Forwarded from Propaganda Posters
“I AM THE PEOPLE - age of autocrats” Spiegel headline, Germany 2018
https://redd.it/1gl6v10
@r_propagandaposters
https://redd.it/1gl6v10
@r_propagandaposters
Forwarded from Political memes
We’re going to hear lots of stories about which people, policies and rhetoric are to blame for the Democrats’ defeat.
Some of those stories may even be true!
But an underrated factor is that 2024 was an absolutely horrendous year for incumbents around the world
Some of those stories may even be true!
But an underrated factor is that 2024 was an absolutely horrendous year for incumbents around the world
Forwarded from Ministry of good ideas
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Good Idea: Earth first!
As we face coming changes in leadership, it's tempting to get swept up in their grand ideas like colonizing Mars, but our focus needs to stay on Earth.
The problems we’re dealing with—climate issues, environmental damage, and societal challenges—won’t fix themselves. Instead of looking for a way out, we need to invest our energy into making this planet a better place. Taking care of our home is the most important mission we have right now.
As we face coming changes in leadership, it's tempting to get swept up in their grand ideas like colonizing Mars, but our focus needs to stay on Earth.
The problems we’re dealing with—climate issues, environmental damage, and societal challenges—won’t fix themselves. Instead of looking for a way out, we need to invest our energy into making this planet a better place. Taking care of our home is the most important mission we have right now.
Ministry of Doubleplusgood Dope 2️⃣➕😊
Swiss Song of the Day 🇨🇭🎙: Feuilleton-Liebling Manillio flext auf diesem Song zusammen mit zwei Vierteln seiner Crew Eldorado FM in Person von Politschlaumeier Tommy Vercetti und Gesellschaftskritiker Dezmond Dez entspannt auf einem smoothen Beat: https:/…
Swiss Song of the Day 💬🆚️💩🇨🇭: https://youtu.be/f3yHh52dgUY
Über einen Beat von Kendrick Lamars Produzent Rascal rappt der ehemalige Protegé von Kool Savas in unnachahmlicher Manier eine Abhandlung über machttrunkene, rechte Chauvinisten.
Über einen Beat von Kendrick Lamars Produzent Rascal rappt der ehemalige Protegé von Kool Savas in unnachahmlicher Manier eine Abhandlung über machttrunkene, rechte Chauvinisten.
YouTube
Covfefe (Prod. by Rascal & Agajon)
»Film Noir« streamen ► https://lnk.site/film-noir
Dezmond Dez IG ► https://www.instagram.com/dezmond_dez/
Dezmond Dez FB ► https://www.facebook.com/dez031
Production: Rascal & Agajon
Additional Vocals: Y'akoto
Mix & Master: Ryo Roesch
Lyrics
Verse…
Dezmond Dez IG ► https://www.instagram.com/dezmond_dez/
Dezmond Dez FB ► https://www.facebook.com/dez031
Production: Rascal & Agajon
Additional Vocals: Y'akoto
Mix & Master: Ryo Roesch
Lyrics
Verse…
Forwarded from Mnémosyne's Echo Chamber
Destruction of Gaza heritage sites aims to erase –and replace– Palestine’s history | The Conversation
"Palestine has always been an area of great strategic importance, and it has been populated by various civilisations throughout history. Its emptiness can therefore only be explained by a false history, one that stems directly from the Israeli settler movement, which seeks to destroy the material traces of other cultures that point to a much more complex past than they would like to admit.
This complexity has been painstakingly proven in a Forensic Architecture report on an archaeological site known as Anthedon Harbour, Gaza’s old maritime port, which was first inhabited somewhere between 1100BC and 800BC.
[...]
The conflict [since Israel officially declaring a state of war] [...] has become an unprecedented humanitarian catastrophe for 2.3 million Palestinians. The numbers are appalling: over 41,000 dead, including more than 14,000 children, almost 100,000 wounded and more than two million displaced.
A month after the outbreak of the war, UNESCO, at its 42nd General Conference, stated that “the current destruction and eradication of culture and heritage in Gaza is yet to be determined, since all efforts are now being concentrated on saving human lives in Gaza.”
[...]
Cultural property has been a target of the Israeli offensive since the beginning of the conflict and, as early as November, the devastation of the cities of northern Gaza far exceeded that caused in the infamous bombing of Dresden in 1945. We cannot forget that the Gaza Strip is just a narrow area of coastal land measuring some 365 km², rich in archaeological and historical sites, that the international community has recognised as occupied territory since 1967.
Research over the last century has counted at least 130 sites in Gaza that Israel, as an occupying power, is obligated to protect under international law along with the rest of the area’s cultural and natural heritage. These obligations are laid out in the following conventions : Convention on the Prevention and Punishment of the Crime of Genocide (1948); the Geneva Conventions (1949) and their annexes, and the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict (1954).
[...]
The destruction of Gaza’s cultural heritage is intertwined with the ongoing humanitarian crisis. This link is recognised by the International Criminal Court, which states that:
“Crimes against or affecting cultural heritage often touch upon the very notion of what it means to be human, sometimes eroding entire swaths of human history, ingenuity, and artistic creation.”
Many independent reports and articles have begun to break down specific elements of the destruction in Gaza, speaking not just of genocide, but also of cultural genocide, urbicide, ecocide, domicide and scholasticide.
[...] Israel is accused of attacking infrastructure to bring about the physical destruction of the Palestinian people, with their attacks leaving some 318 Muslim and Christian places of worship in ruins, along with numerous archives, libraries, museums, universities and archaeological sites. This is all in addition to destroying the very people who created Palestine’s heritage.
[...]
The Israeli military arbitrarily links mosques, schools, UN facilities, universities and hospitals to Hamas, thus justifying their indiscriminate destruction. By declaring these buildings legitimate targets, it does away with any distinction between civilian and military targets.
[...]
The Israeli regime’s actions are driven by a genocidal logic, a logic that forms an intrinsic part of its colonisation project. Its ultimate aim is to expel the Palestinian people from their land, and to wipe away any trace of their culture and history."
An article by Pilar Montero Vilar, investigator of the Observatory of Cultural Heritage Emergencies, October 9 2024.
↠ Article link ↞
"Palestine has always been an area of great strategic importance, and it has been populated by various civilisations throughout history. Its emptiness can therefore only be explained by a false history, one that stems directly from the Israeli settler movement, which seeks to destroy the material traces of other cultures that point to a much more complex past than they would like to admit.
This complexity has been painstakingly proven in a Forensic Architecture report on an archaeological site known as Anthedon Harbour, Gaza’s old maritime port, which was first inhabited somewhere between 1100BC and 800BC.
[...]
The conflict [since Israel officially declaring a state of war] [...] has become an unprecedented humanitarian catastrophe for 2.3 million Palestinians. The numbers are appalling: over 41,000 dead, including more than 14,000 children, almost 100,000 wounded and more than two million displaced.
A month after the outbreak of the war, UNESCO, at its 42nd General Conference, stated that “the current destruction and eradication of culture and heritage in Gaza is yet to be determined, since all efforts are now being concentrated on saving human lives in Gaza.”
[...]
Cultural property has been a target of the Israeli offensive since the beginning of the conflict and, as early as November, the devastation of the cities of northern Gaza far exceeded that caused in the infamous bombing of Dresden in 1945. We cannot forget that the Gaza Strip is just a narrow area of coastal land measuring some 365 km², rich in archaeological and historical sites, that the international community has recognised as occupied territory since 1967.
Research over the last century has counted at least 130 sites in Gaza that Israel, as an occupying power, is obligated to protect under international law along with the rest of the area’s cultural and natural heritage. These obligations are laid out in the following conventions : Convention on the Prevention and Punishment of the Crime of Genocide (1948); the Geneva Conventions (1949) and their annexes, and the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict (1954).
[...]
The destruction of Gaza’s cultural heritage is intertwined with the ongoing humanitarian crisis. This link is recognised by the International Criminal Court, which states that:
“Crimes against or affecting cultural heritage often touch upon the very notion of what it means to be human, sometimes eroding entire swaths of human history, ingenuity, and artistic creation.”
Many independent reports and articles have begun to break down specific elements of the destruction in Gaza, speaking not just of genocide, but also of cultural genocide, urbicide, ecocide, domicide and scholasticide.
[...] Israel is accused of attacking infrastructure to bring about the physical destruction of the Palestinian people, with their attacks leaving some 318 Muslim and Christian places of worship in ruins, along with numerous archives, libraries, museums, universities and archaeological sites. This is all in addition to destroying the very people who created Palestine’s heritage.
[...]
The Israeli military arbitrarily links mosques, schools, UN facilities, universities and hospitals to Hamas, thus justifying their indiscriminate destruction. By declaring these buildings legitimate targets, it does away with any distinction between civilian and military targets.
[...]
The Israeli regime’s actions are driven by a genocidal logic, a logic that forms an intrinsic part of its colonisation project. Its ultimate aim is to expel the Palestinian people from their land, and to wipe away any trace of their culture and history."
An article by Pilar Montero Vilar, investigator of the Observatory of Cultural Heritage Emergencies, October 9 2024.
↠ Article link ↞
The Conversation
Destruction of Gaza heritage sites aims to erase – and replace – Palestine’s history
The destruction of Gaza’s historical, cultural and religious sites is part of an effort to wipe the Palestinian people out of history altogether.
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Forwarded from INTERWEB NUGGETS
Bert Hubert's writings
Tracker Beeper - Bert Hubert's writings
A week ago, I finally got round to implementing an idea I’d been toying with for years: what if your computer made a little bit of noise every time it sent data to Google?
From studying logs, I’d long known just how many sites send all your visits and clicks…
From studying logs, I’d long known just how many sites send all your visits and clicks…
Forwarded from CrimethInc. Ex-Workers Collective
The fact that an aspiring autocrat has won an election does not oblige us to submit to him. No one should excuse being complicit in tyranny on the grounds that other people voted for it.
https://crimethinc.com/democracy
People will scribble in a box for any number of reasons—misinformation, advertising, bigotry, fantasies of power—regardless of whether it is actually in their best interests. But what we do every day determines what kind of society we live in.
https://crimethinc.com/democracy
People will scribble in a box for any number of reasons—misinformation, advertising, bigotry, fantasies of power—regardless of whether it is actually in their best interests. But what we do every day determines what kind of society we live in.
👏2
Möchtegernautokrat Donald Trump hat die Wahl gewonnen. Was ist bloss mit der US-amerikanischen Gesellschaft los? https://www.woz.ch/!EA4B370PAJX6
www.woz.ch
Stundenbuch einer Wahlnacht: Rache und Vergeltung
Möchtegernautokrat Donald Trump hat die Wahl gewonnen. Was ist bloss mit der US-amerikanischen Gesellschaft los?
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