вспоминается значет совсем юность когда появился fpg ну эти альбомы 1999-2001 мы все говнопанки например дико рубились и это было вот нечто сверхновое на сцене называется потом мне лично мальца надоело потом спустя некоторые годы выяснилось что все рифы моторхедовские (проверять не буду просто буду далее так утверждать тк група кал панки хой)

после этого трека на токси дерьмистах всё творчество кал панки хой

максим кавалеров хой

сельдь под шубой это круто

New York" is a song by the Sex Pistols, released as the eleventh track fromt the band's only album, Never Mind the Bollocks, Here's the Sex Pistols (1977)
In a track-by-track review, they discussed to Rolling Stone:
Rotten: That's a reference to the New York Dolls. I don't think of it as vicious; it's absolutely bang on from Babylon. "I'm looking for a kiss." They're mates of mine, and nobody has ever raised a complaint and why would they? It's not a personal attack. You have to understand at the time in England, glam rock was old hat by this point. We were overrun with Sweet, T. Rex – David Bowie got out of it rather well – but there were many, many bands like that in tight pants and lipstick. It was enough all right, already.
The bands in New York all seemed to be a little bit older and to have a little bit more of mommy's money in it, to me, rather than having to squeak by [with] all manner of ferrety streetwise methods. They were a little spoiled, and maybe I was little jealous of the luxury zone that they could all propagate amongst each other and prop each other up. And using ties like Rimbaud poetry to connect, I thought it was all very fake.
I mean, I read that [Rimbaud] stuff when I first went to New York and thought, "This isn't good enough." It just isn't. It doesn't have that tough edge of life's experiences in it. And there it is and that was the difference really between the English scene and the American punk scene. The American scene was a bit hoity-toity, a bit privileged and a bit snooty about its art. "Fuck art, let's dance" would be more my methodology.
Matlock: Musically, "New York" was originally my idea. I know you had a program in America called Secret Agent [with the opening theme "Secret Agent Man"] but in England [where it was called Danger Man] it had a different theme tune. And I was trying to write a rock version of something like that. So my original set of chord changes was like that on the bass but then John came out with the taking-the-mickey-out-of-the–New York Dolls lyric and it just came together. It's not one of my favorite songs, to be honest.
Rotten: The word "faggots" in the song is not about the New York Dolls because they most certainly were not. It's out to an audience that just wants to misinterpret everything. And you have to bear in mind that faggots in England, at the time, I remember this – I had seen an advert for it in London – it was a Northern dish: faggots and gravy. And they were trying to introduce it to Southern England with this hideous advert. I can't remember the company, but it was a product that would never wash well with a Londoner. It might not come off that way in the song, but that is exactly where I took the references from and I do that a lot. Whatever the scenario around me is, I will absorb. When in Rome.
https://youtu.be/yEihgShrcIo?si=1RSueaQ-nQUmZtTf

константин крестов небо я обращаюсь к тебе (извените)

даниил кудряшов в принципе норм тип но евоные обзоры кал иногда слишком ребячество образов в живописи но панки хой

Дата: 28 января
Время 19:00–20:30
Место: Образовательный центр Музея «Гараж»
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Владислав Мамышев-Монро. «Удостоверение Мамышева Монро Мир», 1995-1997 год.

EMERGING CONTEMPORARY NEW ARTIST: Миша Лайранд, 4 y.o. ( мой внук!!! )

Francis #Bacon
HEAD OF MAN - STUDY OF DRAWING BY VAN GOGH
1959

Oil on canvas

26 x 24 in. (66 x 61 cm)

DAVID #MILNE (Estate), 1882-1953

Floor of the Bush, September 1944
oil on canvas
30x40cm

КТО ГОВОРИЛ "Ы"?

кто здесь