• ترجمهی اختصاصی فیلم «Kubi 2023» اثر تاکشی کیتانو توسط سینه فیلیا منتشر شد. جهت دانلود زیرنویس و حمایت از ما به سایت سابسورس مراجعه و به صورت مستقیم زیرنویس را دریافت کنید.
🔗 SubSource:
• For Web DL Version: Link
● Translated by: مهدی
🔗 SubSource:
• For Web DL Version: Link
● Translated by: مهدی
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Cinephilia
Title: Kubi 2023 Director: #Takeshi_Kitano Genre: #Action . #History Country: 🇯🇵 (Japan) Language: Japanese Runtime: 2h 11m Festival: #CannesFilmFestival Awards: 10 Nominations ©️ Cinephilia 🎗@Video_Archives
اثر جدید تاکشی کیتانو، کارگردان مولف ژاپنی
◾️این فیلم جزو محبوبترین فیلمهای منتقدین از کن 2023 بود.
◾️این فیلم جزو محبوبترین فیلمهای منتقدین از کن 2023 بود.
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نشست مطبوعاتی با فرانسیس فورد کوپولا
#️⃣ #Cannes77 . #ترجمه_اختصاصی
©️ Cinephilia
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برای ساخت مگالوپولیس با چه ترسهایی
مواجه شدید؟
#️⃣ #Cannes77 . #ترجمه_اختصاصی
©️ Cinephilia
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Title: National Theatre Live: Phaedra
Director: #Simon_Stone
Medium: Theatre
Genre: #Drama
Country:🇬🇧
Languages: English
Runtime: 2h 22m
©️ Cinephilia
🎗@Video_Archives
Director: #Simon_Stone
Medium: Theatre
Genre: #Drama
Country:
Languages: English
Runtime: 2h 22m
©️ Cinephilia
🎗@Video_Archives
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Phaedra - Official Trailer National Theatre Live
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مصاحبه با پایال کاپادیا
برنده جایزه بزرگ جشنواره
#️⃣ #Cannes77 . #ترجمه_اختصاصی
©️ Cinephilia
🎗@Video_Archives
برنده جایزه بزرگ جشنواره
ساختن فیلم مستقل در هند چگونه است؟
#️⃣ #Cannes77 . #ترجمه_اختصاصی
©️ Cinephilia
🎗@Video_Archives
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نشست مطبوعاتی فیلم «The Substance | ماده» و پرسش از دمی مور
برنده بهترین فیلمنامه جشنواره
#️⃣ #Cannes77 . #ترجمه_اختصاصی
©️ Cinephilia
🎗@Video_Archives
برنده بهترین فیلمنامه جشنواره
چه تفاوتی میان این فیلم در حاضر( در لفافه منظورش اینه که در این سن) و فیلمایی که بطور مشخص در دهه ۹۰ میلادی بازی میکردید و بعنوان یک آیکون زیبایی در سینمای هالیوود شناخته میشدید، وجود داشت؟
#️⃣ #Cannes77 . #ترجمه_اختصاصی
©️ Cinephilia
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📓 One Shot Hitchcock: A Contemporary Approach to the Screen (2024)
📓 Book denoscription:
In recent years, the enduring appeal of Alfred Hitchcock to film studies has been evidenced by the proliferation of innovative approaches to the director's work. Adding to this pattern of innovation, the edited collection One Shot Hitchcock: A Contemporary Approach to the Screen utilizes formal analysis to interrogate key single shots from across Alfred Hitchcock's long career. This collection reveals the value of analyzing the single shot - within this small, cinematic unit is a code that unlocks a series of revelations about cinema as an artistic practice and a theoretical study. Each chapter examines one shot from a single film, beginning with The Lodger (1927) and ending with Frenzy (1972).
If Hitchcock is known as a director of suspense films and films about murder, the shots discussed in One Shot Hitchcock are his crime scenes. These are the shots that resist being forgotten, that repeatedly demand to be investigated, in which Hitchcock's influence on aesthetics and culture is at its most acute. Each chapter uses a different lens of film analysis - transnationalism, gender and sexuality, performance, history, affect, intermediality, remake studies, philosophy, and film form are all used to interrogate single shots. In these essays, the single shot from Hitchcock's film not only illustrates the approach in question but also demonstrates how the single shot encourages us to rethink our approaches to the screen. By reinvigorating a close formal mode of analysis, One Shot Hitchcock asks readers to think differently about film, offering a renewed assessment of Hitchcock's oeuvre in the process.
©️ Cinephilia
🎗@Video_Archives
📓 Book denoscription:
In recent years, the enduring appeal of Alfred Hitchcock to film studies has been evidenced by the proliferation of innovative approaches to the director's work. Adding to this pattern of innovation, the edited collection One Shot Hitchcock: A Contemporary Approach to the Screen utilizes formal analysis to interrogate key single shots from across Alfred Hitchcock's long career. This collection reveals the value of analyzing the single shot - within this small, cinematic unit is a code that unlocks a series of revelations about cinema as an artistic practice and a theoretical study. Each chapter examines one shot from a single film, beginning with The Lodger (1927) and ending with Frenzy (1972).
If Hitchcock is known as a director of suspense films and films about murder, the shots discussed in One Shot Hitchcock are his crime scenes. These are the shots that resist being forgotten, that repeatedly demand to be investigated, in which Hitchcock's influence on aesthetics and culture is at its most acute. Each chapter uses a different lens of film analysis - transnationalism, gender and sexuality, performance, history, affect, intermediality, remake studies, philosophy, and film form are all used to interrogate single shots. In these essays, the single shot from Hitchcock's film not only illustrates the approach in question but also demonstrates how the single shot encourages us to rethink our approaches to the screen. By reinvigorating a close formal mode of analysis, One Shot Hitchcock asks readers to think differently about film, offering a renewed assessment of Hitchcock's oeuvre in the process.
©️ Cinephilia
🎗@Video_Archives
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