Analyze the input image of a game scene. Identify all key subjects present such as hero characters, vehicles, buildings, enemies, important props, and terrain, plus their spatial relationships and interactions. Reimagine this exact scene as a realistic cinematic live action world with physically plausible lighting and materials.
Generate a 3x3 grid Cinematic Contact Sheet that contains 9 distinct camera shots of these same subjects in the same environment. The grid must show a full range of cinematic coverage.
Top row. Shot 1 Extreme Long Shot ELS. Camera is far away, aerial or high crane, 24mm lens, showing the entire environment with all main subjects small inside the world. Shot 2 Long Shot LS. Camera at medium distance, 35mm lens, full bodies or full physical size of the main subject group visible from top to bottom. Shot 3 GoPro style shot. Camera is attached to the main moving subject such as a hero, vehicle, drone, or projectile, ultra wide 14mm lens, looking forward along the direction of motion.
Middle row. Shot 4 Close Shot CS. Camera near the main interaction, 50mm lens, framing the key subject and the current action such as firing, impact, melee clash, spell cast, or interface with a device. Shot 5 Medium Close Up MCU. Camera at chest up distance, 65mm lens, intimate framing of the primary hero, pilot, or central object. Shot 6 Close Up CU. Camera directly facing the character face or object front, 85mm lens, with the background softly blurred.
Bottom row. Shot 7 Extreme Close Up ECU. Camera with 100mm macro lens focused on a critical detail such as eyes, hands, emblem, weapon mechanism, control panel, magic rune, or surface texture. Shot 8 Low Angle shot. Camera on ground level looking up at the main subject, 28mm lens, making it feel imposing against the sky or background structures. Shot 9 Second ECU. Another macro detail of a different but related element such as damage, sparks, energy glow, armor joints, or moving parts.
All nine frames must keep the same characters, objects, costumes, props, architecture, environment, time of day, and light direction as in the original image. Remove any user interface, icons, or text. Use film quality photorealistic rendering, consistent cinematic color grading, natural depth of field that increases blur in close and macro shots, and accurate perspective and framing for each camera type.