La classe creativa, quella che lavora in spazi non suoni, quella che ha tolto il posto dall'idea di posto di lavoro. E che lavora negli spazi condivisi. E WeWork è il suo profeta. Smartwork, o quel che è. A me non piace, forse perché lavoro così. Boh. Questo è l'articolo che ne parla
Money quote: "WeWork was founded by Adam Neumann and Miguel McKelvey in 2010, and it started with a single office in New York City. Today, the company has 274 offices in fifty-nine cities, from Bogotá to Tel Aviv. It is the fourth-largest startup in America, and it is reportedly valued at more than $20 billion (US), which puts it below only Uber, Airbnb, and SpaceX. WeWork leases buildings, renovates them to a millennial-approved sheen, and then rents them out desk by desk and office by office. There are now five locations in Canada, and at the inaugural Toronto office, a “hot desk”— a spot at a communal table or couch— starts at $500 per month, a permanent desk at $700, and a private office at $1,000. The company is now trying to become the leader in a crowded market where dozens of hubs all promise a variation on the same thing: an inspirational environment among like-minded members of the creative class, plus coffee."
https://thewalrus.ca/why-its-so-hard-to-actually-work-in-shared-offices/
Money quote: "WeWork was founded by Adam Neumann and Miguel McKelvey in 2010, and it started with a single office in New York City. Today, the company has 274 offices in fifty-nine cities, from Bogotá to Tel Aviv. It is the fourth-largest startup in America, and it is reportedly valued at more than $20 billion (US), which puts it below only Uber, Airbnb, and SpaceX. WeWork leases buildings, renovates them to a millennial-approved sheen, and then rents them out desk by desk and office by office. There are now five locations in Canada, and at the inaugural Toronto office, a “hot desk”— a spot at a communal table or couch— starts at $500 per month, a permanent desk at $700, and a private office at $1,000. The company is now trying to become the leader in a crowded market where dozens of hubs all promise a variation on the same thing: an inspirational environment among like-minded members of the creative class, plus coffee."
https://thewalrus.ca/why-its-so-hard-to-actually-work-in-shared-offices/
The Walrus
Why It’s So Hard to Actually Work in Shared Offices | The Walrus
WeWork offers freelancers a chic workspace and beer on tap—but are people productive?
In effetti le spogliarelliste al corteo funebre (cinese) mi mancavano. Ma ne parla la BBC quindi...
Money quote: “According to one theory, strippers are used to boost funeral attendances because large crowds are seen as a mark of honour for the deceased.
Another states the practice could be linked to a "worship of reproduction".”
http://www.bbc.com/news/world-asia-china-43137005
Money quote: “According to one theory, strippers are used to boost funeral attendances because large crowds are seen as a mark of honour for the deceased.
Another states the practice could be linked to a "worship of reproduction".”
http://www.bbc.com/news/world-asia-china-43137005
Bbc
Why do some Chinese funerals involve strippers?
Chinese authorities are once again cracking down on the practice which have existed for years.
Ci sono molte donne con un elevato tasso di intelligenza che riescono a mimetizzare il proprio autismo. Che, peraltro, nelle donne sembra di capire sempre più che si manifesti in maniera differente che negli uomini. E insomma si scoprono tante cose sulle differenze, sull'autismo, sulle strategie delle ragazze per non farsi scoprire e non nel frattempo negarsi, rifiutarsi di scoprire anche se stesse.
Una storia potente che poteva essere scritta meglio: giornalismo proceduralmente fatto molto bene ma senza anima. Tipico delle journalism school negli Stati Uniti.
Money quote: "Over the past few years, scientists have discovered that, like Jennifer, many women on the spectrum “camouflage” the signs of their autism. This masking may explain at least in part why three to four times as many boys as girls are diagnosed with the condition. It might also account for why girls diagnosed young tend to show severe traits, and highly intelligent girls are often diagnosed late. (Men on the spectrum also camouflage, researchers have found, but not as commonly as women.)"
https://www.theatlantic.com/health/archive/2018/02/women-camouflaging-autism/553901/
Una storia potente che poteva essere scritta meglio: giornalismo proceduralmente fatto molto bene ma senza anima. Tipico delle journalism school negli Stati Uniti.
Money quote: "Over the past few years, scientists have discovered that, like Jennifer, many women on the spectrum “camouflage” the signs of their autism. This masking may explain at least in part why three to four times as many boys as girls are diagnosed with the condition. It might also account for why girls diagnosed young tend to show severe traits, and highly intelligent girls are often diagnosed late. (Men on the spectrum also camouflage, researchers have found, but not as commonly as women.)"
https://www.theatlantic.com/health/archive/2018/02/women-camouflaging-autism/553901/
The Atlantic
The Struggles of Women Who Mask Their Autism
By “camouflaging” their condition, many women on the spectrum learn to fit in—and risk psychological harm.
Storia di ragazze mantenute da ricconi cinesi, per questione di status. Soprattutto, un articolo con un attacco così, come fai a non leggerlo?
Money quote: “Shanshan’s $550 shoes came from her lover, but the soles of her feet, as hard as leather, came from her childhood. ‘We used to play barefoot in the village,’ she told me. ‘All the girls in the karaoke bar had feet like this.’”
https://aeon.co/essays/why-do-young-rural-women-in-china-become-mistresses
Money quote: “Shanshan’s $550 shoes came from her lover, but the soles of her feet, as hard as leather, came from her childhood. ‘We used to play barefoot in the village,’ she told me. ‘All the girls in the karaoke bar had feet like this.’”
https://aeon.co/essays/why-do-young-rural-women-in-china-become-mistresses
Aeon
Kept women
Mistresses are big business in China, where no official is a real man without his own ernai. What’s in it for the girls?
Lacoste mette al posto del coccodrillo una serie di animali in via di estinzione. Il numero di magliette prodottoe per ciascuna serie limitata corrisponde al numero degli animali ancora vivi.
Money quote: “Lacoste, the French polo shirt brand, is replacing its iconic crocodile logo with ten threatened animals in a limited-edition line created in partnership with a nature conservation charity.“
http://creativity-online.com/work/lacoste-save-our-species/53963
Money quote: “Lacoste, the French polo shirt brand, is replacing its iconic crocodile logo with ten threatened animals in a limited-edition line created in partnership with a nature conservation charity.“
http://creativity-online.com/work/lacoste-save-our-species/53963
Ad Age
Lacoste: Save Our Species
Through New Year’s on Creativity, we’ll be counting down the best work and ideas of the year in various categories: TV/Film/Branded Content, Print/Out of Home/Design/Experiential and Digital/Integrated/Social. At No. 4 in Print/OOH/Design, Lacoste’s limited…
Dalla regola del limite di 20 slot per gli investimenti pensata da Warren Buffett alla necessità di impegnarsi in quel che si sta facendo, investendo tempo e passione, anziché "bagnarsi i piedi" e provare un pochino
Money quote 1: "If you take a look around, you’ll notice very few people actually go “all in” on a single skill or goal for an extended period of time.
Rather than researching carefully and pouring themselves into a goal for a year or two, most people “dip their toes in the water” and chase a new diet, a new college major, a new exercise routine, a new side business idea, or a new career path for a few weeks or months before jumping onto the next new thing."
Money quote 2: "Don’t waste your next slot. Think carefully, make a decision, and go all in. Don’t just kind of go for it. Go all in. Your final results are merely a reflection of your prior commitment."
https://medium.com/the-mission/warren-buffetts-20-slot-rule-how-to-simplify-your-life-and-maximize-your-results-760e7109ffe8
Che dite, lo scrivo un romanzo?
Money quote 1: "If you take a look around, you’ll notice very few people actually go “all in” on a single skill or goal for an extended period of time.
Rather than researching carefully and pouring themselves into a goal for a year or two, most people “dip their toes in the water” and chase a new diet, a new college major, a new exercise routine, a new side business idea, or a new career path for a few weeks or months before jumping onto the next new thing."
Money quote 2: "Don’t waste your next slot. Think carefully, make a decision, and go all in. Don’t just kind of go for it. Go all in. Your final results are merely a reflection of your prior commitment."
https://medium.com/the-mission/warren-buffetts-20-slot-rule-how-to-simplify-your-life-and-maximize-your-results-760e7109ffe8
Che dite, lo scrivo un romanzo?
Medium
Warren Buffett’s ‘20 Slot’ Rule: How to Simplify Your Life and Maximize Your Results
Charlie Munger settled into his seat in front of the crowd at the University of Southern California.
Relax domenicale. Se c'è un posto che non mi piace è Londra. Però queste diapositive dell'East End negli anni sessanta-settanta, scattate tutte da un fotografo dilettante con la mitica pellicola Kodachrome, sono proprio belle.
Money quote: "Beyond these basic details, though, there is precious little information available about Granick. Even his work—consisting of more than 3,000 Kodachrome transparencies—remained largely unseen for over three decades. That didn’t start to change until early 2017, when the East London photographer Chris Dorley-Brown first glimpsed Granick’s work at the Archives."
https://www.atlasobscura.com/articles/pictures-london-east-end-1960s-color
Money quote: "Beyond these basic details, though, there is precious little information available about Granick. Even his work—consisting of more than 3,000 Kodachrome transparencies—remained largely unseen for over three decades. That didn’t start to change until early 2017, when the East London photographer Chris Dorley-Brown first glimpsed Granick’s work at the Archives."
https://www.atlasobscura.com/articles/pictures-london-east-end-1960s-color
Atlas Obscura
Unseen 1960s Photos of London's East End
A hidden archive of glorious Kodachrome, rediscovered.
2018, preparatevi alla nuova Apple - il mio articolo per Macity
https://www.macitynet.it/2018-preparatevi-alla-nuova-apple/
https://www.macitynet.it/2018-preparatevi-alla-nuova-apple/
Macitynet.it
2018, preparatevi alla nuova Apple - Macitynet.it
Cupertino prepara una serie di prodotti e tecnologie che indicano chiaramente una strada di evoluzione per l'azienda, sempre più legata all'iPhone e alla ricerca di nuovi sbocchi sia per i suoi servizi che per gli altri hardware
Un ricordo di Mimmo Candido
Money quote: “Ho vinto parecchi premi giornalistici (e ne sono orgoglioso quasi quanto per i titoli da campione che, da ragazzo, vinsi nella scherma, nell’atletica e nella pallacanestro). Ho scritto alcuni libri. Insegno all’università.
Ho vissuto.”
http://www.cattivamaestra.it/2018/03/mimmo-candito/
Money quote: “Ho vinto parecchi premi giornalistici (e ne sono orgoglioso quasi quanto per i titoli da campione che, da ragazzo, vinsi nella scherma, nell’atletica e nella pallacanestro). Ho scritto alcuni libri. Insegno all’università.
Ho vissuto.”
http://www.cattivamaestra.it/2018/03/mimmo-candito/
Deleuze e Guattari, la strana coppia della filosofia
Money quote: “Before that first encounter, though, few could have predicted the powerful personal chemistry that existed between these men. At the age of 44, Deleuze must have seemed much older. Unwell and with difficulty breathing, he was reluctant to travel and comfortably settled in his post at the University of Lyon. Guattari, meanwhile, was a committed activist, who’d recently split from his previous mentor, the psychoanalyst Jacques Lacan, after refusing to toe the party line. He was now 39 and employed at La Borde, an unconventional psychiatric clinic in the Loire Valley, where his work on group fantasy had piqued Deleuze’s interest. But Guattari was also suffering from writer’s block; he hoped the philosopher might help him overcome it.”
https://aeon.co/essays/a-creative-multiplicity-the-philosophy-of-deleuze-and-guattari
Money quote: “Before that first encounter, though, few could have predicted the powerful personal chemistry that existed between these men. At the age of 44, Deleuze must have seemed much older. Unwell and with difficulty breathing, he was reluctant to travel and comfortably settled in his post at the University of Lyon. Guattari, meanwhile, was a committed activist, who’d recently split from his previous mentor, the psychoanalyst Jacques Lacan, after refusing to toe the party line. He was now 39 and employed at La Borde, an unconventional psychiatric clinic in the Loire Valley, where his work on group fantasy had piqued Deleuze’s interest. But Guattari was also suffering from writer’s block; he hoped the philosopher might help him overcome it.”
https://aeon.co/essays/a-creative-multiplicity-the-philosophy-of-deleuze-and-guattari
Aeon
Two’s a crowd
Zany and earnest, political yet puckish, Gilles Deleuze and Félix Guattari were philosophy’s most improbable duo
Forwarded from Social&Positive News - L'informazione che fa bene
⚖👨🏻⚖ #Migranti #Diritti
La situazione di povertà prodotta anche dai cambiamenti climatici giustifica la protezione umanitaria dei richiedenti asilo.
Con una interessante e innovativa ordinanza del Tribunale dell'Aquila, datata 18 febbraio 2018, è stata riconosciuta la protezione umanitaria ad un cittadino del Bangladesh il quale aveva dichiarato di essersi irrimediabilmente indebitato dopo aver perso il suo terreno agricolo a causa di un alluvione.
Il giudice, nel motivare la propria decisione che farà scuola in Italia, in primo luogo fa riferimento alle problematiche legate ai cambiamenti climatici che interessano il Bangladesh, tra cui evidenzia il land grabbing e la deforestazione. Inoltre, ricorda che l’Italia ha ratificato il Patto internazionale sui diritti economici, sociali e culturali e il Patto Internazionale sui diritti civili e politici che riconoscono il diritto di ogni individuo ad un livello di vita adeguato e il diritto alla libertà dalla fame.
Infine il giudice aquilano, citando una circolare emessa dal Ministero dell’Interno nel luglio 2015 che evidenziava tra i motivi della concessione umanitaria anche le gravi calamità naturali o altri gravi fattori locali ostativi ad un rimpatrio in dignità e sicurezza, ha riconosciuto al cittadino bengalese la protezione umanitaria.
La situazione di povertà prodotta anche dai cambiamenti climatici giustifica la protezione umanitaria dei richiedenti asilo.
Con una interessante e innovativa ordinanza del Tribunale dell'Aquila, datata 18 febbraio 2018, è stata riconosciuta la protezione umanitaria ad un cittadino del Bangladesh il quale aveva dichiarato di essersi irrimediabilmente indebitato dopo aver perso il suo terreno agricolo a causa di un alluvione.
Il giudice, nel motivare la propria decisione che farà scuola in Italia, in primo luogo fa riferimento alle problematiche legate ai cambiamenti climatici che interessano il Bangladesh, tra cui evidenzia il land grabbing e la deforestazione. Inoltre, ricorda che l’Italia ha ratificato il Patto internazionale sui diritti economici, sociali e culturali e il Patto Internazionale sui diritti civili e politici che riconoscono il diritto di ogni individuo ad un livello di vita adeguato e il diritto alla libertà dalla fame.
Infine il giudice aquilano, citando una circolare emessa dal Ministero dell’Interno nel luglio 2015 che evidenziava tra i motivi della concessione umanitaria anche le gravi calamità naturali o altri gravi fattori locali ostativi ad un rimpatrio in dignità e sicurezza, ha riconosciuto al cittadino bengalese la protezione umanitaria.
NewsTown
Tribunale L’Aquila: sì a protezione umanitaria per povertà e cambiamenti clima
La situazione di povertà e le problematiche legate ai cambiamenti climatici giustificano la protezione umanitaria dei richiedenti asilo. Con una inter...
Viviamo immersi nelle reti ma, salta fuori, una vera teoria organica delle reti non esiste
Money quote: “A paper posted online last month has reignited a debate about one of the oldest, most startling claims in the modern era of network science: the proposition that most complex networks in the real world—from the World Wide Web to interacting proteins in a cell—are “scale-free.” Roughly speaking, that means that a few of their nodes should have many more connections than others, following a mathematical formula called a power law, so that there’s no one scale that characterizes the network”
https://www.theatlantic.com/science/archive/2018/02/power-laws-networks/553562/
Money quote: “A paper posted online last month has reignited a debate about one of the oldest, most startling claims in the modern era of network science: the proposition that most complex networks in the real world—from the World Wide Web to interacting proteins in a cell—are “scale-free.” Roughly speaking, that means that a few of their nodes should have many more connections than others, following a mathematical formula called a power law, so that there’s no one scale that characterizes the network”
https://www.theatlantic.com/science/archive/2018/02/power-laws-networks/553562/
The Atlantic
The Controversial Theory That Explains the Structure of the Internet
New evidence challenges one of the most celebrated ideas in network science.
Apple alla conquista del mercato aziendale: diventerà la nuova Microsoft? - il mio articoo per Macity
https://www.macitynet.it/apple-alla-conquista-del-mercato-aziendale/
https://www.macitynet.it/apple-alla-conquista-del-mercato-aziendale/
Macitynet.it
Apple alla conquista del mercato aziendale: diventerà la nuova Microsoft? - Macitynet.it
Per Steve Jobs il mercato aziendale era un tabù ma negli ultimi anni Apple continua a mietere importanti successi nel settore enterprise. La posizione di vantaggio di Cupertino le consentirà di restare ancora a lungo in sella?
Il 99,9% delle mie foto sono scattate con luce naturale. Adesso finalmente trovo una giustificazione per la mia avversione alla luce artificiale
Money quote: “In addition to its somatic repercussions, flash can also enact a form of ethical violence. What, if anything, might justify flash’s unexpected interruption into daily lives? This is a question that has exercised documentary photographers since the mid-20th century. Among those who worked for the Farm Security Administration during the Depression in the United States, Dorothea Lange saw its use as invasive, and Ben Shahn expressed his doubts – both about photographing someone else’s private space, and about flash’s aesthetics. ‘When some of the people came in and began to use flash I thought it was immoral,’ he said. ‘You know, you come into a sharecropper’s cabin and it’s dark. But a flash destroyed that darkness.’ His dislike of artificial illumination was to be echoed by art photographers such as Henri Cartier-Bresson and André Kertész, who firmly adhered to the doctrine of using only available light. To use flash, said Cartier-Bresson, was ‘impolite … like coming to a concert with a pistol in your hand’.”
https://aeon.co/ideas/blinded-by-the-light-the-violence-of-flash-photography
Money quote: “In addition to its somatic repercussions, flash can also enact a form of ethical violence. What, if anything, might justify flash’s unexpected interruption into daily lives? This is a question that has exercised documentary photographers since the mid-20th century. Among those who worked for the Farm Security Administration during the Depression in the United States, Dorothea Lange saw its use as invasive, and Ben Shahn expressed his doubts – both about photographing someone else’s private space, and about flash’s aesthetics. ‘When some of the people came in and began to use flash I thought it was immoral,’ he said. ‘You know, you come into a sharecropper’s cabin and it’s dark. But a flash destroyed that darkness.’ His dislike of artificial illumination was to be echoed by art photographers such as Henri Cartier-Bresson and André Kertész, who firmly adhered to the doctrine of using only available light. To use flash, said Cartier-Bresson, was ‘impolite … like coming to a concert with a pistol in your hand’.”
https://aeon.co/ideas/blinded-by-the-light-the-violence-of-flash-photography
Aeon
Blinded by the light: the violence of flash photography | Aeon Ideas
Blinded by the light: the explosive unpredictability and aggression inherent in flash photography from its earliest days
Donald Trump, la retorica della politica e il valore manipolativo del teleprompt
Money quote: “We tend to think of speech as a less contrived medium than writing. Yet the assistive technology of the teleprompter is a routine feature of contemporary speechifying. It relies upon an unstated contract between the speaker and listener. We, the audience, know that we are hearing a pre-written presentation; but somehow we forget the artifice, and feel as if the speaker is creating something for us afresh. Even when we know the text is being read from a screen, our perception of what counts as ‘true’ speech seems to be bound up with a particular rhetorical style that suggests spontaneity and self-confidence: a direct gaze, no cue cards, a natural pace.”
https://aeon.co/ideas/what-the-teleprompter-tells-us-about-truth-trump-and-speech
Money quote: “We tend to think of speech as a less contrived medium than writing. Yet the assistive technology of the teleprompter is a routine feature of contemporary speechifying. It relies upon an unstated contract between the speaker and listener. We, the audience, know that we are hearing a pre-written presentation; but somehow we forget the artifice, and feel as if the speaker is creating something for us afresh. Even when we know the text is being read from a screen, our perception of what counts as ‘true’ speech seems to be bound up with a particular rhetorical style that suggests spontaneity and self-confidence: a direct gaze, no cue cards, a natural pace.”
https://aeon.co/ideas/what-the-teleprompter-tells-us-about-truth-trump-and-speech
Aeon
What the teleprompter tells us about truth, Trump and speech
The teleprompter makes speechifying look slick. But in an age of off-the-cuff tweeting, has the technology had its day?
La vita media dei prodotti Apple è quattro anni e tre mesi - il mio articolo per Wired
https://www.wired.it/gadget/computer/2018/03/05/la-vita-media-dei-prodotti-apple/
https://www.wired.it/gadget/computer/2018/03/05/la-vita-media-dei-prodotti-apple/
WIRED.IT
La vita media dei prodotti Apple è quattro anni e tre mesi
Secondo un analista di Asymco questo è l'uso da parte dei clienti. Che però, se sono troppo affezionati ai vecchi prodotti, diventano un problema
I cellulari sono una protesi o addirittura un pezzo di noi, almeno secondo la nostra mente (e la giurisprudenza americana)
Money quote: “In 2014, the United States Supreme Court used this observation to justify the decision that police must obtain a warrant before rummaging through our smartphones. These devices ‘are now such a pervasive and insistent part of daily life that the proverbial visitor from Mars might conclude they were an important feature of human anatomy’, as Chief Justice John Roberts observed in his written opinion.”
Are ‘you’ just inside your skin or is your smartphone part of you? | Aeon Ideas
https://aeon.co/ideas/are-you-just-inside-your-skin-or-is-your-smartphone-part-of-you
Money quote: “In 2014, the United States Supreme Court used this observation to justify the decision that police must obtain a warrant before rummaging through our smartphones. These devices ‘are now such a pervasive and insistent part of daily life that the proverbial visitor from Mars might conclude they were an important feature of human anatomy’, as Chief Justice John Roberts observed in his written opinion.”
Are ‘you’ just inside your skin or is your smartphone part of you? | Aeon Ideas
https://aeon.co/ideas/are-you-just-inside-your-skin-or-is-your-smartphone-part-of-you
Aeon
Are ‘you’ just inside your skin or is your smartphone part of you?
When it comes to basic rights and freedoms, do digital devices deserve the same protection as our brains and bodies?
Negli Usa sta succedendo una cosa strana: la domanda di energia elettrica per la prima volta è piatta, cioè i consumi non stanno aumentando. Le conseguenze saranno estremamente interessanti, anche perché negli Usa le utility sono pubbliche e hanno l'imperativo di fare (sempre più) soldi per i propri azionisti.
Money quote: "Thanks to a combination of greater energy efficiency, outsourcing of heavy industry, and customers generating their own power on site, demand for utility power has been flat for 10 years, and most forecasts expect it to stay that way. The die was cast around 1998, when GDP growth and electricity demand growth became “decoupled”:"
https://www.vox.com/energy-and-environment/2018/2/27/17052488/electricity-demand-utilities
Money quote: "Thanks to a combination of greater energy efficiency, outsourcing of heavy industry, and customers generating their own power on site, demand for utility power has been flat for 10 years, and most forecasts expect it to stay that way. The die was cast around 1998, when GDP growth and electricity demand growth became “decoupled”:"
https://www.vox.com/energy-and-environment/2018/2/27/17052488/electricity-demand-utilities
Vox
After rising for 100 years, electricity demand is flat. Utilities are freaking out.
The Tennessee Valley Authority is the latest to be caught short.
Quello di cui si parla in questo articolo sono i designer, la loro "generazione perduta", quella allevata dagli hippie e avida, rapace, priva di spina dorsale. Una generazione che, nella Silicon Valley, non si farà rimpiangere. Ma questo ragionamento secondo me scavalca l'oceano e arriva fino a noi. Perché no?
Money quote: "The current generation of designers have spent their careers learning how to work faster and faster and faster. And while there’s certainly something to be said for speed, excessive speed tends to blur one’s purpose. To get products through that gate before anyone noticed what they were and how foul they smelled. Because we broke some things. It’s one thing to break a database, but when that database holds the keys to interpersonal relationships the database isn’t the only thing that breaks."
https://medium.com/@monteiro/designs-lost-generation-ac7289549017
Money quote: "The current generation of designers have spent their careers learning how to work faster and faster and faster. And while there’s certainly something to be said for speed, excessive speed tends to blur one’s purpose. To get products through that gate before anyone noticed what they were and how foul they smelled. Because we broke some things. It’s one thing to break a database, but when that database holds the keys to interpersonal relationships the database isn’t the only thing that breaks."
https://medium.com/@monteiro/designs-lost-generation-ac7289549017
Medium
Design’s Lost Generation
A year ago I was in the audience at a gathering of designers in San Francisco. There were four designers on stage, and two of them worked…
Una bella intervista di The Believer a Laurie Sheck, scrittrice.
Money quote:
"THE BELIEVER: Are you genre-fluid?
LAURIE SHECK: With Gertrude Stein, we say she is a writer. We don’t label her in terms of genre. I love that. Too often, fluidity makes people nervous. If they can’t label one thing or another, they crack. It’s bad enough with people, but with books, it’s the same thing. To me, it’s about liberty of mind. Labeling is the opposite of thinking. As if prose is not poetry as well? And a lot of poetry is not poetry—it’s just lines. The whole thing’s all messed up."
https://logger.believermag.com/post/anti-particle-woman
Money quote:
"THE BELIEVER: Are you genre-fluid?
LAURIE SHECK: With Gertrude Stein, we say she is a writer. We don’t label her in terms of genre. I love that. Too often, fluidity makes people nervous. If they can’t label one thing or another, they crack. It’s bad enough with people, but with books, it’s the same thing. To me, it’s about liberty of mind. Labeling is the opposite of thinking. As if prose is not poetry as well? And a lot of poetry is not poetry—it’s just lines. The whole thing’s all messed up."
https://logger.believermag.com/post/anti-particle-woman
The Believer Logger
Anti-Particle Women: An Interview with Writer Laurie Sheck
LAURIE SHECK: With Gertrude Stein, we say she is a writer. We don’t label her in terms of genre. I love that.
Se siete amanti della cucina, vera o televisiva che sia, o semplicemente curiosi, questo articolo è inevitabile
Money quote: “Noma, as you've probably heard, is the Copenhagen restaurant considered by many people, including me, to be the most influential in the world, the place where the dominant strains in world cooking — localism, seasonality, sustainability and science — came together into a whole, aided by Redzepi's strong sense of narrative”
http://www.latimes.com/food/jonathan-gold/la-fo-gold-noma-copenhagen-20180302-story.html
Money quote: “Noma, as you've probably heard, is the Copenhagen restaurant considered by many people, including me, to be the most influential in the world, the place where the dominant strains in world cooking — localism, seasonality, sustainability and science — came together into a whole, aided by Redzepi's strong sense of narrative”
http://www.latimes.com/food/jonathan-gold/la-fo-gold-noma-copenhagen-20180302-story.html
Los Angeles Times
Review: The world's most influential restaurant reinvents itself. Jonathan Gold tastes the changes
The first act of a meal at Noma passes as a dream; rich sea snail bouillon sipped from its herb-smeared shell fading into a field of empty cockleshells in which two or three contain the sweet meat; a mussel constructed from the chewy lips of half a dozen…