“Judeo-Christian monotheism set out to demystify and desacralised the pagan world by slowly supplanting ancient pagan beliefs with the reign of the Judaic Law. During this century-long process, Christianity gradually removed all pagan vestiges that co-existed with it. The ongoing process of democratisation and the ‘Entzauberung’ (disenchantment) of life and politics appear to have resulted not from Europeans' chance departure from Christianity, but rather from the gradual disappearance of the pagan notion of the sacred that coexisted for a long time with Christianity. The paradox of our century is that the Western world is saturated with Judeo-Christian mentality at the moment when churches and synagogues are virtually empty.”
― Dr Tomislav Sunic, CLIO, A Journal of Literature, History and the Philosophy of History vol. 24
Image: A Ruined Gothic Church beside a River by Moonlight by Sebastian Pether
― Dr Tomislav Sunic, CLIO, A Journal of Literature, History and the Philosophy of History vol. 24
Image: A Ruined Gothic Church beside a River by Moonlight by Sebastian Pether
“Whatever deceives men seems to produce a magical enchantment.”
― Plato
Note: We have all no doubt encountered individuals who, despite our well-crafted arguments and provision of near endless amounts of irrefutable evidence, remain absolutely immovable in their beliefs. We know that it’s not a matter of their intellect, morality, or critical reasoning abilities, but some other property that appears to mysteriously cloud their perception of truth.
Plato's insightful observation highlights a common yet inexplicable phenomenon that many have encountered, suggesting perhaps a continuity in the nature and source of these deceptions. The Archons of gnostic lore are portrayed uniquely in all of mythology as possessing an unparalleled ability to manipulate human perception and deceive individuals through their supreme powers of illusion. Their influence is said to be so seamless and convincing that the false realities they create become near indistinguishable from reality itself.
Image: Manifesto by Eliran Kantor
― Plato
Note: We have all no doubt encountered individuals who, despite our well-crafted arguments and provision of near endless amounts of irrefutable evidence, remain absolutely immovable in their beliefs. We know that it’s not a matter of their intellect, morality, or critical reasoning abilities, but some other property that appears to mysteriously cloud their perception of truth.
Plato's insightful observation highlights a common yet inexplicable phenomenon that many have encountered, suggesting perhaps a continuity in the nature and source of these deceptions. The Archons of gnostic lore are portrayed uniquely in all of mythology as possessing an unparalleled ability to manipulate human perception and deceive individuals through their supreme powers of illusion. Their influence is said to be so seamless and convincing that the false realities they create become near indistinguishable from reality itself.
Image: Manifesto by Eliran Kantor
The Mystery of the Grail: Unveiling the Secrets of Parzival's Name
The eponymous hero of the Germanic medieval romance Parzival, alternatively written as Perceval and also known as Parsifal in the softer Gaelic dialect, bears a name of immense significance in unravelling the myths’ esoteric and spiritual themes.
The name Perceval, is believed to have originated from the Old French ‘perce val’ meaning “pierce the valley”, symbolising the act of piercing to the heart of the matter. The valley, as a motif of geography is depicted as a downward facing triangle which is the ancient archetypical symbol of the chalice linking this concept to common depictions of the grail as a cup. The downward facing triangle is the alchemical symbol for water and represents the divine feminine, resembling the shape of a womb.
The inverse of this symbol, the upward-facing triangle, has phallic origins and alchemically represents fire, serving as the archetypical symbol of the blade. The action of a blade is to pierce, and thus, the hero's name encapsulates the union of masculine and feminine archetypical traits. In essence, Perceval's name holds within it the balance between these complementary principles, reflecting the hero’s quest and the development of both his strength and wisdom.
The name Perceval also resembles the phrase "pierce the veil," evoking the Gnostic concept of breaking through illusions to reach true understanding. In Buddhist and Gnostic traditions, the objective of the illuminist discipline is to penetrate the veil of illusion and obtain liberation.
It is claimed that the name is an anagram of the Arabic ‘fal parsi’ meaning 'pure fool.' Though initially tenuous, this observation makes sense given Parsifal's sheltered upbringing by his mother, Herzeloyde. In this context, the reference to Parsifal as the "pure fool" highlights his innocence and lack of understanding at the beginning of his journey, akin to the tarot card of the fool, representing the initiation of the hero's journey.
The tarot card of the fool is linked to the alchemical symbol of air and the planet Uranus, symbolising the realm of the mind and intellect, as well as revolution. Revolution here signifies not necessarily the overthrow of the social order, but instead the transformation of the self from ignorance to knowledge, from temptation of the base desire to a higher state of Being. The fool card depicts a man on a cliff gazing towards the sky, symbolising the start of a journey into the unknown.
The fool is often portrayed holding a white rose, a symbol of freedom from base desires, which aligns with Parsifal's journey as he attains enlightenment through resisting temptation and transforming his lust into compassion. By resisting the seductive advances of Kundry, Parsifal ultimately achieves the grail, demonstrating the transformative power of his newfound wisdom.
The eponymous hero of the Germanic medieval romance Parzival, alternatively written as Perceval and also known as Parsifal in the softer Gaelic dialect, bears a name of immense significance in unravelling the myths’ esoteric and spiritual themes.
The name Perceval, is believed to have originated from the Old French ‘perce val’ meaning “pierce the valley”, symbolising the act of piercing to the heart of the matter. The valley, as a motif of geography is depicted as a downward facing triangle which is the ancient archetypical symbol of the chalice linking this concept to common depictions of the grail as a cup. The downward facing triangle is the alchemical symbol for water and represents the divine feminine, resembling the shape of a womb.
The inverse of this symbol, the upward-facing triangle, has phallic origins and alchemically represents fire, serving as the archetypical symbol of the blade. The action of a blade is to pierce, and thus, the hero's name encapsulates the union of masculine and feminine archetypical traits. In essence, Perceval's name holds within it the balance between these complementary principles, reflecting the hero’s quest and the development of both his strength and wisdom.
The name Perceval also resembles the phrase "pierce the veil," evoking the Gnostic concept of breaking through illusions to reach true understanding. In Buddhist and Gnostic traditions, the objective of the illuminist discipline is to penetrate the veil of illusion and obtain liberation.
It is claimed that the name is an anagram of the Arabic ‘fal parsi’ meaning 'pure fool.' Though initially tenuous, this observation makes sense given Parsifal's sheltered upbringing by his mother, Herzeloyde. In this context, the reference to Parsifal as the "pure fool" highlights his innocence and lack of understanding at the beginning of his journey, akin to the tarot card of the fool, representing the initiation of the hero's journey.
The tarot card of the fool is linked to the alchemical symbol of air and the planet Uranus, symbolising the realm of the mind and intellect, as well as revolution. Revolution here signifies not necessarily the overthrow of the social order, but instead the transformation of the self from ignorance to knowledge, from temptation of the base desire to a higher state of Being. The fool card depicts a man on a cliff gazing towards the sky, symbolising the start of a journey into the unknown.
The fool is often portrayed holding a white rose, a symbol of freedom from base desires, which aligns with Parsifal's journey as he attains enlightenment through resisting temptation and transforming his lust into compassion. By resisting the seductive advances of Kundry, Parsifal ultimately achieves the grail, demonstrating the transformative power of his newfound wisdom.
"By engaging with the myths of our own cultural and personal heritage, we can tap into the power of the collective unconscious and unlock our full potential for growth and transformation. Myths serve as a bridge between the conscious and unconscious mind, providing a lens through which to view our deepest fears, desires, and motivations. By exploring the timeless tales of our cultural and personal heritage, we can gain a deeper understanding of ourselves and our place in the world.”
—Jean Houston
Image: Mímisbrunnr by Emil Doepler
Note: Discovering mythologies from diverse cultures opens up great opportunities for personal growth and expansion. Yet, there is a tendency particularly among Europeans, to fetishise other cultures while neglecting their own ancestral inheritance. To realise one's full potential, it is imperative to drink deeply from one's own well, this is not just a metaphor but also literally true considering the mystical attributes of water, such as its ability to retain and store memories.
—Jean Houston
Image: Mímisbrunnr by Emil Doepler
Note: Discovering mythologies from diverse cultures opens up great opportunities for personal growth and expansion. Yet, there is a tendency particularly among Europeans, to fetishise other cultures while neglecting their own ancestral inheritance. To realise one's full potential, it is imperative to drink deeply from one's own well, this is not just a metaphor but also literally true considering the mystical attributes of water, such as its ability to retain and store memories.
“Inside every Christian is a Jew.”
―Pope Francis, source.
Notes: The truth about Christianity's connection to Judaism is often overlooked or outright denied by Christains. Despite having a foundational part of their worldview, metaphysics, and perceptual framework shaped by this intrinsic Jewish heritage, many Christians are ignorant of this association and believe Christianity to be somehow of exclusively European descent. However, the New Testament, which Christians hold as being divinely inspired, asserts that they are the spiritual heirs of Yahweh's covenant with Israel, as depicted in Paul's metaphor in Romans 11:16-24, where they are portrayed as the freshly grafted branch onto the trunk of Israel. Some may attempt to argue that the Pope is somehow not Catholic, to which I would inquire, does a bear defecate in the forest? The answer is obvious, and so is the connection between Christianity and Judaism.
Image: In His Keeping by Younsung Kim
―Pope Francis, source.
Notes: The truth about Christianity's connection to Judaism is often overlooked or outright denied by Christains. Despite having a foundational part of their worldview, metaphysics, and perceptual framework shaped by this intrinsic Jewish heritage, many Christians are ignorant of this association and believe Christianity to be somehow of exclusively European descent. However, the New Testament, which Christians hold as being divinely inspired, asserts that they are the spiritual heirs of Yahweh's covenant with Israel, as depicted in Paul's metaphor in Romans 11:16-24, where they are portrayed as the freshly grafted branch onto the trunk of Israel. Some may attempt to argue that the Pope is somehow not Catholic, to which I would inquire, does a bear defecate in the forest? The answer is obvious, and so is the connection between Christianity and Judaism.
Image: In His Keeping by Younsung Kim
“All goddesses are Shakti, in that the gods with whom they are associated can be made manifest only through the goddesses’ creative energies. Goddesses are therefore, by definition, creators. This concept is illustrated, for instance, in the popular depiction of Kali, Shiva’s wife, dancing upon the passive, reclining form of her husband.”
― David Leeming, The Goddess
Image: Adya Kali by Vrindavan Das
Note: From ancient Vedic and Indus Valley cultures, the goddess and god have symbolised complementary and intertwined aspects of the cosmic order, such as the unconscious and conscious, instinct and intellect, matter and spirit, and body and soul. Vishnu, as one of the three Hindu gods of the Trimurti, is seen as the great preserver of balance in the universe, embodying Brahman, the Absolute. According to the beliefs of the Vaishnavas, Vishnu sends avatars of himself to the world when the cosmic balance is disturbed, in order to restore dharma (natural order).
― David Leeming, The Goddess
Image: Adya Kali by Vrindavan Das
Note: From ancient Vedic and Indus Valley cultures, the goddess and god have symbolised complementary and intertwined aspects of the cosmic order, such as the unconscious and conscious, instinct and intellect, matter and spirit, and body and soul. Vishnu, as one of the three Hindu gods of the Trimurti, is seen as the great preserver of balance in the universe, embodying Brahman, the Absolute. According to the beliefs of the Vaishnavas, Vishnu sends avatars of himself to the world when the cosmic balance is disturbed, in order to restore dharma (natural order).
”The Gaia hypothesis is not just a theory, but a way of seeing the world, of listening to the Earth and of understanding the interconnections between all living things. It encourages us to view the Earth as a single, interconnected system, and to listen to the signals it sends us about its health and well-being.”
— James Lovelock
Notes: The English independent scientist and environmentalist James Lovelock and microbiologist Lynn Margulis proposed the Gaia hypothesis in the 1970s, which conceptualises Earth as a sentient self-regulating system. Named after the Greek earth goddess, the hypothesis challenges a materialistic reductionist view and advocates for a shift in consciousness towards a holistic understanding of the planet. Through the lens of the Gaia hypothesis, we come to see the Earth as a sacred entity, deserving of our reverence and care as the true source of all life and prosperity.
Image: Unity by Helena Nelson Reed
— James Lovelock
Notes: The English independent scientist and environmentalist James Lovelock and microbiologist Lynn Margulis proposed the Gaia hypothesis in the 1970s, which conceptualises Earth as a sentient self-regulating system. Named after the Greek earth goddess, the hypothesis challenges a materialistic reductionist view and advocates for a shift in consciousness towards a holistic understanding of the planet. Through the lens of the Gaia hypothesis, we come to see the Earth as a sacred entity, deserving of our reverence and care as the true source of all life and prosperity.
Image: Unity by Helena Nelson Reed
“The people of Middle-earth, whether Celts, Anglo-Saxons or Norse, all had a view of nature which we would call enchanted. They ascribed to the natural world a palpable energy called life-force. Also they felt that the environment was imbued with spirit in a way that could be manifested. Their world was inhabited by elves, and other supernatural presences associated with water, wells, plants and the heavenly galaxies.”
― Brian Bates, The Real Middle Earth, Magic and Mysteries in the Dark Age
Image: Swans by Alan Lee
― Brian Bates, The Real Middle Earth, Magic and Mysteries in the Dark Age
Image: Swans by Alan Lee
Forwarded from Volkish Aryan Pagan
For the ancient Greeks Gaia was the Mother Goddess, Mother of All.
The important difference between a scientific and a mythological view here, is that we must really feel that Gaia is alive-a great, mysterious, animate being. We must understand that Gaia has purpose and that all the evolution that has happened up to this point is about something.
There are pre-industrial peoples who for millennia have had this insight of the living Earth very similar to Gaia Theory. For them the forest is totally alive.
Dr. S.Harding
The important difference between a scientific and a mythological view here, is that we must really feel that Gaia is alive-a great, mysterious, animate being. We must understand that Gaia has purpose and that all the evolution that has happened up to this point is about something.
There are pre-industrial peoples who for millennia have had this insight of the living Earth very similar to Gaia Theory. For them the forest is totally alive.
Dr. S.Harding
“All people of the world, when left in their indigenous, native state, hold an animistic polytheist worldview. That definition should be expanded, however, to include ancestor veneration. The reverence of ancestors is, arguably, the very earliest form of religion and it goes hand in hand with animism. In an animistic worldview, it is believed that spirits dwell all around us in nature. Indeed, we view ourselves as within the natural paradigm instead of above it or outside of it. Animists believe that not only do animals have a spirit, but elements, inanimate objects, and even naturally occurring phenomena have spirits attached to them. Therefore, within this worldview, when our loved ones pass from physical life, their spirits continue to dwell among us and can intercede in our lives.”
― Carolyn Emerick, Cultural Mythos & the Return of the Ethnikos
Image: Celestite by Louis Dyer
― Carolyn Emerick, Cultural Mythos & the Return of the Ethnikos
Image: Celestite by Louis Dyer
“Max Weber, in his famous 1904 book, The Protestant Ethic and the Spirit of Capitalism, gave a startling name to one of the realities of modern life: “the disenchantment of the world.” Weber was a sociologist who studied the impact of industrial society on human thought. Before scientific materialism seized the imagination of Western culture, he pointed out, people saw the world around them as a place full of magic, where trees and stones could speak, birds traced out the shape of the future in their flight, and those who knew the secret could sense and shape the flow of enchantment in the world around them. This living, breathing, magical world was one of the first casualties of the Industrial Revolution. As materialist beliefs spread, magic trickled out of the world, transforming it—at least in most people’s minds—into a mass of lifeless matter.”
― John Michael Greer, The Druid Magic Handbook: Ritual Magic Rooted in the Living Earth
Image: The Soul of the Soulless City by Christopher Richard Wynne Nevinson
― John Michael Greer, The Druid Magic Handbook: Ritual Magic Rooted in the Living Earth
Image: The Soul of the Soulless City by Christopher Richard Wynne Nevinson
“We seem to live in a world of concurrent tools and systems. Every natural thing seems to have an artificial, often digital equivalent; mimicry. To match the human brain we have a computer’s processor and memory. For herbal medicines we have drugs. For community we have smartphones and ‘social media’. For wood we have plastic. For courting we have ‘Tinder’. For sex we have porn. For legs and horses we have cars and bikes. For live entertainment, recorded music and video. Instead of rivers we have motorways.”
― Dan Capp (The Fyrgen), Novel Vs. Counterfeit Technologies
Note: Following Dave Martel's discourse on the Mechanurge, Heiðrūn delves into this topic delivering astute observations on the man-machine dichotomy. She illuminates the distinction between benevolent and malevolent technology, and advises on the ways in which we can preserve the natural balance amidst the unrelenting advance of the mechanized world. Listen Here.
Find out more about Heiðrūn's work at: freefolk.org
Image: The Pact by Anyma
― Dan Capp (The Fyrgen), Novel Vs. Counterfeit Technologies
Note: Following Dave Martel's discourse on the Mechanurge, Heiðrūn delves into this topic delivering astute observations on the man-machine dichotomy. She illuminates the distinction between benevolent and malevolent technology, and advises on the ways in which we can preserve the natural balance amidst the unrelenting advance of the mechanized world. Listen Here.
Find out more about Heiðrūn's work at: freefolk.org
Image: The Pact by Anyma
The Mystery of the Grail: Industrial Society and the Disenchantment of the Earth
In the language of medieval romance, the Grail legend speaks of a truth that transcends time and space speaking directly to the deepest longings of the human heart.
The Grail legend emerged at a time when industrial society was just beginning to take shape, and it is no coincidence that this tale of spiritual quest and redemption came to the fore at a time when materialism threatened to engulf the world. Many modern scholars and researchers have been drawn to the Grail legend as they like others before have recognised that industrial society and its consequences have been a disaster for the human races.
American scholar and countercultural historian Theodore Roszak in his work, Where the Wasteland Ends, critiques the artificial environment created by the urban-industrial revolution, and the type of politics and consciousness that have emerged as a result. If it weren’t for industrial society it simply wouldn’t be possible for the absurdist ideologies that consistently defy the natural order to emerge and take hold within the public consciousness. A meaningful connection with the natural world would be the antidote to such a sickness.
In Wolfram's Parzival, the Grail Castle lies in the Wasteland, which is called la Terre Gaste. This serves as a striking symbol of the modern Western culture's self-absorbed narcissism, dead-end culture and toxic ideologies, which have led to the extensive destruction of the natural world. It is worth noting that the Wasteland of the 12th Century differed considerably from what we confront today, both internally and externally. However, the artificial nature of the environment especially for those within the ruling class at the time certainly has correspondence with our current plight, with the artificial inorganic quality of existence inducing a sickness throughout the land.
Today, as we confront new challenges and threats to our collective well-being, the Grail legend still continues to speak to us in profound and meaningful ways. It reminds us of the importance of the natural world, spiritual connection and the need for community. The Grail mystery invites us to strip back the veil imposed upon us and re-enchant the wastelands with life, magic and wonder once again.
In the language of medieval romance, the Grail legend speaks of a truth that transcends time and space speaking directly to the deepest longings of the human heart.
The Grail legend emerged at a time when industrial society was just beginning to take shape, and it is no coincidence that this tale of spiritual quest and redemption came to the fore at a time when materialism threatened to engulf the world. Many modern scholars and researchers have been drawn to the Grail legend as they like others before have recognised that industrial society and its consequences have been a disaster for the human races.
American scholar and countercultural historian Theodore Roszak in his work, Where the Wasteland Ends, critiques the artificial environment created by the urban-industrial revolution, and the type of politics and consciousness that have emerged as a result. If it weren’t for industrial society it simply wouldn’t be possible for the absurdist ideologies that consistently defy the natural order to emerge and take hold within the public consciousness. A meaningful connection with the natural world would be the antidote to such a sickness.
In Wolfram's Parzival, the Grail Castle lies in the Wasteland, which is called la Terre Gaste. This serves as a striking symbol of the modern Western culture's self-absorbed narcissism, dead-end culture and toxic ideologies, which have led to the extensive destruction of the natural world. It is worth noting that the Wasteland of the 12th Century differed considerably from what we confront today, both internally and externally. However, the artificial nature of the environment especially for those within the ruling class at the time certainly has correspondence with our current plight, with the artificial inorganic quality of existence inducing a sickness throughout the land.
Today, as we confront new challenges and threats to our collective well-being, the Grail legend still continues to speak to us in profound and meaningful ways. It reminds us of the importance of the natural world, spiritual connection and the need for community. The Grail mystery invites us to strip back the veil imposed upon us and re-enchant the wastelands with life, magic and wonder once again.
"The best thing for being sad,” replied Merlyn, beginning to puff and blow, “is to learn something. That is the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.”
― T.H White, The Once and Future King
Image: King Arthur and Excalibur by N. C. Wyeth
― T.H White, The Once and Future King
Image: King Arthur and Excalibur by N. C. Wyeth
“It is a mistake to suppose that all men, or at least all Englishmen, want to be free. On the contrary, if freedom entails responsibility, many of them want none of it. They would happily exchange their liberty for a modest (if illusory) security.”
― Theodore Dalrymple, Life at the Bottom: The Worldview That Makes the Underclass
Image: Alone by Anon
― Theodore Dalrymple, Life at the Bottom: The Worldview That Makes the Underclass
Image: Alone by Anon
“The narrative illusion introduces a ‘mind virus’, which is a syntactical contagion that spreads through communicative vectors and colonises the cognitive biases of the targeted individual’s psychology, thus transforming the mental processes of that target.”
― James Scott
Notes: Throughout history, numerous thinkers have made astute observations about reality and the human condition that are strikingly similar to the conclusions reached by the Gnostics over 2000 years ago. The idea of a "narrative illusion" that spreads like a virus through communication, altering the mental processes of those affected strongly resembles the ‘archontic infection’ identified by the Gnostics. The Gnostics however went one step further and identified the source of these ‘illusions’ and their terrestrial proxies which is why their movement and writings were extirpated from the historical record.
Image: The Running Man by Ralph Brillhart
― James Scott
Notes: Throughout history, numerous thinkers have made astute observations about reality and the human condition that are strikingly similar to the conclusions reached by the Gnostics over 2000 years ago. The idea of a "narrative illusion" that spreads like a virus through communication, altering the mental processes of those affected strongly resembles the ‘archontic infection’ identified by the Gnostics. The Gnostics however went one step further and identified the source of these ‘illusions’ and their terrestrial proxies which is why their movement and writings were extirpated from the historical record.
Image: The Running Man by Ralph Brillhart
"Nothing in this world operates the way you think it does. Banks do not loan money, governments are not empowered to protect you, the police department is not there to serve you, institutions of higher learning, colleges and educational institutes, are not there to educate you. The entire superstructure of civilisation in the Western world is a combination of brilliantly put together and planned, well-planned, schemes to direct the minds of the people in such a way as to serve their masters."
― Jordan Maxwell
Image: Rat Race by Steve Cutts
― Jordan Maxwell
Image: Rat Race by Steve Cutts
“To be disconnected from your ancestors is to become a dried leaf that blows aimlessly in the wind, easily shaken, easily programmed. Come back to your roots, come back to your ancient path and the tree of knowledge created by the ancestors, that the globalists have fought so hard to take from us. The old Gods never went away, and they are rising.”
― Fiona Ædgar, Road to Algiz
Image: Protection by Brian Froud
Notes: If you would like to learn more about Fiona’s work check out her Astrology channel here and new Pagan channel here. View more of her writings and various services including heathen astrology here.
― Fiona Ædgar, Road to Algiz
Image: Protection by Brian Froud
Notes: If you would like to learn more about Fiona’s work check out her Astrology channel here and new Pagan channel here. View more of her writings and various services including heathen astrology here.
“For more than 99 percent of human history, the world was enchanted and man saw himself as an integral part of it. The complete reversal of this perception in a mere four hundred years or so has destroyed the continuity of the human experience and the integrity of the human psyche. It has very nearly wrecked the planet as well. The only hope, or so it seems to me, lies in a reenchantment of the world.”
― Morris Berman, The Reenchantment of the World
Image: Psyche Entering Cupid’s Garden by John William Waterhouse
― Morris Berman, The Reenchantment of the World
Image: Psyche Entering Cupid’s Garden by John William Waterhouse