Create a high-quality, cinematic 3D noscript-card typography for: “[НАЗВАНИЕ]”.

AUTO-STYLE REQUIREMENT (critical):
Derive the typographic identity, font style, and overall art direction from the movie/series moodboard and recognizable marketing aesthetic. The letter shapes must change to match the film’s genre/era (e.g., retro serif, techno sans, gothic blackletter, noir condensed, epic engraved, comedy rounded, etc.). Do NOT reuse a generic “one-size-fits-all” type style. Avoid copying an exact trademark logo; instead create an original, film-faithful typographic vibe.

TITLE DESIGN:
Render the noscript as a cohesive 3D wordmark with precise kerning and clean readability. Use thick extrusion depth, layered bevels, inner cavities, and cutaway details so the typography feels heavy, sculptural, and physically present. Choose film-appropriate materials (brushed steel, blackened chrome, aged brass, gilded gold, enamel lacquer, oxidized copper, etc.) and a palette consistent with the film’s tone. Add realistic micro-scratches, patina, dust, moisture, soot, frost, or sand depending on the story world.

LETTER DIORAMAS (more film elements, still readable):
Each letter is a miniature 3D set piece that seamlessly integrates iconic story elements from the movie/series—architecture, props, symbols, costumes, creatures silhouettes, vehicles, weapons/tools, signage, textures, and atmosphere—embedded inside the letterform as a carved diorama (not a pasted collage). Every letter must feature a different story moment/location/prop cluster; no repeats. Increase narrative density: include multiple recognizable details per letter, while keeping the outer letter silhouette crisp and legible.

BACKGROUND:
A dark, textured cinematic background that matches the inferred setting (urban rain concrete, cosmic void, smoky nightclub, ancient stone, laboratory grime, forest mist, desert dust, icy fog, etc.). Add volumetric haze, drifting particles, subtle film grain, controlled bloom, and depth layering.

LIGHTING & RENDER:
Dramatic studio-grade lighting (soft key + rim highlights + deep shadows) blended with story-appropriate practical lights (neon, firelight, moonlight, fluorescents, sci-fi emissives). Ultra-sharp focus on the noscript, cinematic depth of field, ray-traced reflections, high dynamic range, premium 3D render quality, ultra-high resolution, cinematic realism with sculptural artistry.

STATIC CAMERA ANIMATE ELEMENTS AND TITLES

📱 Telegram - @kostebas
🔗 Links: linktr.ee/kostebas
🌐 Site: www.kostebas.com
📩 DM: @kostebasov
📍BA, Argentina

📱 Telegram - @kostebas
🔗 Links: linktr.ee/kostebas
🌐 Site: www.kostebas.com
📩 DM: @kostebasov
📍BA, Argentina

📱 Telegram - @kostebas
🔗 Links: linktr.ee/kostebas
🌐 Site: www.kostebas.com
📩 DM: @kostebasov
📍BA, Argentina

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Analyze the entire composition of the input image. Identify ALL key subjects present (whether it's a single person, a group/couple, a vehicle, or a specific object) and their spatial relationship/interaction.
Generate a cohesive 3x3 grid "Cinematic Contact Sheet" featuring 9 distinct camera shots of exactly these subjects in the same environment.
You must adapt the standard cinematic shot types to fit the content (e.g., if a group, keep the group together; if an object, frame the whole object):Row 1 (Establishing Context):
 1. Extreme Long Shot (ELS): The subject(s) are seen small within the vast environment.
 2. Long Shot (LS): The complete subject(s) or group is visible from top to bottom (head to toe / wheels to roof).
 3. Medium Long Shot (American/3-4): Framed from knees up (for people) or a 3/4 view (for objects).
Row 2 (The Core Coverage):
4. Medium Shot (MS): Framed from the waist up (or the central core of the object). Focus on interaction/action.
5. Medium Close-Up (MCU): Framed from chest up. Intimate framing of the main subject(s).
6. Close-Up (CU): Tight framing on the face(s) or the “front” of the object.
Row 3 (Details & Angles):
7. Extreme Close-Up (ECU): Macro detail focusing intensely on a key feature (eyes, hands, logo, texture).
8. Low Angle Shot (Worm’s Eye): Looking up at the subject(s) from the ground (imposing/heroic).
9. High Angle Shot (Bird’s Eye): Looking down on the subject(s) from above.
Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups).

Create a 3×3 cinematic storyboard (9 frames) with a consistent aesthetic. Use ultra-realistic detail, cinematic lighting, shallow DOF, and cohesive colors. Include: a close-up detail shot, a character introduction, an early action moment, a wide environmental shot, a character close-up, a dynamic high-energy moment, an alternate perspective, a candid transition shot, and a strong hero-style final frame

Image Ratio 3:4

Animate the storyboard sequence with cinematic camera movements, maintaining character appearance and visual style consistency across all frames. Follow the narrative flow and composition from the reference images.

📱 Telegram - @kostebas
🔗 Links: linktr.ee/kostebas
🌐 Site: www.kostebas.com
📩 DM: @kostebasov
📍BA, Argentina