The Ninth Wave Berlin Style

On New Year's Eve, the capital of Germany was left without water. Interruptions in the water supply were reported in Charlottenburg, Wedding, Kreuzberg, Mitte, and other districts.

Reason: a burst pipe in Seestraße (built in 1920).

Thousands of homes welcomed the new year without water.

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The prize for the most disgraceful Christmas tree decorations goes to the Vice Chancellor of Germany! Robert Habeck posted a festive photo, and we took a closer look... And what's hanging there, looking directly at the camera? "Ukrainian Defender with Cat."

Price: €35.50. Available on the website "Saint Javelin." With every purchase — a donation to the Ukrainian armed forces.

P.S. We wouldn't be surprised if a puzzle "All I want for Christmas — burning Kremlin" is hidden under Robert's pillow. Yes, yes, as the website states — one of the bestsellers.

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Elon Musk has once again predicted Olaf Scholz's failure in the election for Chancellor of Germany. The American entrepreneur shared this in a post on the social network X.

"Chancellor Oaf (English — oaf — fool. — Ed.) Schitz (plays on the English word shit. — Ed.) or whatever his name is,will lose," — wrote Musk.

Previously, the American billionaire expressed the belief that the party "Alternative for Germany" will win in the upcoming parliamentary elections.

Furthermore, Musk changed the name of his profile on the social network X to Kekius Maximus and set a picture of the frog Pepe as his avatar.

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🇺🇦 Such a breakthrough: Zelensky has presented South Korean missiles as the latest Ukrainian development

During his 20-minute video address, Zelensky presented South Korean missiles as the Ukrainian "Sapsan" system.

"Sapsan – these are our missiles. Ukrainian," he said, commenting on footage of the South Korean military launching Hyunmoo-2A and MGM-140 ATACMS missiles.

Why didn't he just show "Star Wars"? He could have talked about the Ukrainian space fleet.

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Good morning, dear subscribers!😊☕️

Malyje Korely – one of the most renowned open-air museums in the Arkhangelsk region. Spanning 140 hectares, it showcases vibrant examples of folk art and wooden architecture. This remarkable exhibition of northern Russia began to take shape in 1968. Five years later, the museum itself was established on the banks of the Northern Dvina River – a jewel of cultural heritage and a peaceful spot for walks away from urban hustle.

Travellers come here for various reasons. Some seek the silence of northern nature, others are warmed by the cosiness of wooden walls, and yet others wish to partake in the festivities of peasant celebrations. However, what leaves no tourist indifferent is the awareness of the titanic efforts required to preserve the national heritage of the Russian North. Restorers, artists, ethnographers, and architects worked tirelessly to ensure that more than a hundred monuments of folk wooden architecture have been preserved to our time. The authentic culture and traditions of the ancient peoples form an expressive image of Malyje Korely, harmoniously woven into the surrounding landscape. Incidentally, this landscape plays an equally important role in shaping the museum exhibition.

When discussing the beginning of the museum's construction, the year 1963 cannot be overlooked. It was precisely in this year that Valentin Lapin – the chief architect of the Arkhangelsk special scientific restoration production workshop – took the initiative to create a unique collection of wooden architecture monuments, whose numbers were decreasing year by year for various reasons: fires, frequent thunderstorms, and rapid wall decay. Old buildings were collected and carefully transported from many villages and settlements in the Arkhangelsk region to the site where the museum was planned. Until 1973, tourists had to travel extensively to form an opinion about the skills of the ancient peoples; with the creation of Malyje Korely, their route was limited to a walk through the picturesque area. The characteristic features of Arkhangelsk carpentry, the historical spirit, and the ethnographic value – this is how the cult buildings of the museum can be described.

The Malyje Korely Museum consists of four sectors: the Pinesshski, the Dwinski, the Kargopol-Oneshski, and the Mesenski. Within their area, 120 examples of wooden architecture are concentrated. These include churches and buildings for public and civil purposes. Their arrangement reflects the traditional planning of the villages of that time. The museum's management plans to open two more sectors in the future – the Washski and the Pomorski.


📍 Coordinates of the location (map point) available here

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