Saretta Doppini 2.0 – Telegram
Saretta Doppini 2.0
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Saretta legge qualsiasi cosa che gli inviate nel gruppo @sarettadoppini (propic disegnata da @piccyonee_art su ig)
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Ah scusate raga ero occupata a recuperare i vecchi audio qui per metterli sui social appena ho fatto ricomincio
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Forwarded from 🚛FiloLHC🚛
Forwarded from eternal classic
Forwarded from eternal classic
Forwarded from Bruno Baraffa
Tomb Raider: Legend: L’archeologia come simulacro dell’avventura perduta

Tomb Raider: Legend si presenta come un’opera oscillante tra due poli: da un lato, la fascinazione per la topografia del mito e il senso dell’enigma ambientale; dall’altro, la resa alla banalità narrativa propria dell’industria culturale.

L’esperienza di gioco si articola in uno spazio che potremmo definire esplorativo-esistenziale: il level design si propone come cartografia dell’anima, richiamando antiche rovine e tombe come scenari esotici e metafore del passato sepolto che attende di essere riportato alla luce. Gli enigmi, non riducibili alla mera funzione ostativa, si configurano come prove gnostiche attraverso cui Lara, si riappropria del legame perduto con la profondità del tempo e della storia.
Tuttavia, è proprio nel contrasto tra queste architetture simboliche e il sistema di combattimento che l’opera mostra la sua disarmonia: il gameplay action, incentrato su sparatorie e sequenze corpo a corpo, si risolve spesso in una meccanica estrinseca, incapace di integrarsi con l’ethos dell’esplorazione. In particolare, a difficoltà elevate, l’impianto ludico spinge inevitabilmente verso lo scontro a distanza, privilegiando l’uso delle armi da fuoco rispetto agli attacchi corpo a corpo o alle acrobazie offensive, che diventano troppo rischiose e poco efficaci. Laddove l’enigma suggerisce l’ascesi intellettuale, lo scontro ravvicinato si riduce a istinto reattivo, perdendo ogni valore simbolico.

L’impianto narrativo, per sua parte, risulta privo di pathos e profondità ermeneutica. La ricerca della madre, Amelia, avrebbe potuto rappresentare una potente metafora della memoria e della perdita, ma si smarrisce in dialoghi anodini e noscript preconfezionati, incapaci di offrire una tensione drammatica autentica. La storia si snoda così come deriva della funzione, piuttosto che come destino dell’essere.

Eppure, nonostante queste incongruenze, il gioco conserva una sua dignità esperienziale. Non si dà come opera straordinaria, ma nemmeno si svuota nel vuoto ludico del puro usa e getta. In tal senso, Tomb Raider: Legend è una narrazione interrotta, una figura della mancanza: mostra le potenzialità di un’avventura che avrebbe potuto elevarsi al mito, ma resta imbrigliata nel meccanismo produttivo della serialità.

In ultima istanza, è un gioco che diverte, sì, ma che non riesce a ferire. E come insegna Simone Weil, solo ciò che ci ferisce nel profondo ci trasforma davvero.
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Forwarded from Edoardo Solei
Ciao mia cara, sai cosa penso che ti manca un uomo maturo che ti dia uhm minimo di soddisfazione sia motivazionale che sentimentale! Lecseghe dobbiamo farle insieme Pier trasmettere l’amore anche se in modo virtuale!
Attendo pertanto un tuo commento sperando di conoscervi meglio con una chat erotica!
Se vuoi ti lascio il mio cellulare, se vuoi chiamarmi dopo la mezzanotte 335373751 💕❤️💦💋👄🍆
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3🤣1
Io e Vincenzino all'Anime Night di Rimini, guardando oltre la fotocamera che prova a immortalare i nostri volti così fuori luogo in un ritrovo di persone così distanti da noi che non avranno nemmeno mai visto Bleach
E oltre l'obbiettivo c'è una ragazza, forse uno spettro chissà, che io penso già a salvare mentre Vincenzo non ha nemmeno più voglia di fermarmi
Vedo quel fantasma sussurrare "Fanculo questi imbecilli vestiti da cartoni"
E in fondo, sento che posso capirla perché in fondo sono d'accordo
Se fossi stato a Polignano, le cose sarebbero andate diversamente
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Forwarded from Bruno Baraffa
Forwarded from 𝑆𝑜𝑛𝑜 𝑛𝑢𝑑𝑜. (Il cadavere di ǝddǝsnJ)
THE ENTIRE BERSERK NUDITY GUIDE IN DETAIL

The Entire Berserk Nudity Guide in Detail

Chapter 0.01-200

To the Berserk Gooners or those who want to read but dont want

to bear through extreme nudity and sexual violence of the manga

I've made a nudity guide which mentions in detail all instances

of the manga.

Note

Nudity of Rosine the Elf between Chap 90-116 is not mentioned.

Chapter 0.01

Page 1 - Female apostle (Bare breasts shown whilst being

fucked by guts)

Chapter 0.05

Page 38 - Theresia's mother (Bare breasts shown in a

flashback)

Chapter 0.07

Page 12 - Slan (Right breast and buttocks)

Page 21 - Slan (Heavy cleavage)

Page 26 - Slan (Right breast and heavy cleavage)

Page 27 - Slan (Bare buttocks)

Page 28 - Slan (Bare buttocks and heavy cleavage)

Page 31 - Slan (Heavy cleavage)

Page 37 - Theresia's Mother in Orgy

(Bare buttocks of Theresia's mother, bare breasts

of six women and bare buttocks of five women shown)

Page 38 - Theresia's Mother in Orgy

(Bare buttocks of Theresia's mother, bare breasts of

six women and bare buttocks of three women shown)

Page 39 - Theresia's Mother in Orgy

(Bare buttocks of Theresia's mother, left breasts of

two women shown)

Page 41 - Slan (bare buttocks)

Page 42 - Nude dead bodies (Bare breasts and buttocks

of nine women)

Page 43 - Theresia's Mother (Bare breasts)

Page 44 - Theresia's Mother (Bare breasts and Bush)

Page 45 - Nude dead bodies (Bare breasts and buttocks

of four women)

Page 46 - Nude dead bodies (bare breasts and buttocks

of six women)

Page 47 - Theresia's Mother (Bare breasts)

Page 51 - Slan (Bare breasts)

Page 48 - Theresia's Mother (Bare breasts shown whilst

being dismembered alive)

Page 49 - Theresia's Mother (Bare breasts shown whilst

being dismembered alive)

Page 51 - Slan (Bare breasts)

Chapter 0.08

Page 5 - Slan (Bare buttocks)

Page 7 - Slan (Heavy cleavage)

Page 9 - Slan (Nipples partly visible and heavy cleavage)

Page 14 - Slan (Left nipple partly visible and heavy

cleavage)

Chapter 11

Page 23 - Mermaid Statue (Breasts)

Chapter 12

Page 7 - Mermaid Statue (Breasts)

Page 17 - Mermaid Statue (Breasts)

Chapter 15

Page 18 - Casca (Bare breasts shown when passed out)

Page 19 - Casca (Bare breasts and Bush shown when

passed out)

Chapter 16

Page 4 - Casca (Bare breasts)

Page 5 - Casca (Right breast shown)

Page 7 - Casca (Right breast shown)

Page 8 - Casca (Bare breasts and genitalia shown whilst

fighting with guts)

Page 9 - Casca (Bare breasts and buttocks)

Page 10 - Casca (Right nipple and genitalia)

Page 11 - Casca (Heavy cleavage)

Page 13 - Young Casca (Bare breasts shown whilst being

raped)

Page 14 - Young Casca (Detailed breasts shown whilst being

raped)

Page 15 - Casca (Right breast)

Page 18 - Young Casca (Bare breasts)

Chapter 17

Page 1 - Casca (Heavy cleavage)

Chapter 18

Page 8 - Casca (Heavy cleavage)

Page 10 - Casca (Heavy cleavage)

Chapter 20

Page 19 - Casca (Left nipple exposed whilst being

nearly raped)

Chapter 29

Page 8 - Queen of Midland (Left breast and Bush shown)

Chapter 38

Page 1 - Charlotte (Heavy cleavage while kissing Griffith)

Page 2 - Charlotte (Heavy kissing and buttocks being

groped by Griffith)

Page 5 - Charlotte (Unexposed fingering by Griffith)

Page 7 - Charlotte (Vague nudity whilst fucking Griffith)

Page 8 - Charlotte (Detailed bare breasts visible whilst

performing erotic sex and moaning)

Page 9 - Charlotte (Bare breasts, buttocks and genitalia

portrayed to depict euphoria and heavy arousal)

Page 10 - Charlotte (Detailed nudity of breasts

and buttocks portrayed to depict an orgasm with Griffith)

Page 12 - Charlotte (Bare buttocks)

Page 14 - Charlotte (Bare breasts)

Page 15 - Charlotte (Bare breasts)

Chapter 39

Page 17 - Charlotte (Detailed breasts exposed by her

father whilst sleeping)

Page 18 - Charlotte (Detailed nipples shown being

licked by her father)

Page 19 - Charlotte (Bare breasts and genitalia)

Chapter 40
Forwarded from 𝑆𝑜𝑛𝑜 𝑛𝑢𝑑𝑜. (Il cadavere di ǝddǝsnJ)
Page 2 - Charlotte (Bare breasts and genitalia visible

whilst her father attempts to rape her)

Page 3 - Charlotte (Bare breasts and bush)

Page 4 - Charlotte (Bare breasts visible whilst her

father attempts to rape her)

Page 5 - Charlotte (Detailed breasts and genitalia

visible whilst being nearly raped)

Page 6 - Charlotte (Detailed breasts visible whilst

being nearly raped)

Page 7 - Charlotte (Bare breasts)

Page 8 - Charlotte (Bare breasts and buttocks)

Chapter 46

Page 2 - Casca (Heavy cleavage and vague buttock nudity

visible whilst hiding breasts)

Page 3 - Casca (Heavy cleavage shown whilst hiding

breasts)

Page 5 - Casca (Heavy cleavage and left nipple partly

visible)

Page 6 - Casca (Cleavage whilst hiding breasts)

Page 9 - Casca (Bare breasts and detailed right nipple

shown whilst being fucked by Guts)

Page 10 - Casca (Detailed breasts shown being groped

by Guts)

Page 11 - Casca (Detailed breasts, genitalia and buttocks

shown being groped by Guts)

Page 12 - Casca (Detailed breasts, detailed buttocks and

vaginal intercourse by male genitalia vaguely shown whilst

being fucked by Guts)

Page 13 - Casca (Detailed right breast, buttocks and vaginal

intercourse by male genitalia shown whilst being fucked

by Guts)

Page 14 - Casca (Detailed breasts, buttocks and genitalia

visible being groped and fucked by Guts)

Page 15 - Casca (Bare breasts and detailed genitalia

visible being vigorously fingered by Guts)

Page 16 - Guts (Buttcrack shown in flashback whilst

being raped by Gambino)

Page 17 - Guts (Bare buttocks shown in flashback whilst

being raped by Gambino)

Page 17 - Casca (Bare buttocks)

Page 19 - Casca (Bare breasts and genitalia shown whilst

being choked by Guts)

Chapter 47

Page 2 - Guts (Bare buttocks shown in flashback whilst

being raped by Gambino)

Page 4 - Casca (Right breast and genitalia vaguely

visible whilst being choked by Guts)

Page 5 - Casca (Detailed breasts and genitalia vaguely

visible whilst being choked by Guts)

Page 7 - Casca (Bare breasts)

Page 9 - Casca (Left breast and vague nudity shown)

Page 10 - Casca (Detailed breasts)

Page 11 - Casca (Bare breasts)

Page 12 - Casca (Bare breasts and buttocks)

Page 14 - Casca (Genitalia)

Page 15 - Casca (Right breast and bare buttocks)

Page 16 - Casca (Bare breasts and vague bush nudity shown)

Page 17 - Casca (Left breast and buttocks shown whilst

kissing Guts)

Chapter 48

Page 2 - Casca (Left breast and bare buttocks)

Page 3 - Casca (Bare breasts and buttocks)

Page 4 - Casca (Right nipple partly visible)

Page 5 - Casca (Bare buttocks and vague nudity shown)

Page 14 - Casca (Right breast and left nipple partly shown)

Page 15 - Casca (Bare breasts, buttocks and genitalia)

Page 16 - Casca (Bare breasts, buttocks and genitalia)

Page 17 - Casca (Right breast, buttocks and genitalia

visible whilst being comedically groped by Guts)

Page 18 - Casca (Bare breasts and genitalia)

Page 19 - Casca (Buttocks and vague nudity shown)

Chapter 51

Page 1 - Elf (Bare buttocks)

Page 2 - Charlotte (Right breast shown in flashback being

licked and groped by her father)

Chapter 52

Page 10 - Rosine (Left breast and genitalia visible)

Page 11 - Rosine (Bare breasts)

Page 12 - Female Bat (Vague nudity shown)

Page 14 - Rosine (Bare breasts)

Page 15 - Rosine (Bare breasts)

Chapter 58

Page 5 - Bakiraka (Bare breasts)

Page 18 - Wyald's Orgy (Bare breasts of five prostitutes,

bare buttocks of four prostitutes and genitalia of two

prositutes visible)

Page 19 - Wyald's Orgy (Bare breasts and buttocks of one

prostitute visible whilst being hard fucked by Wyald.

Bare breasts of three prostitutes, bare buttocks of one

prostitute and genitalia of one prostitute visible)

Page 20 - Wyald's Orgy (Bare breasts, buttocks and

genitalia of prostitute shown whilst being choke-fucked

by Wyald. Left breasts of two prostitutes and vague

nudity for two prostitutes is shown)

Chapter 59

Page 19 - Village Girl (Detailed left breast visible

whilst being gangraped by Wyald's army)
Forwarded from 𝑆𝑜𝑛𝑜 𝑛𝑢𝑑𝑜. (Il cadavere di ǝddǝsnJ)
Page 20 - Village Girl and her Family (Bare buttocks shown

whilst being raped by Wyald. Bare breasts of two other

women visible whilst being gangraped by Wyald's army)

Chapter 60

Page 1 - Nude Disfigured Bodies (Bare breasts

Of three women and genitalia of one woman visible being

carried by Wyald's army with spears inserted in the

genitalia)

Page 2 - Nude Disfigured Bodies (Bare breasts and

genitalia of four women visible being carried by Wyald's

army with spears inserted in the genitalia)

Page 9 - Nude Disfigured Bodies (Vague nudity of three

bodies shown)

Page 10 - Village Girl Disfigured Body (Vague motion

nudity of breasts and genitalia visible being thrown with

a spear inserted in the genitalia)

Chapter 64

Page 11 - Casca (Bare breasts visible whilst being forcibly

stripped by Wyald)

Page 12 - Casca (Bare breasts and buttocks shown whilst

being entraped in Wyald's hand)

Page 13 - Casca (Detailed breast nudity, buttocks and

genitalia visible whilst being forcibly fingered by Wyald's

horned tentacle)

Page 14 - Casca (Right breast and bare buttocks shown

whilst being traped in Wyald's hand)

Page 16 - Casca (Bare breasts and buttocks shown whilst

being dropped from Wyald's hand)

Page 17 - Casca (Bare breasts and detailed buttocks)

Page 18 - Casca (Bare breasts)

Page 19 - Casca (Bare breasts and vague bush nudity)

Chapter 65

Page 3 - Casca (Right nipple)

Page 7 - Casca (Right nipple)

Page 11 - Casca (Bare breasts)

Page 17 - Casca (Right breast)

Chapter 66

Page 3 - Casca (Bare breasts, butt crack and vague bush

nudity)

Page 4 - Casca (Detailed breasts and buttocks)

Page 6 - Casca (Left breast)

Page 21 - Casca (Butt crack)

Page 22 - Casca (Bare buttocks and cleavage)

Chapter 71

Page 6 - Casca (No nudity shown whilst Griffith

attempts to fuck Casca)

Page 7 - Casca (No nudity shown whilst Griffith

attempts to fuck Casca)

Chapter 74

Page 1 - Rosine (Bare buttocks)

Page 18 - Slan (Nipples vaguely visible)

Chapter 75

Page 1 -

(Cleavage)

Page 2 - Slan (Bare breasts)

Page 3 - Slan (Detailed breast nudity, buttocks

and genitalia)

Page 4 -

(Bare breasts and heavy cleavage)

Page 5 - Slan (Heavy cleavage and vague bush nudity)

Page 6 - Slan (Nipples partly visible)

Page 13 - Slan (Right breast and left nipple partly

visible)

Page 17 - Slan (Vague nudity shown)

Page 20 - Slan (Nipples partly visible and bare buttocks)

Page 21 - Slan (Detailed breasts visible being squeezed)

Chapter 76

Page 1 - Slan (Bare buttocks)

Page 7 - Apostle (Bare breasts)

Chapter 79

Page 1 - Apostle (Bare breasts)

Chapter 80

Page 7 - Apostle (Bare breasts)

Page 19 - Apostle Morphed as a Nude Woman (Bare breasts

and genitalia)

Page 20 - Apostle Morphed as a Nude Woman (Right breasts

and genitalia)

Chapter 81

Page 22 - Casca (Bare breasts and vague bush nudity

shown whilst being stripped and groped by apostles)

Chapter 82

Page 6 - Slan (Bare breasts, buttocks and vague bush

nudity)

Chapter 84

Page 2 - Apostle (Bare breasts)

Chapter 85

Page 4 - Apostle (Vague breast nudity)

Page 5 - Apostle (Bare breasts)

Page 8 - Casca (Bare buttocks shown whilst being entrapped

by tentacles)

Page 9 - Casca (Bare breasts and genitalia partly visible

whilst being entrapped by tentacles)

Page 10 - Casca and Apostle (Detailed right breast and

detailed genitalia nudity of Casca shown whilst being

entrapped by tentacles. Bare breasts of Apostle visible)

Page 11 - Casca (Vague nudity shown whilst being

entrapped by tentacles)

Page 14 - Casca (Vague nudity, butt crack and genitalia

partly visible whilst being nearly fingered by claws of

an Apostle)

Page 15 - Casca (Detailed buttocks whilst being trapped

by tentacles)

Page 16 - Casca (Bare breasts and buttocks shown whilst

being nearly fingered by claws of an Apostle)

Chapter 86

Page 2 - Slan (Nipples partly shown and vague bush nudity)

Page 11 - Casca (Bare breasts and bleeding genitalia

shown whilst being lifted by Griffith)