sense, Daedalus is Reich's Homo normalis, afraid to make any deep contact with nature or self, while Icarus is the Child of the Future. The essence of this interpretation of the Icarus myth was captured in a large bronze sculpture by Charles Umlauf. I first observed that bronze statue of Icarus in 1977, in front of Nichols Hall at the University of Kansas Space Technology Center, when I was a student there. It captured the ecstacy of Icarus in the fall, or surrender, which also appears as an embrace. Hopefully, in my drawing, I have captured some of Umlauf's portrayal. I was so deeply impressed with Umlauf's sculpture, and this interpretation of the legend, that, in 1977, the newly-constructed cloudbuster was named: Icarus.
J.D.
Pulse of the Planet #3, Summer 1991, p. 117
Orgone Biophysical Research Laboratory, Inc.
Natural Energy Works