Weta FX & AMD partner to develop next-gen VFX tools
https://www.postmagazine.com/Press-Center/Daily-News/2025/Weta-FX-AMD-partner-to-develop-next-gen-VFX-tool.aspx
https://redd.it/1pnm9yy
@vfxbackup
https://www.postmagazine.com/Press-Center/Daily-News/2025/Weta-FX-AMD-partner-to-develop-next-gen-VFX-tool.aspx
https://redd.it/1pnm9yy
@vfxbackup
Postmagazine
Post Magazine - Weta FX & AMD partner to develop next-gen VFX tools
Post Magazine is dedicated to serving the most intensely dynamic segment of the entertainment industry: Post Production. Post magazine has over 25 years of experience covering this business.
Small Render Farm Early Access
Hello,
I’m a hardware nerd, and I’m teaming up with a VFX artist to start a render farm. Everything is ready to go, just gotta turn the farm on at this point.
We are looking for a few artists like yourselves to be the first ones to utilize the farm. We will be starting small, but will be a full functional farm utilizing Professional grade GPU’s to 256 Bit data encryption, and everything in between.
We know we will be slow in the beginning, and don’t compete with the big firms out there, but we are here to offer our services to those artists that need a extra gpu power/time, without having to wait hours for a queue.
While yes this is an advertisement, we are here as merely a hello. If you are interested in getting in the door at an early bird price point, send me a DM or comment below.
Thanks!
https://redd.it/1pnp6ak
@vfxbackup
Hello,
I’m a hardware nerd, and I’m teaming up with a VFX artist to start a render farm. Everything is ready to go, just gotta turn the farm on at this point.
We are looking for a few artists like yourselves to be the first ones to utilize the farm. We will be starting small, but will be a full functional farm utilizing Professional grade GPU’s to 256 Bit data encryption, and everything in between.
We know we will be slow in the beginning, and don’t compete with the big firms out there, but we are here to offer our services to those artists that need a extra gpu power/time, without having to wait hours for a queue.
While yes this is an advertisement, we are here as merely a hello. If you are interested in getting in the door at an early bird price point, send me a DM or comment below.
Thanks!
https://redd.it/1pnp6ak
@vfxbackup
Reddit
From the vfx community on Reddit
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im not sure where to go and i need help from professionals about
https://www.youtube.com/watch?v=8PX9N7G7oXM&t=7s
https://redd.it/1pnsqya
@vfxbackup
https://www.youtube.com/watch?v=8PX9N7G7oXM&t=7s
https://redd.it/1pnsqya
@vfxbackup
YouTube
2019 06 07 19 16 11
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Junior Showreel Suggestions
Hi everyone! I am trying to build a showreel to get a junior compositor position and was wondering if anyone could suggest the core skills I should be demonstrating and suggest some examples for shots (particularly for rotoscoping, among other things), so far i've done point/planer tracking with some basic integration
https://redd.it/1po5zgc
@vfxbackup
Hi everyone! I am trying to build a showreel to get a junior compositor position and was wondering if anyone could suggest the core skills I should be demonstrating and suggest some examples for shots (particularly for rotoscoping, among other things), so far i've done point/planer tracking with some basic integration
https://redd.it/1po5zgc
@vfxbackup
Reddit
From the vfx community on Reddit
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I built the Netflix Workstations platform, now bringing it to VFX studios
Having previously been on the Netflix Workstations team, I'm bringing the same technology to independent studios. Some use cases:
Stop waiting on huge file uploads - just share an entire workstation with secure file access.
Upgrade to a $14K cloud compositing rig for 1 project.
Onboard 10 remote artists in 5 minutes.
We plug directly into your existing storage (zero uploads/transfers) and have built-in support for license servers, firewalls, and access control. The client runs directly in the browser (no installs), works on Windows/Mac/Linux, and I've tested it with Nuke, Houdini, Ad\be, and most reasonable VFX workflows. Without getting too in the weeds, we also allow you to clone any existing desktop setup via some nifty autocapture technology, and we're compatible with tools like Rez.
If you want to try this for your studio, I will personally set up a workstation (16 cores, 128GB RAM, 24GB GPU) for you to use for free. DM me or check out https://byteport.io. Coming self-serve to individual artists soon.
I am a solo dev building this, so any questions/feedback are highly appreciated.
https://redd.it/1po8l0c
@vfxbackup
Having previously been on the Netflix Workstations team, I'm bringing the same technology to independent studios. Some use cases:
Stop waiting on huge file uploads - just share an entire workstation with secure file access.
Upgrade to a $14K cloud compositing rig for 1 project.
Onboard 10 remote artists in 5 minutes.
We plug directly into your existing storage (zero uploads/transfers) and have built-in support for license servers, firewalls, and access control. The client runs directly in the browser (no installs), works on Windows/Mac/Linux, and I've tested it with Nuke, Houdini, Ad\be, and most reasonable VFX workflows. Without getting too in the weeds, we also allow you to clone any existing desktop setup via some nifty autocapture technology, and we're compatible with tools like Rez.
If you want to try this for your studio, I will personally set up a workstation (16 cores, 128GB RAM, 24GB GPU) for you to use for free. DM me or check out https://byteport.io. Coming self-serve to individual artists soon.
I am a solo dev building this, so any questions/feedback are highly appreciated.
https://redd.it/1po8l0c
@vfxbackup
byteport.io
Byteport - VFX infrastructure that moves at the speed of thought.
Byteport gives you the ability to create & render projects, collaborate, and stream applications with the power of the cloud. Built by the team that developed Netflix Workstations.
Big Red Flags at Cinesite and its holdings co, Comino
EDIT: Here is where the information has come from: Info from here: [https://find-and-update.company-information.service.gov.uk/company/11574775/filing-history](https://find-and-update.company-information.service.gov.uk/company/11574775/filing-history) and also from here :[https://find-and-update.company-information.service.gov.uk/company/08492481/filing-history](https://find-and-update.company-information.service.gov.uk/company/08492481/filing-history).
I’ve been digging through recent Companies House filings tied to Cinesite and its parent companies, and what’s showing up over the last couple of weeks is honestly pretty alarming.
This isn’t gossip or vibes — it’s straight from MR01 (charges) and SH01 (share issuance) filings.
I'm a longtime lurker, first time poster and not great at writing this stuff so got a little GPT assist on making it clear....
# TL;DR
The banks now effectively control **the entire Cinesite group**, top to bottom, across multiple countries. This looks like a **distress-level, lender-led restructuring**, not business as usual.
# 🚩 What’s happening (in plain English)
**1. The banks have taken security over basically everything**
* NatWest (as security agent), plus **Barclays and Santander**, now hold:
* All assets
* IP
* Receivables
* Bank accounts
* AND the shares in key subsidiaries
* This is via **full debentures + share pledges**, including foreign subs (Germany).
That means the banks are unhappy with the continued inability to remain solvent through trading and have taken control so that if things continue to go sideways,**the lenders can step in fast**.
**2. This goes ABOVE Cinesite — to the holding companies**
* These charges aren’t just at the operating company level.
* They’re at:
* **Cinesite Media Holdings**
* **Comino Media** (the holdco above that)
* Same banks. Same timing. Same legal firms.
Translation: **no part of the group is ring-fenced anymore**.
**3. Emergency-looking equity changes**
* On the *same day* the charges were created, the companies issued:
* New **non-voting shares**
* New **redeemable preference shares**
* Tiny numbers of voting shares
* One holdco even issued **a single £1,000 ordinary share** .
This is classic “equity rearranged to support debt” behaviour — not growth funding.
**4. German notarised share pledges = serious enforcement prep**
* The parent company pledged shares in a **German subsidiary** via:
* Notarised German-law documents
* Irrevocable powers of attorney
* Lender agents authorised to transfer shares if needed
Companies do *not* do this unless lenders insist. It’s expensive, slow, and only worth it if enforcement is a real possibility.
# ❗ Why this matters
This setup:
* Puts **banks ahead of everyone**
* Pushes ordinary shareholders to the back of the line
* Allows **receiver-led asset sales**
* Is designed for **break-up**, not expansion
Importantly:
* ❌ This is NOT an insolvency filing
* ❌ This is NOT “everything is fine”
* ✅ This *is* what companies do when lenders want maximum control because risk is very high
# Bottom line
If you work with, for, or around Cinesite (or the wider group), this is the kind of filing pattern that usually comes **before**:
* Asset sales
* Studio divestments
* Or worse, lender-driven restructuring
Just flagging this so people aren’t blindsided later. If you are a member of staff here, this is following a very similar pattern to TCS where the whole thing goes bang before later selling parts off to willing buyers at knockdown rates.
If anyone else has context or has seen similar setups before, would be very interested to compare notes.
https://redd.it/1po50ps
@vfxbackup
EDIT: Here is where the information has come from: Info from here: [https://find-and-update.company-information.service.gov.uk/company/11574775/filing-history](https://find-and-update.company-information.service.gov.uk/company/11574775/filing-history) and also from here :[https://find-and-update.company-information.service.gov.uk/company/08492481/filing-history](https://find-and-update.company-information.service.gov.uk/company/08492481/filing-history).
I’ve been digging through recent Companies House filings tied to Cinesite and its parent companies, and what’s showing up over the last couple of weeks is honestly pretty alarming.
This isn’t gossip or vibes — it’s straight from MR01 (charges) and SH01 (share issuance) filings.
I'm a longtime lurker, first time poster and not great at writing this stuff so got a little GPT assist on making it clear....
# TL;DR
The banks now effectively control **the entire Cinesite group**, top to bottom, across multiple countries. This looks like a **distress-level, lender-led restructuring**, not business as usual.
# 🚩 What’s happening (in plain English)
**1. The banks have taken security over basically everything**
* NatWest (as security agent), plus **Barclays and Santander**, now hold:
* All assets
* IP
* Receivables
* Bank accounts
* AND the shares in key subsidiaries
* This is via **full debentures + share pledges**, including foreign subs (Germany).
That means the banks are unhappy with the continued inability to remain solvent through trading and have taken control so that if things continue to go sideways,**the lenders can step in fast**.
**2. This goes ABOVE Cinesite — to the holding companies**
* These charges aren’t just at the operating company level.
* They’re at:
* **Cinesite Media Holdings**
* **Comino Media** (the holdco above that)
* Same banks. Same timing. Same legal firms.
Translation: **no part of the group is ring-fenced anymore**.
**3. Emergency-looking equity changes**
* On the *same day* the charges were created, the companies issued:
* New **non-voting shares**
* New **redeemable preference shares**
* Tiny numbers of voting shares
* One holdco even issued **a single £1,000 ordinary share** .
This is classic “equity rearranged to support debt” behaviour — not growth funding.
**4. German notarised share pledges = serious enforcement prep**
* The parent company pledged shares in a **German subsidiary** via:
* Notarised German-law documents
* Irrevocable powers of attorney
* Lender agents authorised to transfer shares if needed
Companies do *not* do this unless lenders insist. It’s expensive, slow, and only worth it if enforcement is a real possibility.
# ❗ Why this matters
This setup:
* Puts **banks ahead of everyone**
* Pushes ordinary shareholders to the back of the line
* Allows **receiver-led asset sales**
* Is designed for **break-up**, not expansion
Importantly:
* ❌ This is NOT an insolvency filing
* ❌ This is NOT “everything is fine”
* ✅ This *is* what companies do when lenders want maximum control because risk is very high
# Bottom line
If you work with, for, or around Cinesite (or the wider group), this is the kind of filing pattern that usually comes **before**:
* Asset sales
* Studio divestments
* Or worse, lender-driven restructuring
Just flagging this so people aren’t blindsided later. If you are a member of staff here, this is following a very similar pattern to TCS where the whole thing goes bang before later selling parts off to willing buyers at knockdown rates.
If anyone else has context or has seen similar setups before, would be very interested to compare notes.
https://redd.it/1po50ps
@vfxbackup
find-and-update.company-information.service.gov.uk
CINESITE MEDIA HOLDINGS LTD filing history - Find and update company information - GOV.UK
CINESITE MEDIA HOLDINGS LTD - Free company information from Companies House including registered office address, filing history, accounts, annual return, officers, charges, business activity
Help VFX Newbie
Hello, im currently working on a project for school and can't figure out a proper solution.
Basically it is two shots, one having people dressed as ghosts and the other having just a cloth falling to the ground. the task is to combine the two shots and make it look like the ghost is falling to the floor and stops existing (just a cloth on the ground).
We need to work in Davinci Resolve Fusion and I was thinking to rotoscope the ghost and the falling cloth and then grid warp them together for a smoother transition and then put the new footage on a clean background. Can anybody share how one would go about this or if there are any major flaws in my approach?
Thanks in Advance :)
https://redd.it/1pobx5v
@vfxbackup
Hello, im currently working on a project for school and can't figure out a proper solution.
Basically it is two shots, one having people dressed as ghosts and the other having just a cloth falling to the ground. the task is to combine the two shots and make it look like the ghost is falling to the floor and stops existing (just a cloth on the ground).
We need to work in Davinci Resolve Fusion and I was thinking to rotoscope the ghost and the falling cloth and then grid warp them together for a smoother transition and then put the new footage on a clean background. Can anybody share how one would go about this or if there are any major flaws in my approach?
Thanks in Advance :)
https://redd.it/1pobx5v
@vfxbackup
Reddit
From the vfx community on Reddit
Explore this post and more from the vfx community
Are you still using EbSynth, or was it replaced by AI?
Hi, I’m Šárka, one of the devs of EbSynth (the one from the tutorial video). We recently released a new version and I’d like to get some honest feedback from VFX artists on where to take it next.
Quick recap: EbSynth is a vfx tool that lets you edit/paint one video frame, and then propagates the look across the shot. It doesn't use AI for the propagation. It's practical for rotoscoping, cleanups, stylized looks, etc. The new version has an interactive user interface that lets you paint directly on videos. Kind of like a light merge between Photoshop and After Effects.
Right now, we're trying to navigate this AI era and figure out how to make EbSynth useful for you. So, here's what I'd like to learn from you:
Do you use EbSynth in your workflow?
For what tasks? Does it solve any problem for you?
Are you using any AI video editing tools in production?
If you don’t use EbSynth, what would it need to be worth using?
I'd appreciate any blunt feedback. Also, feel free to ask me anything :)
Thank you so much!
https://redd.it/1pofxpg
@vfxbackup
Hi, I’m Šárka, one of the devs of EbSynth (the one from the tutorial video). We recently released a new version and I’d like to get some honest feedback from VFX artists on where to take it next.
Quick recap: EbSynth is a vfx tool that lets you edit/paint one video frame, and then propagates the look across the shot. It doesn't use AI for the propagation. It's practical for rotoscoping, cleanups, stylized looks, etc. The new version has an interactive user interface that lets you paint directly on videos. Kind of like a light merge between Photoshop and After Effects.
Right now, we're trying to navigate this AI era and figure out how to make EbSynth useful for you. So, here's what I'd like to learn from you:
Do you use EbSynth in your workflow?
For what tasks? Does it solve any problem for you?
Are you using any AI video editing tools in production?
If you don’t use EbSynth, what would it need to be worth using?
I'd appreciate any blunt feedback. Also, feel free to ask me anything :)
Thank you so much!
https://redd.it/1pofxpg
@vfxbackup
Reddit
From the vfx community on Reddit
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So, what's everyone's thoughts on the list of 10 films for the VFX Bake-Off?
https://beforesandafters.com/2025/12/17/so-which-films-made-the-vfx-oscar-bake-off-list/
https://redd.it/1poihd5
@vfxbackup
https://beforesandafters.com/2025/12/17/so-which-films-made-the-vfx-oscar-bake-off-list/
https://redd.it/1poihd5
@vfxbackup
befores & afters
So, which films made the VFX Oscar Bake-Off list? - befores & afters
Find out here.
Meta gig update?
Hi there. Just wondering if anyone knows anyone who got hired for this gig. So far I only know of one lol. Thanks!
https://redd.it/1pol7lp
@vfxbackup
Hi there. Just wondering if anyone knows anyone who got hired for this gig. So far I only know of one lol. Thanks!
https://redd.it/1pol7lp
@vfxbackup
Reddit
From the vfx community on Reddit
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Google Bows to the Mouse (abides by Cease and Desist Order to purge Disney infringement from Veo)
https://gizmodo.com/google-has-taken-down-ai-generated-content-following-disneys-cease-and-desist-2000698254
Disney’s cease and desist letter to Google was delivered on Wednesday, before the announcement of its OpenAI deal, according to Deadline.
Disney CEO Bob Iger told CNBC the cease and desist letter came after past conversations with Google about this material had been fruitless. At least some of the the material mentioned in the Disney cease and desist order was generated with Google’s Veo, according to the trades. Google was apparently hosting IP from the Star Wars and Simpsons franchises, along with material featuring the auxiliary Marvel Cinematic Universe character Deadpool. Mickey Mouse was also on the list of Disney properties subject to the cease and desist, per Variety.
The episode follows OpenAI agreeing to a 3-year licensing agreement with Disney for 200 specific characters and designs of masked or anthropomorphic nature without voice or human talent data.
https://redd.it/1popako
@vfxbackup
https://gizmodo.com/google-has-taken-down-ai-generated-content-following-disneys-cease-and-desist-2000698254
Disney’s cease and desist letter to Google was delivered on Wednesday, before the announcement of its OpenAI deal, according to Deadline.
Disney CEO Bob Iger told CNBC the cease and desist letter came after past conversations with Google about this material had been fruitless. At least some of the the material mentioned in the Disney cease and desist order was generated with Google’s Veo, according to the trades. Google was apparently hosting IP from the Star Wars and Simpsons franchises, along with material featuring the auxiliary Marvel Cinematic Universe character Deadpool. Mickey Mouse was also on the list of Disney properties subject to the cease and desist, per Variety.
The episode follows OpenAI agreeing to a 3-year licensing agreement with Disney for 200 specific characters and designs of masked or anthropomorphic nature without voice or human talent data.
https://redd.it/1popako
@vfxbackup
Gizmodo
Google Has Taken Down AI-Generated Content Following Disney's Cease and Desist
Disney has a licensing deal with OpenAI now, by the way.
My head Hurts ( and my eyes !)
Ok i got to write all this so its understood:
I just want to do reliable blemish removal over long clips with a lot of head movement. Over the past year i have bashed my head up against the wall to do this as painless as possible but to no avail: This is basically the summary:
>
I'm not looking for VFX-artist purity.
People feel insulted when i tell them rotoscoping planar tracking and all those O high and mighty ones up there others is slow and a headache.
Yet i feel insulted everytime they think i'm stupid because i cant get a simple blemish to disapear on a 3 minute clip without grinding myself towards an asylum.
I want speed, stability, and low mental load. I don't do this for a living but have to delve into only blemish tracking every other month.
>Is there really no app that:
* tracks as easily as Resolve,
* tracks as robustly as Mocha,
* without node graphs, planar setups, precomp hell, or babysitting.
I'm feeling stuck
Resolve’s idea is right (fast, timeline-based, minimal setup), but its tracker falls apart,
while Fusion / Mocha / Silhouette / Nuke are “correct” but way too slow and brain-destroying just to fix one moving blemish over minutes of footage.
I'm not looking for “VFX-artist purity”. i want speed, stability, and low mental load.
Is there no other offline based software that can do this without getting my eyes skewed for life ?
https://redd.it/1poyoqj
@vfxbackup
Ok i got to write all this so its understood:
I just want to do reliable blemish removal over long clips with a lot of head movement. Over the past year i have bashed my head up against the wall to do this as painless as possible but to no avail: This is basically the summary:
>
I'm not looking for VFX-artist purity.
People feel insulted when i tell them rotoscoping planar tracking and all those O high and mighty ones up there others is slow and a headache.
Yet i feel insulted everytime they think i'm stupid because i cant get a simple blemish to disapear on a 3 minute clip without grinding myself towards an asylum.
I want speed, stability, and low mental load. I don't do this for a living but have to delve into only blemish tracking every other month.
>Is there really no app that:
* tracks as easily as Resolve,
* tracks as robustly as Mocha,
* without node graphs, planar setups, precomp hell, or babysitting.
I'm feeling stuck
Resolve’s idea is right (fast, timeline-based, minimal setup), but its tracker falls apart,
while Fusion / Mocha / Silhouette / Nuke are “correct” but way too slow and brain-destroying just to fix one moving blemish over minutes of footage.
I'm not looking for “VFX-artist purity”. i want speed, stability, and low mental load.
Is there no other offline based software that can do this without getting my eyes skewed for life ?
https://redd.it/1poyoqj
@vfxbackup
Reddit
From the vfx community on Reddit
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Is it reasonable to work in the VFX industry in Turkey?
As my question states in the noscript, there is a lot of competition abroad, but in Turkey there are only one or two studios, and recently they have started producing good work (1000Volt). Since competition is lower in Turkey, do you think this sector can be considered a long-term career?
https://redd.it/1poww8j
@vfxbackup
As my question states in the noscript, there is a lot of competition abroad, but in Turkey there are only one or two studios, and recently they have started producing good work (1000Volt). Since competition is lower in Turkey, do you think this sector can be considered a long-term career?
https://redd.it/1poww8j
@vfxbackup
Reddit
From the vfx community on Reddit
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Jim Cameron: AI for millionaire actors and directors? Never. AI for VFX? Now that’s ok since VFX is too expensive
https://preview.redd.it/16giqa6l4t7g1.png?width=1696&format=png&auto=webp&s=441ac31df29f83c1a90f566d88f25b1b80460406
Curious to hear what others think about this
https://redd.it/1pp415o
@vfxbackup
https://preview.redd.it/16giqa6l4t7g1.png?width=1696&format=png&auto=webp&s=441ac31df29f83c1a90f566d88f25b1b80460406
Curious to hear what others think about this
https://redd.it/1pp415o
@vfxbackup
Trying to be consistent, 21st part of the series (Getting started with Houdini)
https://youtu.be/PR13Z7OB5tI?si=H8TLVpRre0fZXIqh
https://redd.it/1pp6gg3
@vfxbackup
https://youtu.be/PR13Z7OB5tI?si=H8TLVpRre0fZXIqh
https://redd.it/1pp6gg3
@vfxbackup
YouTube
PART 21: CLOUDS I (VDB)
In this Houdini part, I break down the workflow of creating clouds and working with VDB volumes, this is the PART 20. I will cover the very basics of the clouds structure and how it works. PART 20 knowledge is necessary but if you are familiar with VDBs then…
Is the Vertex Selection on the PointCloudGenerator node bugged?
I haven't been able to select to create a mesh and match the position of a card because of it. Am I doing something wrong or is there any other way I can match the position?
https://redd.it/1pp5ns0
@vfxbackup
I haven't been able to select to create a mesh and match the position of a card because of it. Am I doing something wrong or is there any other way I can match the position?
https://redd.it/1pp5ns0
@vfxbackup
Reddit
From the vfx community on Reddit
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EKDANTA - An Engineered God
https://www.youtube.com/watch?v=jxAhlOd8Rss
https://redd.it/1pp9y58
@vfxbackup
https://www.youtube.com/watch?v=jxAhlOd8Rss
https://redd.it/1pp9y58
@vfxbackup
YouTube
EKDANTA - An Engineered God
What happens when a civilization survives… but its culture doesn’t?
In a future built on efficiency, humanity archives its past into machines. Gods are no longer worshiped — they are engineered.
This concept explores a world where Ganesha, the Remover of…
In a future built on efficiency, humanity archives its past into machines. Gods are no longer worshiped — they are engineered.
This concept explores a world where Ganesha, the Remover of…