Forwarded from Orgone Channel Telegram (ned)
https://web.archive.org/web/20150426021650/https://earthpulse.net/robert-o-becker
Robert O. Becker: Complete in-vitro regeneration of adult fingertip with intact finger print, finger nail and tactile sensation.
[Photos attached] as submitted in support of patent filing
Robert O. Becker: Regeneration of tissue in diabetic ulcer. Becker chose amputate candidates for his research on chronic ulcers and NEVER lost a limb.
100% success during more than a decade of research.
Robert O. Becker: Complete in-vitro regeneration of adult fingertip with intact finger print, finger nail and tactile sensation.
[Photos attached] as submitted in support of patent filing
Robert O. Becker: Regeneration of tissue in diabetic ulcer. Becker chose amputate candidates for his research on chronic ulcers and NEVER lost a limb.
100% success during more than a decade of research.
Forwarded from Orgone Channel Telegram (ned)
FLASHBACK
17 December 2007 OBRL Newsletter
James DeMeo announced:
Suppressed and (Nearly) Forgotten Scientific Innovators of the 20th Century: A chapter-by-chapter review and theoretical integration of the works of scientists such as Wilhelm Reich, Frank Brown, Giorgio Piccardi, Dayton Miller, Halton Arp, Harold Hillman, Royal Rife, Jacques Benveniste, Peter Duesberg, Robert O. Becker, Immanuel Velikovsky, Hannes Alfven, Louis Kervran, Bjorn Nordenstrom, Michel Gauquelin, Harold Burr, and others.
http://www.orgonelab.org/OBRLNewsletter/17OBRLDecember2007.pdf
17 December 2007 OBRL Newsletter
James DeMeo announced:
Suppressed and (Nearly) Forgotten Scientific Innovators of the 20th Century: A chapter-by-chapter review and theoretical integration of the works of scientists such as Wilhelm Reich, Frank Brown, Giorgio Piccardi, Dayton Miller, Halton Arp, Harold Hillman, Royal Rife, Jacques Benveniste, Peter Duesberg, Robert O. Becker, Immanuel Velikovsky, Hannes Alfven, Louis Kervran, Bjorn Nordenstrom, Michel Gauquelin, Harold Burr, and others.
http://www.orgonelab.org/OBRLNewsletter/17OBRLDecember2007.pdf
Orgone Channel Telegram
*Breathe deep and fly high." ~ James DeMeo
Cloudbuster Icarus
What's in the name?
Some readers of the Pulse have asked why the experimental cloudbuster used in our field research is named Icarus. One questioner wonders why we do not use the name Daedalus, from the same Greek Legend. In the legend, Daedalus and his son, Icarus, escaped from the isle of Crete by making wings of wax and feathers. Daedalus warned his son not to fly too close to the Sun, but his son ignored the warning. Icarus soared higher and higher until, finally, his wings melted and he fell into the sea. Daedalus, who safely stayed at lower altitude, and who did not soar to the heights, made it back to the mainland. Daedalus was also credited with the invention of the Labyrinth, a complicated maze in which the half-bull, half-man Minotaur was confined. On the surface, these myths seem to condemn Icarus for his foolhardiness, in ignoring the wise words of his father and flying too close to the Sun. But upon analysis, the myth indicates something else. Daedalus played it safe, and never experienced either the ecstasy of soaring, nor of touching the Sun, nor of the fall (surrender). The young Icarus yields to feeling and soars; he melts; he surrenders and drowns in the sea, which is a metaphor for oceanic feeling, or sea of emotion. Daedalus, instead, traps his bull-like rage inside the complex Labyrinth of armored structure, and cannot soar, cannot melt, or feel deeply, except for sorrow at the loss of his untamed son, Icarus. In this sense, Daedalus is Reich's Homo normalis, afraid to make any deep contact with nature or self, while Icarus is the Child of the Future. The essence of this interpretation of the Icarus myth was captured in a large bronze sculpture by Charles Umlauf. I first observed that bronze statue of Icarus in 1977, in front of Nichols Hall at the University of Kansas Space Technology Center, when I was a student there. It captured the ecstacy of Icarus in the fall, or surrender, which also appears as an embrace. Hopefully, in my drawing, I have captured some of Umlauf's portrayal. I was so deeply impressed with Umlauf's sculpture, and this interpretation of the legend, that, in 1977, the newly-constructed cloudbuster was named: Icarus.
J.D.
Pulse of the Planet #3, Summer 1991, p. 117
Orgone Biophysical Research Laboratory, Inc.
Natural Energy Works
What's in the name?
Some readers of the Pulse have asked why the experimental cloudbuster used in our field research is named Icarus. One questioner wonders why we do not use the name Daedalus, from the same Greek Legend. In the legend, Daedalus and his son, Icarus, escaped from the isle of Crete by making wings of wax and feathers. Daedalus warned his son not to fly too close to the Sun, but his son ignored the warning. Icarus soared higher and higher until, finally, his wings melted and he fell into the sea. Daedalus, who safely stayed at lower altitude, and who did not soar to the heights, made it back to the mainland. Daedalus was also credited with the invention of the Labyrinth, a complicated maze in which the half-bull, half-man Minotaur was confined. On the surface, these myths seem to condemn Icarus for his foolhardiness, in ignoring the wise words of his father and flying too close to the Sun. But upon analysis, the myth indicates something else. Daedalus played it safe, and never experienced either the ecstasy of soaring, nor of touching the Sun, nor of the fall (surrender). The young Icarus yields to feeling and soars; he melts; he surrenders and drowns in the sea, which is a metaphor for oceanic feeling, or sea of emotion. Daedalus, instead, traps his bull-like rage inside the complex Labyrinth of armored structure, and cannot soar, cannot melt, or feel deeply, except for sorrow at the loss of his untamed son, Icarus. In this sense, Daedalus is Reich's Homo normalis, afraid to make any deep contact with nature or self, while Icarus is the Child of the Future. The essence of this interpretation of the Icarus myth was captured in a large bronze sculpture by Charles Umlauf. I first observed that bronze statue of Icarus in 1977, in front of Nichols Hall at the University of Kansas Space Technology Center, when I was a student there. It captured the ecstacy of Icarus in the fall, or surrender, which also appears as an embrace. Hopefully, in my drawing, I have captured some of Umlauf's portrayal. I was so deeply impressed with Umlauf's sculpture, and this interpretation of the legend, that, in 1977, the newly-constructed cloudbuster was named: Icarus.
J.D.
Pulse of the Planet #3, Summer 1991, p. 117
Orgone Biophysical Research Laboratory, Inc.
Natural Energy Works
Orgone Channel Telegram
*Breathe deep and fly high." ~ James DeMeo
Cloudbuster Icarus
What's in the name?
James DeMeo, Ph.D.
Pulse of the Planet #3, Summer 1991, p. 117
Orgone Biophysical Research Laboratory, Inc.
Natural Energy Works
What's in the name?
James DeMeo, Ph.D.
Pulse of the Planet #3, Summer 1991, p. 117
Orgone Biophysical Research Laboratory, Inc.
Natural Energy Works