Ultra-detailed stylised portrait using the downloaded photo reference as the main anchor of identity.
Preserve the exact structure of the model’s face, proportions, bone base, shape of the eyes, nose, lips, jaw line and natural skin texture. Rigid identity fixation. Without changing the face. Without «improvements». No distortion. The geometry of the face should remain stable.
Style is an intellectual modernist illustration inspired by architectural drawings and editorial linear graphics.
The face is divided into multi-layered geometric sections, inside of which technical diagrams, fragments of urban interiors, structural grids, data diagrams and abstract architectural elements are placed. Thin ink drawing, neat hatching, engraving technique of shading. Pure white background filled with dense black technical lines.
Bright accent colours are used only in certain areas: deep red, muted blue and warm yellow. Colours are used as flat graphic blocks and translucent overlays that interact with the planes of the face.
The eyes are clear, expressive, with natural highlights.
The composition is minimalistic, but complex in structure. High contrast of the black and white base. Clear, graphic edges. Clarity of the poster level.
Editorial illustrative aesthetics. Conceptual portrait. The atmosphere of futuristic intelligence. Data visualisation connected to human identity.
Ultra-high resolution. Maximum sharpness.

Ultra-detailed stylised portrait using the downloaded photo reference as the main anchor of identity.
Preserve the exact structure of the model’s face, proportions, bone base, shape of the eyes, nose, lips, jaw line and natural skin texture. Rigid identity fixation. Without changing the face. Without «improvements». No distortion. The geometry of the face should remain stable.
Style is an intellectual modernist illustration inspired by architectural drawings and editorial linear graphics.
The face is divided into multi-layered geometric sections, inside of which technical diagrams, fragments of urban interiors, structural grids, data diagrams and abstract architectural elements are placed. Thin ink drawing, neat hatching, engraving technique of shading. Pure white background filled with dense black technical lines.
Bright accent colours are used only in certain areas: deep red, muted blue and warm yellow. Colours are used as flat graphic blocks and translucent overlays that interact with the planes of the face.
The eyes are clear, expressive, with natural highlights. Thin round glasses are neatly integrated into the linear structure of the pattern.
The composition is minimalistic, but complex in structure. High contrast of the black and white base. Clear, graphic edges. Clarity of the poster level.
Editorial illustrative aesthetics. Conceptual portrait. The atmosphere of futuristic intelligence. Data visualisation connected to human identity.
Ultra-high resolution. Maximum sharpness.

Действуй как Senior Art Director.
PHASE 1: INTEGRATED COMPOSITION AND OVERLAP
Create a seamless combination of flat vector graphics and ultra-realistic 3D photography.
A bright geometric panel of the brand’s corporate colour [BRAND Colour] occupies the lower part of the frame (the left or right third - depending on the composition).
The main object or product [PRODUCT] physically breaks through this panel, destroying the boundary of 2D design and entering a real space (sky or environment).
Graphic elements (lines, arrows, waves, grid, shapes - depending on the category) continue upwards and «flow» into the real environment, creating the effect of merging design and photography.
The object and/or character necessarily overlap the graphic layer.
PHASE 2: BRAND AND CATEGORY SIMULATION
Autonomously analyse the category [CATEGORY] and adapt the visual language:
If Automotive - dynamics, speed, sharp forms
If Tech - minimalism, grid, pure geometry
If Fashion - sculptural silhouettes, editorial pose
If Lifestyle is emotional contact, movement
The brand’s corporate colour is integrated:
In the graphics panel
In the product’s accents
In the details of the character’s clothes or accessories
Forms and graphics should reflect the nature of the brand (sharp / smooth / minimalistic / organic).
PHASE 3: TYPOGRAPHY AND DEPTH
The headline «[HEADLINE]» is a bold modern font without serifs.
Under it is the subnoscript «[SUBTEXT]».
Minimalistic CTA button «[CTA]» in the shape of a «pill».
Text layers must interact with the object:
Partially hide behind the product
To overlap with a character
To go to the sky or beyond the panel
Typography should feel spatial, not flat.
PHASE 4: PHOTOGRAPHY AND PERSPECTIVE
Extreme angle from below (worm’s eye view), the camera is almost near the ground.
A huge clear blue sky or large-scale space takes up 60-70% of the frame.
The main object and character are located monumentally, dominating the 9:16 vertical.
Strong vertical dynamics.
PHASE 5: FINAL VISUAL STYLE
Premium global commercial aesthetics.
Clear, saturated image. Deep contrast. A professional combination of flat vector graphics and photorealistic photography.
Billboard-ready. Social-ready. Campaign-ready.