I lived this once, in a past life. I died on a firebase in the Viet highlands near Cambodia.
I led my men in battle, destroyed many enemy, and fell in the company of Titans.
AMERICA LIVES!

🇷🇺🇺🇦⚡Reports that from the very early morning a very serious battle has been going on in the direction: Marinka, Krasnogorsk, Avdeevka. Information is coming in about the most powerful artillery Fire in these minutes. All types of weapons are being sent in the direction of the positions and infrastructure of the Armed Forces of Ukraine. groups of the Allied Forces on the outskirts of Avdeevka. In general, we are observing the situation by the evening, it will become clear what's what!!! Let's support our Guys!!! Victory Will Be Ours, The Enemy Will Be Defeated!!!

One of the great poets of World War I. And one of the few epic poets of the 20th century.

https://youtu.be/F1Hg8cyzXFA

Mars, surrounded by the Arts and Sciences, conquers Ignorance
Antoon Claeissens, 1605

Our first discussion on war recently reached 300 views. If you like what we do here please subscribe to our channel on youtube. Much more in the works:

https://youtu.be/EkcOopT_V_w

"With the catastrophes we see figures emerging, which prove themselves equal to the cataclysms and which will outlive them when the incidental names have been long forgotten. Among these figures is, first and foremost, that of the Worker, marching confidently and unswervingly toward its goals. The fires of downfall only serve to throw it into an ever brighter light. For the moment it still radiates an ambiguous titanic glow; we cannot yet guess the royal capitals, the cosmic metropolises in which it will erect its thrones. The world wears its uniform and its armor, and at some point it will also don its festival attire. Since it is only at the start of its career, comparisons with any previously accomplished states would be improper.

In its train other figures surface, including those in which the suffering is sublimated. One of these is the Unknown Soldier, the Nameless, who for just this reason lives not only in every capital but also in every village, in every family. The battlefields, the temporal goals, and even the peoples he has represented sink into the realm of the uncertain. As the conflagrations cool, something else remains, a shared something, and now it is no longer will and passion but art and worship that turn to it.

Why is it that this second figure is so clearly connected in our memory with the First but not the Second World War? This comes from the clear delineations that emerged from that point forward of the forms and goals of the global civil war. The soldierly aspect fell therewith into second rank. Yet the Unknown Soldier remains a hero, a conqueror of fiery worlds, who shoulders great burdens in the midst of the mechanical devastation. In this sense he is also a true descendant of western chivalry.

The Second World War is distinguished from the First not only because the national questions mix openly with and subordinate themselves to those of civil war, but also due to the escalated mechanical development, which approaches extreme limits of automatism. This brings with it intensified assaults on nomos and ethos. In this connection, utterly hopeless encirclements result from overwhelming superior forces. The material battle escalates into one of encirclement and annihilation, into a Cannae without the ancient grandeur. The suffering increases in a manner that must necessarily exclude any heroic element."

~ Ernst Jünger

In this short 10 minute video, I will make clear how a generation of failed artists can only produce a generation of lost souls stuck in a spiritual purgatory. As long as a pile of bricks on the floor is considered art, and as long as our movies are more often than not cash grabbing reboots, then it will remain such that art will fail to guide us to higher ideals as it once did perhaps because it was we who have failed art.

What we need is, now more than ever, art that speaks to the transcendent and the eternal, as it had done for countless centuries. It is time to once again create the very art that can in fact, not only get us through life but guide us all the way, if not beyond.

Proudly presented by Ex Non Grata:

https://youtu.be/WI5NbynJ-BA

This video raises some powerful questions.

Was the Renaissance really a great resurgence of art, or did its classicism merely remove ancient art from its context and thus strip it of its true value? What do we really get from filling our eyes with the innumerable simulacra of traditional paintings, sculptures, and architecture that pervade these online spaces? Does this not in reality separate art from Life, turning it into vain entertainment and a mere commodity; would we not honor art far more by instead seeking and creating new art that really expresses ourselves and lives among us, where it will actually serve its highest purpose?