Halls of the Hyperboreads – Telegram
Halls of the Hyperboreads
1.42K subscribers
1.68K photos
42 videos
76 files
205 links
In this Atlantean Academy you will find the gymnasium of the heroes, the library of the philosophers, and the temple of the druids
Download Telegram
Forwarded from Dead channel 3
As I first struggled to understand what age-old thinking like this could teach us, I began to notice a curious connection between the many problems our modern world view had created and a subject that increasingly fascinated me. It was a surprising subject. It was the design and symbolism of the architecture of the temples, mosques, and cathedrals of the world. The more I learned about it, the more I became aware that there was a similarity between the way ancient civilizations built their sacred structures and the way the natural world itself is structured and behaves. The ratios and proportions that define the way natural organisms grow and unfold are the same as those that underpin the structure of the most famous ancient buildings. I was among a number of people who began to piece together a great jigsaw which revealed, much to my surprise, a profound insight into what really lay at the heart of ancient thinking.

Seeing this, I began to realize that the great juggernaut of industrialization relies upon a somewhat aberrant kind of language–a man-made one–which articulates a world view that ignores Nature’s grammar. Much of the syntax of this synthetic language is out of synchrony with Nature’s patterns and proportions and this is why it so often jars with the language of Nature. This is why so many Modernist buildings don’t feel ‘right’ to so many people, even though they may find them clever; or perhaps why we feel uncomfortable with factory farming, even though it makes economic sense because it supplies such a lot of food at such low prices; or why we feel something is missing from a form of medicine that treats the body like a machine and does not accommodate the needs of the mind or the spirit.

I find, by contrast, that if people are encouraged to immerse themselves in Nature’s grammar and geometry–discovering how it works, how it controls life on Earth, and how humanity has expressed it in so many great works of art and architecture–they are often led to acquire some remarkably deep philosophical insights into the meaning and purpose of Nature and into what it means to be aware and alive in this extraordinary Universe. This is particularly so in young people and the results of such immersion are as heartening as they are surprising.

King Charles III
Forwarded from Dead channel 3
Desire to heal–to heal the dismembered landscape and the poisoned soil; the cruelly shattered townscape, where harmony has been replaced by cacophony; to heal the divisions between intuitive and rational thought, between mind, body and soul, so that the temple of our humanity can once again be lit by a sacred flame; to level the monstrous artificial barrier erected between Tradition and Modernity and, above all, to heal the mortally wounded soul that, alone, can give us warning of the folly of playing God and of believing that knowledge on its own is a substitute for wisdom.

King Charles III
🔥5👍1
Forwarded from Sagittarius Granorum (Sagittarius Hyperboreius)
Hegel has an aristocratic conception of Freedom. In order to be free you have to be autonomous, and because Freedom is inseparable from law, this means imposing an absolute law upon yourself in order to express and realize your Freedom. The family is one such structure, and this logic is brought to its finale in the conception of the state.
Forwarded from Sagittarius Granorum (Sagittarius Hyperboreius)
This lesson is also taught us by the Homeric Epic, where even mighty Achilles goes down into the realm of the dead as a pained and weeping ghost (something the solbros will convieniently forget to tell you by the way), where he proclaims that he would rather have been alive and a slave on earth than the best and most honoured warrior in hell.

The one who does end up in heaven, or "The Blessed Isles" as it were, should that be of interest, is Menelaus because of his possession of the divine woman Helen.
"Sun God" and "War-Wagon" petroglyphs from Bronze Age Kazakhstan ☀️

(Admin notes: these bear resemblance to the solar cult petroglyphs of the Nordic Bronze Age, and have been associated with late Proto-Indo-European cultures of the Eurasian Steppe by some historians)

Sketches from Engravings on the Rocks by Soviet archaeologist Alan Medoev (b. 1934, Leningrad; d. 1980).
Forwarded from Sagittarius Granorum (Sagittarius Hyperboreius)
"Now the wheel, instead of being simply a ‘solar’ sign as is commonly thought in our time, is before all else a symbol of the world, which can be understood without difficulty. In the symbolic language of India, one speaks constantly of the ‘wheel of things’ or of the ‘wheel of life’, which corresponds precisely to this signification." - Rene Guenon, The Fundmanetal Symbols of the Sacred Science.
Forwarded from Ghost of de Maistre
"My entire thought is founded upon that 𝑝ℎ𝑖𝑙𝑜𝑠𝑜𝑝ℎ𝑖𝑎 𝑝𝑒𝑟𝑒𝑛𝑛𝑖𝑠 which I perceive to be the essence of Platonism, especially in the form (i.e., Neo-Platonism and Christian Platonism) in which it traverses the whole history of European philosophy, from Plotinus, Dionysius the Areopagite, and Augustine to Baader and Vladimir Soloviev. In principle, philosophy coincides here with speculative mysticism."

~ 𝑻𝒉𝒆 𝑼𝒏𝒌𝒏𝒐𝒘𝒂𝒃𝒍𝒆: 𝑨𝒏 𝑶𝒏𝒕𝒐𝒍𝒐𝒈𝒊𝒄𝒂𝒍 𝑰𝒏𝒕𝒓𝒐𝒅𝒖𝒄𝒕𝒊𝒐𝒏 𝒕𝒐 𝒕𝒉𝒆 𝑷𝒉𝒊𝒍𝒐𝒔𝒐𝒑𝒉𝒚 𝒐𝒇 𝑹𝒆𝒍𝒊𝒈𝒊𝒐𝒏, 𝒃𝒚 𝑺.𝑳. 𝑭𝒓𝒂𝒏𝒌
Forwarded from Turambarion ᛉ
"We remember on this subject a conversation we had in Bucharest in 1938 with Corneliu Codreanu, the leader of the Rumanian Iron Guard, one of the brightest and most idealistic figures of the 'nationalist' movements of the preceding period.
To indicate the differences between Fascism, National Socialism and his own movement, Codreanu referred to the three principles of a human organism: its form, its vital force, and its spirit. He said by way of analogy that a movement of political resurgence, while not neglecting the other two, could appeal especially to one of them, in the vaster organism corresponding to the nation. For him, Fascism had concentrated its interest on the element of 'form', like the Roman doctrine of the state. National Socialism emphasised the vital force by its references to 'race' and Volk. Codreanu himself wanted to start from spirit and give a religious colour, or rather a mystical one, to his movement."

- Julius Evola, Fascism and Tradition
I still think Empedocles' elements should replace Left and Right.

"And the elements incessantly exchange their places continually,
Sometimes by Love all coming together into one,
Sometimes again each one carried off by the hatred of Strife."
🔥3
The left-wing and right-wing of government only had meaning for a single moment: conflict over the absolute veto power of the king. With the defeat of the monarchies a new era begins, and politicisation acts to secure victory or accept defeat. This is the point at which conservatives lost all sense of decision, that all political acts are a type of judgement which absolutely resolve or elevate struggle. To maintain a loyal opposition, a parliamentary mediation which acts against sovereignty, is only to create a political interim and abyss.
It is no mistake that the left-wing began to take on conservative elements once the right-wing acquiesced, then disappeared from politicisation itself. The old conservatives performed the greatest act of progress, or neutralisation, with the gutting of cities in the 1980s and 1990s. This absolute neutralisation of territory ended the era of liberal politics – after which, the only question could be, "To which liberal party do we give an absolute veto?"
Today, our social revolutionaries do not know what decisions are to be made of their votes and conflicts, even though the answer has become obvious. There is no connection, not even at the highest levels. Conflict can only dissipate and expand, until it is reconstituted as an elemental power.
🔥2
New political compass just dropped. Choose your faction:
Anonymous Poll
19%
Air
50%
Fire
14%
Water
17%
Earth
🔥5
Forwarded from The Exaltation of Beauty
Fire.jpg
1.1 MB
This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado, that express the idea of the Elements through motives drawn from classical mythology. The image that embodies Fire might be taken for Jupiter, given his handful of lightening bolts and the shining star that accompanies him. However, it is more likely to be Prometheus, who has just stolen one of the Sun’s rays. His beardless and youthful appearance certainly does not belong to Jupiter, and the salamander at his feet is not related to the father of the gods, either. In fact, this reptile is a well-known embodiment of fire and is often present in allusions to that element.
Air.jpg
1.1 MB
The female figure that represents Air is accompanied by the Winds. In her right hand, she carries a bag that sprinkles water, representing rain, while the ray of light represents storms and lightning. Her exact identity is unclear, however. It was thought she might represent Dawn, but she is not accompanied by the proper attributes. Another possibility is Juno, who embodied Air on other occasions, but her traditional iconography is not present. It was also thought she represents the birds-of-paradise.
Earth.jpg
1.1 MB
Here, the element Earth is represented with total clarity by the goddess Ceres. The summer fruit she carries, especially sheaves of wheat, and the fact that she is suckling a baby—an expression of fecundity—make her immediately recognizable. The lion and tortoise are also attributes of Earth, although they are associated with the Cybele rather than Ceres. In that sense, Ripa’s analogy between the lion and the farmer is well known: the lion erases its footprints with its tail, while the farmer, when sowing, erases his prints as he covers the seeds.
Water.jpg
1.1 MB
Water is embodied here by Ocean’s sister and wife, Thetis, who was queen of the seas. A crown and scepter underline her royal character, and she is accompanied by a dolphin and an enormous conch shell, as well as small seashells and snails that allude to the oceanic realm, and thus, to water.

The source of these four works is the Madrid circle of painters, but cannot be confidently attributed to any known artist and there are even some differences among them. The Air is attributed to Luca Giordano, while the other three are always listed as anonymous, without mention of their school or possible circle.