Forwarded from The Exaltation of Beauty
Many Roman mosaics have been found in Israel, but the discovery at Lod has attracted considerable attention because the mosaics are of exceptional quality and in an excellent state of preservation.
The main panel, measuring thirteen feet square and set in the center of one of the floors, is divided into a series of smaller squares and triangles by an interlocking cable pattern, forming an outer polygon of twelve sides and sixteen square and triangular segments in which various birds, fish, and animals are depicted. These surround a larger octagonal space populated by ferocious wild animals—a lion and lioness, an elephant, a giraffe, a rhinoceros, a tiger, and a wild bull—with a mountainous landscape flanking a ketos, or mythical sea creature.
The main panel, measuring thirteen feet square and set in the center of one of the floors, is divided into a series of smaller squares and triangles by an interlocking cable pattern, forming an outer polygon of twelve sides and sixteen square and triangular segments in which various birds, fish, and animals are depicted. These surround a larger octagonal space populated by ferocious wild animals—a lion and lioness, an elephant, a giraffe, a rhinoceros, a tiger, and a wild bull—with a mountainous landscape flanking a ketos, or mythical sea creature.
Forwarded from The Exaltation of Beauty
The juxtaposition of animal hunting scenes and a marine scene, combined with the lack of human figures on any of the floors, makes the Lod Mosaic very unusual. Because the mosaic's imagery has no overt religious content, it cannot be determined whether the owner was a pagan, a Jew, or even a Christian. It is certain, however, that he was a wealthy local resident who wished to have his home decorated in the finest Roman style.
The depiction on the Lod Mosaic of solitary or paired groups of creatures, such as a large feline hunting a grazing animal, forms part of the common stock of genre subjects. Nevertheless, the composition reveals essential differences from other known mosaics, implying that the choice of subjects was deliberate and specific. For example, the central panel with the assortment of African and other animals defies immediate interpretation.
The depiction on the Lod Mosaic of solitary or paired groups of creatures, such as a large feline hunting a grazing animal, forms part of the common stock of genre subjects. Nevertheless, the composition reveals essential differences from other known mosaics, implying that the choice of subjects was deliberate and specific. For example, the central panel with the assortment of African and other animals defies immediate interpretation.
Forwarded from The way of the warrior
When your strategy is deep and far-reaching, then what you gain by your calculations is much, so you can win before you even fight.
When your strategic thinking is shallow and nearsighted, then what you gain by your calculations is little, so you lose before you do battle.
Much strategy prevails over little strategy, so those with no strategy cannot but be defeated. 𝘛𝘩𝘦𝘳𝘦𝘧𝘰𝘳𝘦 𝘪𝘵 𝘪𝘴 𝘴𝘢𝘪𝘥 𝘵𝘩𝘢𝘵 𝘷𝘪𝘤𝘵𝘰𝘳𝘪𝘰𝘶𝘴 𝘸𝘢𝘳𝘳𝘪𝘰𝘳𝘴 𝘸𝘪𝘯 𝘧𝘪𝘳𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦𝘯 𝘨𝘰 𝘵𝘰 𝘸𝘢𝘳, 𝘸𝘩𝘪𝘭𝘦 𝘥𝘦𝘧𝘦𝘢𝘵𝘦𝘥 𝘸𝘢𝘳𝘳𝘪𝘰𝘳𝘴 𝘨𝘰 𝘵𝘰 𝘸𝘢𝘳 𝘧𝘪𝘳𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦𝘯 𝘴𝘦𝘦𝘬 𝘵𝘰 𝘸𝘪𝘯.
~ Zhang Yu
When your strategic thinking is shallow and nearsighted, then what you gain by your calculations is little, so you lose before you do battle.
Much strategy prevails over little strategy, so those with no strategy cannot but be defeated. 𝘛𝘩𝘦𝘳𝘦𝘧𝘰𝘳𝘦 𝘪𝘵 𝘪𝘴 𝘴𝘢𝘪𝘥 𝘵𝘩𝘢𝘵 𝘷𝘪𝘤𝘵𝘰𝘳𝘪𝘰𝘶𝘴 𝘸𝘢𝘳𝘳𝘪𝘰𝘳𝘴 𝘸𝘪𝘯 𝘧𝘪𝘳𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦𝘯 𝘨𝘰 𝘵𝘰 𝘸𝘢𝘳, 𝘸𝘩𝘪𝘭𝘦 𝘥𝘦𝘧𝘦𝘢𝘵𝘦𝘥 𝘸𝘢𝘳𝘳𝘪𝘰𝘳𝘴 𝘨𝘰 𝘵𝘰 𝘸𝘢𝘳 𝘧𝘪𝘳𝘴𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦𝘯 𝘴𝘦𝘦𝘬 𝘵𝘰 𝘸𝘪𝘯.
~ Zhang Yu
Forwarded from Modern Kshatriya
He who knows is others is clever;
He who knows himself has discernment;
He who overcomes others has force;
He who overcomes himself is strong;
He who knows contentment is rich;
He who perseveres is a man of purpose;
He who does not lose his station will endure;
He who lives out his days has had a long life.
Tao Te Ching XXXIII
He who knows himself has discernment;
He who overcomes others has force;
He who overcomes himself is strong;
He who knows contentment is rich;
He who perseveres is a man of purpose;
He who does not lose his station will endure;
He who lives out his days has had a long life.
Tao Te Ching XXXIII
Forwarded from The Classical Wisdom Tradition
The most important thing is not life, but the good life.
Plato, Crito 48b
Plato, Crito 48b
Forwarded from Orphic Inscendence (Naida)
"Le Berger Pâris", Jean-Baptiste Frédéric Desmarais (1756–1813), a French painter of the Neoclassical period, who after 1786 was active in Italy, rising to be a professor of the Academies of Fine Arts of Lucca and Massa Carrara.
Forwarded from Ghost of de Maistre
"The poem of Dante is not allegorical in the sense that its figures merely mean something different without existing independently of such meaning in and for themselves. On the other hand, none of them is independent of that meaning such that it simultaneously would be the idea itself and more than merely an allegory of it. His poem thus contains a totally unique medium between allegory and symbolic-objective configuration. There is no doubt, and the poet explains it himself elsewhere, that Beatrice, for example, is an allegory, namely, of theology. The same holds true of her companions and many other characters. Yet they also count for something by themselves and enter as historical characters without for that reason being symbols."
- 𝑭𝒓𝒊𝒆𝒅𝒓𝒊𝒄𝒉 𝑺𝒄𝒉𝒆𝒍𝒍𝒊𝒏𝒈, "𝑻𝒉𝒆 𝑷𝒉𝒊𝒍𝒐𝒔𝒐𝒑𝒉𝒚 𝒐𝒇 𝑨𝒓𝒕"
- 𝑭𝒓𝒊𝒆𝒅𝒓𝒊𝒄𝒉 𝑺𝒄𝒉𝒆𝒍𝒍𝒊𝒏𝒈, "𝑻𝒉𝒆 𝑷𝒉𝒊𝒍𝒐𝒔𝒐𝒑𝒉𝒚 𝒐𝒇 𝑨𝒓𝒕"
Forwarded from Ghost of de Maistre
"Lewis’s view of the relationship of mythology to Christianity is in broad outlines identical to Schelling’s. Lewis argues that primitive religions gave mythic expression to the primordial yearning in human consciousness for an intimate personal contact with the transcendent God, an encounter which would restore the fallen world’s lost immediacy with the divine. Rather than one myth among others, Christianity fulfils the mythological impulse in history; it is “myth become fact” (Lewis, 1970: 63–68)."
- - 𝑻𝒉𝒆 𝑫𝒂𝒓𝒌 𝑮𝒓𝒐𝒖𝒏𝒅 𝒐𝒇 𝑺𝒑𝒊𝒓𝒊𝒕, 𝑺𝒄𝒉𝒆𝒍𝒍𝒊𝒏𝒈 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑼𝒏𝒄𝒐𝒏𝒔𝒄𝒊𝒐𝒖𝒔, 𝒃𝒚 𝑺𝒆𝒂𝒏 𝑱. 𝑴𝒄𝑮𝒓𝒂𝒕𝒉
- - 𝑻𝒉𝒆 𝑫𝒂𝒓𝒌 𝑮𝒓𝒐𝒖𝒏𝒅 𝒐𝒇 𝑺𝒑𝒊𝒓𝒊𝒕, 𝑺𝒄𝒉𝒆𝒍𝒍𝒊𝒏𝒈 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑼𝒏𝒄𝒐𝒏𝒔𝒄𝒊𝒐𝒖𝒔, 𝒃𝒚 𝑺𝒆𝒂𝒏 𝑱. 𝑴𝒄𝑮𝒓𝒂𝒕𝒉
https://odysee.com/@gtk:4/Deconstructing-Dugin:2?r=7GMWxWe1ScWv4XQqzrNsN8vHVFAPv6YS
A good talk about one of the most polarizing intellectuals within 'Traditionalism.' It adds some context and nuance to his thought that is sorely lacking in most discussion of his ideas.
A good talk about one of the most polarizing intellectuals within 'Traditionalism.' It adds some context and nuance to his thought that is sorely lacking in most discussion of his ideas.
Odysee
Deconstructing Dugin: An Interview with Charles Upton
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Recorded: May 26, 2022.
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Recorded: May 26, 2022.
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Forwarded from Revolt Against The Modern World
"Those who have reason have freedom to will or not to will, although this freedom is not equal in all of them. Celestial and divine beings have clearer judgements, an uncorrupted will, and the ability to achieve what they seek. Human souls are more free when they persevere in the contemplation of the mind of God, less free when they descend to the corporeal, and even less free when they are entirely imprisoned in earthly flesh and blood. Their ultimate enslavement is when they give themselves up to vice and no longer exercise their powers of reason. They have lowered their eyes from the highest truth to dark, base things and are wrapped in a cloud of ignorance. They give in to destructive whims and consent to things that strengthen their bonds of slavery. They have brought this upon themselves and are captives of the exercise of their innate freedom. But still, providence looks after them from eternity, sees what they do, and disposes rewards and punishments according to what each person deserves.”
~Boethius
~Boethius
Forwarded from Gornahoor
Fundamentals of the Platonic Tradition.
https://www.gornahoor.net/?p=8160
https://www.gornahoor.net/?p=8160
Gornahoor
Esoteric Platonism
God bears in the intelligible world to reason and its objects the same relation which the sun bears in the visible world to sight and its objects. ~ Plato, Republic