Title: Knight of Fortune 2022
Director: #Lasse_Lyskjær_Noer
Genre: #Short
Country: 🇩🇰 [#Denmark]
Languages: Danish, Swedish
Runtime: 24m
Festival: #AcademyAwards2024
Awards: 2 Wins & 2 Nomination
©️Cinephilia
🎗@Cinephilian
Director: #Lasse_Lyskjær_Noer
Genre: #Short
Country: 🇩🇰 [#Denmark]
Languages: Danish, Swedish
Runtime: 24m
Festival: #AcademyAwards2024
Awards: 2 Wins & 2 Nomination
©️Cinephilia
🎗@Cinephilian
👍6❤2✍1
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Title: Knight of Fortune (2022)
Director: Lasse Lyskjær Noer
Quality: 1080p.WEB-DL
Encoder: CINEPHILIA
Language: Danish
Subnoscript: English (SoftSub)
Festival: Academy Awards 2024
©️Cinephilia
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Director: Lasse Lyskjær Noer
Quality: 1080p.WEB-DL
Encoder: CINEPHILIA
Language: Danish
Subnoscript: English (SoftSub)
Festival: Academy Awards 2024
©️Cinephilia
🎗@Cinephilian
👍5❤3
چنانچه مایل هستید که فیلم ترجمه شود و اسپانسر ترجمه زیرنویس این فیلم میشوید، لطفا در کامنت یا پیوی ادمین اعلام بفرمایید.
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©️Cinephilia
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Title: The Damned (2024)
Director: #Roberto_Minervini
Genre: #Drama . #History
Country: 🇮🇹🇧🇪🇺🇸 [#Italy.#Belgium.#USA]
Languages: English
Runtime: 1h 24m
Festival: #CannesFilmFestival
Awards: 2 Wins & 4 Nominations
⭐️ IMDb: 6,1
🍅 Rotten Tomatoes: 71%
Ⓜ️ Metacritic: 63%
🟢 Letterboxd: 3,1/5
خلاصه داستان: زمستان سال 1862؛ در طول جنگ داخلی، ارتش ایالات متحده یک گروه داوطلب را برای گشتزنی در مناطق ناشناخته غربی اعزام میکند.
🎖برنده بهترین کارگردانی در بخش نوعی نگاه کن2024
🎖جزو برترین فیلمهای جردن کرانک،منتقد سرشناس فیلم کامنت و ریورس شات از کن2024
©️Cinephilia
🎗@Cinephilian
Director: #Roberto_Minervini
Genre: #Drama . #History
Country: 🇮🇹🇧🇪🇺🇸 [#Italy.#Belgium.#USA]
Languages: English
Runtime: 1h 24m
Festival: #CannesFilmFestival
Awards: 2 Wins & 4 Nominations
⭐️ IMDb: 6,1
🍅 Rotten Tomatoes: 71%
Ⓜ️ Metacritic: 63%
🟢 Letterboxd: 3,1/5
خلاصه داستان: زمستان سال 1862؛ در طول جنگ داخلی، ارتش ایالات متحده یک گروه داوطلب را برای گشتزنی در مناطق ناشناخته غربی اعزام میکند.
🎖برنده بهترین کارگردانی در بخش نوعی نگاه کن2024
🎖جزو برترین فیلمهای جردن کرانک،منتقد سرشناس فیلم کامنت و ریورس شات از کن2024
©️Cinephilia
🎗@Cinephilian
❤10👍3🔥1
Forwarded from Reza S
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Title: The Damned 2024
Director: Roberto Minervini
Quality: 720 WEB
Encoder: YIFY
Language: English
Subnoscript: None
Festival: Cannes Film Festival
©️Cinephilia
🎗@Cinephilian
Director: Roberto Minervini
Quality: 720 WEB
Encoder: YIFY
Language: English
Subnoscript: None
Festival: Cannes Film Festival
©️Cinephilia
🎗@Cinephilian
👍6❤3🙏3
Forwarded from Reza S
Media is too big
VIEW IN TELEGRAM
Title: The Damned 2024
Director: Roberto Minervini
Quality: 1080 WEB
Encoder: YIFY
Language: English
Subnoscript: None
Festival: Cannes Film Festival
©️Cinephilia
🎗@Cinephilian
Director: Roberto Minervini
Quality: 1080 WEB
Encoder: YIFY
Language: English
Subnoscript: None
Festival: Cannes Film Festival
©️Cinephilia
🎗@Cinephilian
👍7🙏2
📓 Sight & Sound October 2024
On the cover: Francis Ford Coppola on Megalopolis and his storied career
Also in this issue: Martin Scorsese on the hidden gems of British Cinema – Retro horror – Coralie Fargeat on The Substance – a classic article by Sergei Eisenstein
Opening scenes
Preview: London Film Festival
This year, the world premiere of Steve McQueen’s World War II drama Blitz is the jewel in the capital’s crown, while Sight and Sound presents Payal Kapadia’s lyrical Cannes winner All We Imagine as Light. By Isabel Stevens
+ Under-the-radar LFF films
In a London Film Festival programme crammed full of the best of new cinema from across the world, many films – some by established auteurs, others by exciting new voices – are still seeking a distributor for UK theatrical release. Here, we select eight noscripts you might not get a chance to see anywhere else
In production: Gogol goes west
New films and series by Alex Cox, Michaela Coel, Matt Johnson and Kristoffer Borgli. By Thomas Flew.
In conversation: Maryam Moghaddam and Behtash Sanaeeha
The Iranian duo on My Favourite Cake, a sweet septuagenarian romance. By Thomas Flew.
Under the influence: Henry Selick
On the occasion of a two-month BFI stop-motion season, the director of Coraline and The Nightmare Before Christmas talks Aardman, Harryhausen and hot peppers. Interview by Alex Dudok de Wit.
Obituary: Gena Rowlands, 1930-2024
Trying to put her in context, admirers have compared Gena Rowlands, who has died at the age of 94, to this or that star of Hollywood’s Golden Age, or even found echoes among her contemporaries. But to me it was precisely her resemblance to no one, her jagged rhythms, her refusal to fit into any known category, which marked her extraordinary and often discomfiting career. By Molly Haskell.
Regulars
Editorial
In praise of Mark Cousins: activist, historian, curator and artist. By Mike Williams
Rediscovery: Ikiru
An anomalous entry in Kurosawa Akira’s filmography, this portrait of a civil servant who discovers he will soon die and realises that he has not begun to live was for the director a form of therapy. Seven decades on, its warmth and deep humanity still have healing powers. By Philip Kemp.
Lost and found: Hour of the Star
The Brazilian writer Clarice Lispector’s final novel, about a young woman without qualities or prospects, was transformed by her compatriot Suzana Amaral into a film of radical simplicity – and one that spoke directly to Brazilians. By Laura Staab.
Wider screen
Queer window: Little Joe
A book of essays and interviews from this critically important limited-edition magazine celebrating queer cinema explores everything from underground curios like Andy Warhol’s Taylor Mead’s Ass to more familiar works by Desiree Akhavan and Andrew Haigh. By Alex Davidson.
The sweet East
The latest Eastern European gems to appear on the ever-expanding streaming service Klassiki are a trio of Czech New Wave classics and a pair of intriguing recent Ukrainian and Russian features. By Michael Brooke.
Endings: The Salesman (2016)
The wordless finale of Asghar Farhadi’s tale of an Iranian married couple starring in a production of Death of a Salesman offers an eloquent portrait of a relationship in a state of flux. By Hannah McGill.
Reviews
Films
Reviews of: In Camera, Firebrand, The Goldman Case, The Outrun, Between the Temples, The Count of Monte Cristo, Alien: Romulus, Close to You, Black Dog, Paradise Is Burning, Girls Will Be Girls, My Favourite Cake, The Substance, Me, Red Rooms, Will & Harper, Notes from Sheepland, The Teacher, Starve Acre, A Different Man, Lee.
DVD & Blu-ray
Reviews of: Laurel and Hardy: The Silent Years, A Man on His Knees, The Crazy Family, The Tin Star, Two films by Tsai Ming-liang, Against the Storm: Herbert Kline in a Darkened Europe, Viva la muerte, Bruiser, Tattooed Life, Never Open That Door
Books
Reviews of: Miss May Does Not Exist; Armchair Cinema: A History of Feature Films on British Television, 1929-1981; Erased.
©️Cinephilia
🎗@Cinephilian
On the cover: Francis Ford Coppola on Megalopolis and his storied career
Also in this issue: Martin Scorsese on the hidden gems of British Cinema – Retro horror – Coralie Fargeat on The Substance – a classic article by Sergei Eisenstein
Opening scenes
Preview: London Film Festival
This year, the world premiere of Steve McQueen’s World War II drama Blitz is the jewel in the capital’s crown, while Sight and Sound presents Payal Kapadia’s lyrical Cannes winner All We Imagine as Light. By Isabel Stevens
+ Under-the-radar LFF films
In a London Film Festival programme crammed full of the best of new cinema from across the world, many films – some by established auteurs, others by exciting new voices – are still seeking a distributor for UK theatrical release. Here, we select eight noscripts you might not get a chance to see anywhere else
In production: Gogol goes west
New films and series by Alex Cox, Michaela Coel, Matt Johnson and Kristoffer Borgli. By Thomas Flew.
In conversation: Maryam Moghaddam and Behtash Sanaeeha
The Iranian duo on My Favourite Cake, a sweet septuagenarian romance. By Thomas Flew.
Under the influence: Henry Selick
On the occasion of a two-month BFI stop-motion season, the director of Coraline and The Nightmare Before Christmas talks Aardman, Harryhausen and hot peppers. Interview by Alex Dudok de Wit.
Obituary: Gena Rowlands, 1930-2024
Trying to put her in context, admirers have compared Gena Rowlands, who has died at the age of 94, to this or that star of Hollywood’s Golden Age, or even found echoes among her contemporaries. But to me it was precisely her resemblance to no one, her jagged rhythms, her refusal to fit into any known category, which marked her extraordinary and often discomfiting career. By Molly Haskell.
Regulars
Editorial
In praise of Mark Cousins: activist, historian, curator and artist. By Mike Williams
Rediscovery: Ikiru
An anomalous entry in Kurosawa Akira’s filmography, this portrait of a civil servant who discovers he will soon die and realises that he has not begun to live was for the director a form of therapy. Seven decades on, its warmth and deep humanity still have healing powers. By Philip Kemp.
Lost and found: Hour of the Star
The Brazilian writer Clarice Lispector’s final novel, about a young woman without qualities or prospects, was transformed by her compatriot Suzana Amaral into a film of radical simplicity – and one that spoke directly to Brazilians. By Laura Staab.
Wider screen
Queer window: Little Joe
A book of essays and interviews from this critically important limited-edition magazine celebrating queer cinema explores everything from underground curios like Andy Warhol’s Taylor Mead’s Ass to more familiar works by Desiree Akhavan and Andrew Haigh. By Alex Davidson.
The sweet East
The latest Eastern European gems to appear on the ever-expanding streaming service Klassiki are a trio of Czech New Wave classics and a pair of intriguing recent Ukrainian and Russian features. By Michael Brooke.
Endings: The Salesman (2016)
The wordless finale of Asghar Farhadi’s tale of an Iranian married couple starring in a production of Death of a Salesman offers an eloquent portrait of a relationship in a state of flux. By Hannah McGill.
Reviews
Films
Reviews of: In Camera, Firebrand, The Goldman Case, The Outrun, Between the Temples, The Count of Monte Cristo, Alien: Romulus, Close to You, Black Dog, Paradise Is Burning, Girls Will Be Girls, My Favourite Cake, The Substance, Me, Red Rooms, Will & Harper, Notes from Sheepland, The Teacher, Starve Acre, A Different Man, Lee.
DVD & Blu-ray
Reviews of: Laurel and Hardy: The Silent Years, A Man on His Knees, The Crazy Family, The Tin Star, Two films by Tsai Ming-liang, Against the Storm: Herbert Kline in a Darkened Europe, Viva la muerte, Bruiser, Tattooed Life, Never Open That Door
Books
Reviews of: Miss May Does Not Exist; Armchair Cinema: A History of Feature Films on British Television, 1929-1981; Erased.
©️Cinephilia
🎗@Cinephilian
❤9👍3