EN EREBOS PHOS – Telegram
EN EREBOS PHOS
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do i frighten you? do you want me to?

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The mysteries of the heart doctrine, 1902
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Mystery, magic and medicine, 1933
Man is the only creature who refuses to be what he is.

Albert Camus, The Rebel
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The book of days, 1869
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Sphaera Ioannis de Sacro Bosco, emendata, 1574
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The acceptance of suffering as a proof of courage was the theme of primitive initiation rites in the distant past, and all such rites were at the same time ceremonies of death and resurrection. Men have by now forgotten the profound hidden struggle between consciousness and the body that exists in courage, and physical courage in particular. Consciousness is generally considered to be passive, and the active body to constitute the essence of all that is bole and daring; yet in the drama of physical courage the roles are, in fact, reversed. The flesh beats a steady retreat into its function of self-defense, while it is clearly consciousness that controls the decision that sends the body soaring into self-abandonment. It is the ultimate in clarity of consciousness that constitutes one of the strongest contributing factors in self-abandonment.

Yukio Mishima, Sun and Steel
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The Alchemist,
Eduard Haaga, 1888

#redheadoftheday
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Forwarded from Arte - attribuzioni
il Guercino (It, 1591-1666) - La Madonna della Ghiara con San Pietro pentito, san Carlo Borromeo, un angelo e il donatore - 1618 - Pinacoteca Civica Il Guercino di Cento
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“This house of mine is not haunted it is very much alive. I fashioned it from splintered fragments, and it stands with a beauty both somber and steadfast, warm and watchful. Those phantoms you perceive are no restless spirits; they are but your own sorrows, stitched to the hem of your shadow, trailing you with the loyalty of grief wherever you may wander.”
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"Given the trajectory of my life, I think I shall begin worshiping eclipses—or whatever else devours the light and leaves nothing but shadow in its wake."
Grua, Oppland Fylke, Norway by Svein Skjåk Nordrum
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