Marinus Pieter Filbri, after Warren de la Rue, (1887 - 1888)
Photo reproduction of photo by Warren de la Rue of spots on the moon
Photo reproduction of photo by Warren de la Rue of spots on the moon
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Overpopulationists were seen to blame nonwhite, non-Western people for the so-called population bomb. As Woodhouse writes, the racism of the overpopulation debate sometimes stemmed from what he calls “holism,” or the idea that all of humanity, not certain subsets of it, was equally to blame for planetary degradation. Holism obscured the fact the people’s habits of consumption and resource use mattered more when it came to environmental destruction than sheer numbers — and on that count, the racial capitalism of the West had caused far more damage than any numeric population growth of the Global South. Yet sometimes the racism of overpopulation was much more direct, as when Ehrlich opened The Population Bomb with a racist caricature of an overcrowded Indian city street. The overpopulation debate also coincided with the rise of the Black Panthers and the implementation of community survival programs, which exposed the racial politics of whose families had historically been allowed to grow, and whose populations had been suppressed by centuries of violence and terror — or grown by the same means.
Lynne Feeley, Earth First? On “The Ecocentrists” and Pregnancy in the Anthropocene
Lynne Feeley, Earth First? On “The Ecocentrists” and Pregnancy in the Anthropocene
The important thing is to understand life, each living individuality, not as a form, or a development of form, but as a complex relation between differential velocities, between deceleration and acceleration of particles. A composition of speeds and slowness on a plane of immanence. In the same way, a musical form will depend on a complex relation between speeds and slowness of sound particles. It is not just a matter of music but of how to live: it is by speed and slowness that one slips in among things, that one connects with something else. One never commences; one never has a tabula rasa; one slips in, enters in the middle; one takes up or lays down rhythms.
Gilles Deleuze, Spinoza: Practical Philosophy
Gilles Deleuze, Spinoza: Practical Philosophy
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