Central European Hornet
Vespa crabro
(x10/x40)
Like other hymenoptera, they have three light sensitive cells (ocelli) between their compound eyes.
These cells look like some manifest Third Eye chakra stem, and even in the dead state, they captivate and draw in focus, they send out a beam of energy straight ahead.
Within the physical makeup of these creatures lies magical beauty and therefore magical potential.
Structurally inherent.
Vespa crabro
(x10/x40)
Like other hymenoptera, they have three light sensitive cells (ocelli) between their compound eyes.
These cells look like some manifest Third Eye chakra stem, and even in the dead state, they captivate and draw in focus, they send out a beam of energy straight ahead.
Within the physical makeup of these creatures lies magical beauty and therefore magical potential.
Structurally inherent.
❤1
Might try some electroculture on my rather sensitive and petulant houseplants. 🤔🪴⚡️
❤2
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Separate, but inseparable.
Neither One nor the Other, but both, simultaneously.
Beginning is also Ending,
Ending is also Beginning.
Yet,
There is no Beginning,
And there is no End.
Within is also Without,
Without is also Within.
Yet,
There is no Within,
And there is no Without.
That which is not your Self
Defines that which is your Self
And
That which is your Self
Defines that which is not,
Yet
They're both the same Thing
And No Thing simultaneously.
Neither One nor the Other, but both, simultaneously.
Beginning is also Ending,
Ending is also Beginning.
Yet,
There is no Beginning,
And there is no End.
Within is also Without,
Without is also Within.
Yet,
There is no Within,
And there is no Without.
That which is not your Self
Defines that which is your Self
And
That which is your Self
Defines that which is not,
Yet
They're both the same Thing
And No Thing simultaneously.
🔥4❤1
Forwarded from No-one or Gođ (OGTOAD)
If you want willpower to keep going when you meditate you can consider this:
That which leads to your death is whatever succeeds in distracting you from the breath.🔥4
Forwarded from Maitridatta
"All things change, nothing perishes: the spirit wanders and comes from there to here, from here to there, and occupies any limbs it pleases, and the spirit passes from animals into human bodies and from our bodies into animals, nor does it perish in any time, and just as wax is easily shaped into new forms, it does not remain as it was nor does it keep the same form, but it is still the same, I teach that the soul is always the same but migrates into various forms. And since I am carried on the great sea and have set my sails filled with winds: there is nothing in the whole world that remains the same. All things flow, and every wandering image is formed; even time itself slips away with constant motion, just like a river; for a river cannot stand still, nor can a fleeting hour: but just as a wave is impelled by another wave and is pressed by the one coming before it and presses the one coming after it, time flees in the same way, and follows simultaneously, and is always new; for what was before is left behind, and what had not been becomes, and all moments are renewed."
Pythagoras
Pythagoras
Forwarded from EARTHSEEDERS
What activates the visions, fractal images, and journeys during sound baths?
According to Thomas Orr Anderson, there are two qualities of sounds that support this process: spatial awareness expansion and mesmerization.
Primitive humans had greater 3-dimensional spatial awareness. They needed it to survive and were thought to be keenly aware of sounds, scents and vibrations in the jungles and forests. We currently live in contained space with little need to "survive" each and every moment. This has diminished our awareness of the 3-d world. Singing bowls and other instruments reactivate this spatial awareness during a sound bath. The overtones and harmonies create a hypnotic effect that is deeply memorizing. The combination lowers brain wave activity to the create, visioning levels.
@ITORUS
According to Thomas Orr Anderson, there are two qualities of sounds that support this process: spatial awareness expansion and mesmerization.
Primitive humans had greater 3-dimensional spatial awareness. They needed it to survive and were thought to be keenly aware of sounds, scents and vibrations in the jungles and forests. We currently live in contained space with little need to "survive" each and every moment. This has diminished our awareness of the 3-d world. Singing bowls and other instruments reactivate this spatial awareness during a sound bath. The overtones and harmonies create a hypnotic effect that is deeply memorizing. The combination lowers brain wave activity to the create, visioning levels.
@ITORUS
How lucky are we to live in these times?
We likely have all the options in the world.
You can read.
You could read all the books you want.
So what do you read?
You don't have to worry about your next meal.
You could eat all different kinds of food.
So what do you eat?
You have a mind.
So what are the contents of your mind all day?
Are you even aware?
Do something meaningful.
Do something that's meaningful to you and to others.
We likely have all the options in the world.
You can read.
You could read all the books you want.
So what do you read?
You don't have to worry about your next meal.
You could eat all different kinds of food.
So what do you eat?
You have a mind.
So what are the contents of your mind all day?
Are you even aware?
Do something meaningful.
Do something that's meaningful to you and to others.
🔥4👍1
Forwarded from Gnostic Intel
“Christianity is a creed embraced by billions, but rarely chosen by anyone. The same is true of Islam, whose followers now make up about one-fifth of the world’s population of six billion people. Jews are racially born into their religion. Today we have utterly forgotten that heresy derives from the Greek heraisthai, ‘to choose.’ To be heretical means to have choices and not be forced or obligated to believe what one is told to believe. A heretic is free to choose what to believe, or not to believe.”
― John Lamb Lash, Not in His Image: Gnostic Vision, Sacred Ecology, and the Future of Belief
Image: Fallen Angel by Alexandre Cabanel
― John Lamb Lash, Not in His Image: Gnostic Vision, Sacred Ecology, and the Future of Belief
Image: Fallen Angel by Alexandre Cabanel
🔥5
Thoughts on synesthetic experience and implications for spiritual practice. (1/3)
Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway.
You may have heard of people who are able to "taste colors" or "see sounds". Some people perceive unchanging facts such as letters and numbers in a certain location in space.
Synesthesia broadens the spectrum of information that is received about a phenomenon.
The synesthete perceiver is aware what is "real" in the external world and what is the involuntary overlay of information that comes from inside.
Many different writers, artists and scientists throughout history have reported some kind of synesthetic perception. Among them are exceptional minds like Nikola Tesla, Kadinsky and Jean Sibelius.
Image: Ludwig van Beethoven Sonata No. 28 Op.101 by Jorinde Voigt
Listen to the piece here.
Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway.
You may have heard of people who are able to "taste colors" or "see sounds". Some people perceive unchanging facts such as letters and numbers in a certain location in space.
Synesthesia broadens the spectrum of information that is received about a phenomenon.
The synesthete perceiver is aware what is "real" in the external world and what is the involuntary overlay of information that comes from inside.
Many different writers, artists and scientists throughout history have reported some kind of synesthetic perception. Among them are exceptional minds like Nikola Tesla, Kadinsky and Jean Sibelius.
Image: Ludwig van Beethoven Sonata No. 28 Op.101 by Jorinde Voigt
Listen to the piece here.
🔥2
Try a mirror fast.
Do not look into any reflecting surfaces for a week and see what that does to your self-esteem.
Literally, remove all reflecting surfaces from your life for a few days.
Go hiking out in nature, remove yourself from civilization or do a home retreat with your mirrors covered up if you can stand it. Resist the temptation to look at yourself in windows and do not use your phone, if possible.
Then after 5-14 days, see how you feel about yourself.
When you go back to looking into mirrors, you will find that your face looks different than you thought it did. This is the voidness of your prior delusion showing.
And then you will find that the one generating your self-image and forming judgements is looking right back at you.
And you - who's that?
Do not look into any reflecting surfaces for a week and see what that does to your self-esteem.
Literally, remove all reflecting surfaces from your life for a few days.
Go hiking out in nature, remove yourself from civilization or do a home retreat with your mirrors covered up if you can stand it. Resist the temptation to look at yourself in windows and do not use your phone, if possible.
Then after 5-14 days, see how you feel about yourself.
When you go back to looking into mirrors, you will find that your face looks different than you thought it did. This is the voidness of your prior delusion showing.
And then you will find that the one generating your self-image and forming judgements is looking right back at you.
And you - who's that?
🥰3❤1
Forwarded from Tartaria & History Channel (Jeanne Roman)
Spirit of Detroit
The bronze 26-foot tall statue sits on a 60-ton marble base and is parked in downtown Detroit.
It’s said that famous sculptor Marshall Fredericks was commissioned in 1955 to create the piece. It was the largest cast statue made anywhere in the world since the Renaissance. Fredericks created a scale model of the statue and shipped it to Oslo, where it was constructed and and then the tricky part began: transporting the behemoth statue across the Atlantic Ocean. A framework made of wood and steel was designed, and the statue was wrapped in burlap to protect it during transport. The statue with the framework weighed 12 tons and was placed below deck on a freighter to travel 4,800 miles across the sea, through the Great Lakes, and into the Detroit port. Then it was lifted onto a truck and driven to Detroit where two cranes were used to rest it on its marble base!
Partnership with @ITORUS
Join us now
Channel:
https://news.1rj.ru/str/TartariaHistoryChannel
Chat:
https://news.1rj.ru/str/TartarianEnglishGroup
The bronze 26-foot tall statue sits on a 60-ton marble base and is parked in downtown Detroit.
It’s said that famous sculptor Marshall Fredericks was commissioned in 1955 to create the piece. It was the largest cast statue made anywhere in the world since the Renaissance. Fredericks created a scale model of the statue and shipped it to Oslo, where it was constructed and and then the tricky part began: transporting the behemoth statue across the Atlantic Ocean. A framework made of wood and steel was designed, and the statue was wrapped in burlap to protect it during transport. The statue with the framework weighed 12 tons and was placed below deck on a freighter to travel 4,800 miles across the sea, through the Great Lakes, and into the Detroit port. Then it was lifted onto a truck and driven to Detroit where two cranes were used to rest it on its marble base!
Partnership with @ITORUS
Join us now
Channel:
https://news.1rj.ru/str/TartariaHistoryChannel
Chat:
https://news.1rj.ru/str/TartarianEnglishGroup
👍1