Jenna Barton
It watched me in the half-light, and my chest began to ache (2018)
https://dappermouth.storenvy.com/
It watched me in the half-light, and my chest began to ache (2018)
https://dappermouth.storenvy.com/
Marie-Claude Marquis
The Internet Fucked Me Up (2020, oil ink and oil varnish on ceramic, 10 x 10" )
https://www.marieclaudemarquis.com/
The Internet Fucked Me Up (2020, oil ink and oil varnish on ceramic, 10 x 10" )
https://www.marieclaudemarquis.com/
Caryn Drexl
Wasteful (2020, self portrait printed on cotton, w/ cheesecloth, thread, vintage lace and wooden embroidery hoop. 13.5 x 17.5'' )
https://www.facebook.com/CarynDrexlPhotography/
Wasteful (2020, self portrait printed on cotton, w/ cheesecloth, thread, vintage lace and wooden embroidery hoop. 13.5 x 17.5'' )
https://www.facebook.com/CarynDrexlPhotography/
Virgil Finlay
Hepcats of Venus (1962, Illustration for "Fantastic Stories of the Imagination interior", ink on paper, 23.5 x 15.9 cm)
http://www.artnet.com/artists/virgil-finlay/
Hepcats of Venus (1962, Illustration for "Fantastic Stories of the Imagination interior", ink on paper, 23.5 x 15.9 cm)
http://www.artnet.com/artists/virgil-finlay/
Emil Melmoth
The Mother of those who never came back (2019, epoxy clay, varnished wood, metal)
https://www.artsy.net/artist/emil-melmoth
The Mother of those who never came back (2019, epoxy clay, varnished wood, metal)
https://www.artsy.net/artist/emil-melmoth