В начале апреля проводим два музыкальных мероприятия, первое уже в этот четверг - 3 апреля в CreativeHub

https://design.hse.ru/news/4989

Буду вещать про инклюзивность слушания

Апрельские даты

4 - Yudol в Ла
10 - Пхурпа/Забелин в Арма
16 - Пхурпа в КцДом
18 - Соло в HSE на Кирпичной
25 - МШМ в Ла

Абразив - Ла - 25 апреля

Абразив – это столкновения и пересечения экспериментального металла и амбиент-дроуна всецело от представителей Московской Шумовой Мануфактуры. Ожидается гранулирование шумовых масс и сплавление звука в двуединый раскалённый поток. Два Цеха одновременно сойдутся на двух сценах Ла, представив сольные сэты и большие коллаборации в полу-импровизационных выступлениях.

Цех гудьбы
Jij / Accasari
Sx107
quefear
Jum-Jum
Droning Room

Цех металлов
Adelheid
Phenoptosis
T_ERROR 404 / DUKKHA / [ bɔ: ] / NE STERVA
8 Hz / Accasari / Old Moss / Kernel Vault & Weaponized Weather Anomalies (W.W.A.)
Apocatastasis x Gwalt

25.04 (18:00-00:00)
ЛА. Чистопрудный бульвар, 25. Москва.
На входе 1000р. (Эл.билеты по ссылке за 700р. https://moscow.qtickets.events/160361-abraziv)
FC/DC

Афиша от Талы Никитиной

From David Toop
What are field recordings? “My memory is not what it used to be, David,” my grandfather, Syd Senior, said to me as we huddled round a fireplace in 1979. Thanks to a cassette tape I have the memory of his gradual loss of memory, hearing him speak of Queen Victoria’s funeral and the severity of patriotism back in those old days, 1901. Syd Senior is long dead, no longer part of the field of living relations but still within the field of memories that can be revived by technology, albeit an old one that squeaks like a mouse, hisses like a cat.

Where is the field? The field is populated by all the ravishing, painful, poignant, nondenoscript moments of remembered life. Field recordings forget, just as memories forget. My recording of Ornette Coleman forgets that he fell asleep as we were talking together. I sat quietly, waiting for him to wake; the tape machine continued its work, oblivious.

During lockdown, a warm spring day, I sat working in the garden. A small fox appeared close to me, started, retreated into the shelter of plants by my pond. I took a photo with my phone but when I looked at the image no fox was visible. Earlier that day I had been reading Strange Tales from a Chinese Studio, a collection of short stories written by Pu Songling during the course of his life in the late seventeenth/early eighteenth century. In many of these tales, fox spirits inhabit the physical spaces of living humans in a variety of guises. Some are malicious; some benign. Their presence in the material world is wrong and yet accepted as either a temporary nuisance or a blessing that would later be regretted.

“All the memories are very incomplete,” said Annabel Nicolson during a conversation I recorded with her in the early 1990s. “It’s like trying to substantiate something that was important to us . . . When I was younger I thought that didn’t matter. I thought everything could be transient because people would always be creating more . . . when you get older it seems rather different because you realise many wonderful things have just vanished. Which in some ways doesn’t matter but it also means that they can’t be shared with anyone other than those who were there.”

Гдетотам можно послушать мой доклад про инклюзивное слушанье

#трансляция #ивент

Сегодня в 18:30 узнаем все о музыкальной карьере на нашем ивенте в HSE CREATIVE HUB!

Ждем вас также онлайн, подключайтесь к нашей трансляции.

P.s. — концерт Сергея Зыкова можно будет послушать только вживую!

А завтра тута как Yudol гоним плотного дрона

16 апреля, среда
Phurpa
[тибетская ритуальная музыка]

Начало в 20:00
Билеты:https://dom.com.ru/events/5487/