第二十一期：What is Melody
概要
这一期讨论的是什么是旋律这个问题。旋律自然是音乐中非常重要的元素，如果根据旋律就是一串在时间轴上的音符的定义，大概音乐是不可能没有旋律的。但是还是会有很多人会说：“这首歌旋律性不是那么强”之类的话。伯恩斯坦说，这是因为旋律有很多类型，它可以是tune（曲调），theme（主题），motive（动机），它可以出现在高声部，内声部，低声部，它可以有复杂的counterpoint使人难以分辨等等，而很多时候人们说的“没有旋律性”可能只是局限于曲调，高声部中。然而在交响乐中，正如他之前提到的，development（发展）才是最重要的元素，因此我们熟悉的tune在交响乐中不太常见，因为它已经“完成”了，很难再发展下去。伯恩斯坦总结道，其实对于旋律性的判断最重要的因素在于我们的耳朵期待的是什么（也就是taste），他举例道自己年轻的时候就没有体会到Bach的Italian Concerto第二乐章中绵绵不绝的melody的美，因为他当时觉得有重复的更具有旋律性，不过随着年岁的增长和对音乐更深刻的理解，他现在更能appreciate那段旋律的美了。之后，他还引申到，和我们自身taste的develop相同，历史上大家认为不具有“旋律性”的作品在现在看来可能也成为很有旋律性的代表了。总体来说这期蛮精彩的，一如既往的举了很多例子，还提到了一个很常见的melody的模式1-2-3，大概就是1是一个idea，2是对1这个idea的稍微有一点变化的重复，然后3起飞，还蛮有趣的哈哈哈～
喜欢的Quote
But don't you ever be scared of counterpoint; counterpoint is not an absence of melody, it's an abundance of melody; it doesn't erase melody, it multiplies it.
Well, so far we've discussed a few of the reasons why some people find certain kinds of music unmelodic -- like melodies going against each other, as in counterpoint, or a melody singing away down in the bass, not easily recognized, or buried in the middle of a sandwich, which is hard to find; or a melody constructed out of tiny motives, which is not exactly a tune. But the really important reason -- and I guess this is what I've been coming to all this time -- is the question of what our ears expect -- in other words, what we call taste. And that, in turn, is based on what our ears are used to hearing.
In exactly the same way that our tastes change with growing up, and hearing all kinds of different music, so people's tastes change from one period of history to another. The melodies people loved in Beethoven's time would have shocked and startled the people of Bach's time, 100 years earlier, and I'm equally sure that some of today's modern music, which people complain about as ugly and unmelodic, will be perfectly charming every-day stuff to the people of tomorrow.
And if you're still wondering what is melody, just listen to this movement and you'll realize that melody is exactly what a great composer wants it to be.
曲目
1. Mendelssohn - Wedding March
2. Cesar Franck - Symphony in D minor
3. Mozart - Haffner Symphony
4. Beethoven - Symphony No.5
5. Tchaikovsky - Symphony No. 6
6. Wagner - Tristan and Isolde Prelude
7. Mozart - G minor Symphony
8. Bach - Italian Concerto
9. Paul Hindemith - Concert Music for String and Brass
10. Brahms - Symphony No.4
https://www.bilibili.com/video/BV1jJ411L71Y
#YPC
概要
这一期讨论的是什么是旋律这个问题。旋律自然是音乐中非常重要的元素，如果根据旋律就是一串在时间轴上的音符的定义，大概音乐是不可能没有旋律的。但是还是会有很多人会说：“这首歌旋律性不是那么强”之类的话。伯恩斯坦说，这是因为旋律有很多类型，它可以是tune（曲调），theme（主题），motive（动机），它可以出现在高声部，内声部，低声部，它可以有复杂的counterpoint使人难以分辨等等，而很多时候人们说的“没有旋律性”可能只是局限于曲调，高声部中。然而在交响乐中，正如他之前提到的，development（发展）才是最重要的元素，因此我们熟悉的tune在交响乐中不太常见，因为它已经“完成”了，很难再发展下去。伯恩斯坦总结道，其实对于旋律性的判断最重要的因素在于我们的耳朵期待的是什么（也就是taste），他举例道自己年轻的时候就没有体会到Bach的Italian Concerto第二乐章中绵绵不绝的melody的美，因为他当时觉得有重复的更具有旋律性，不过随着年岁的增长和对音乐更深刻的理解，他现在更能appreciate那段旋律的美了。之后，他还引申到，和我们自身taste的develop相同，历史上大家认为不具有“旋律性”的作品在现在看来可能也成为很有旋律性的代表了。总体来说这期蛮精彩的，一如既往的举了很多例子，还提到了一个很常见的melody的模式1-2-3，大概就是1是一个idea，2是对1这个idea的稍微有一点变化的重复，然后3起飞，还蛮有趣的哈哈哈～
喜欢的Quote
But don't you ever be scared of counterpoint; counterpoint is not an absence of melody, it's an abundance of melody; it doesn't erase melody, it multiplies it.
Well, so far we've discussed a few of the reasons why some people find certain kinds of music unmelodic -- like melodies going against each other, as in counterpoint, or a melody singing away down in the bass, not easily recognized, or buried in the middle of a sandwich, which is hard to find; or a melody constructed out of tiny motives, which is not exactly a tune. But the really important reason -- and I guess this is what I've been coming to all this time -- is the question of what our ears expect -- in other words, what we call taste. And that, in turn, is based on what our ears are used to hearing.
In exactly the same way that our tastes change with growing up, and hearing all kinds of different music, so people's tastes change from one period of history to another. The melodies people loved in Beethoven's time would have shocked and startled the people of Bach's time, 100 years earlier, and I'm equally sure that some of today's modern music, which people complain about as ugly and unmelodic, will be perfectly charming every-day stuff to the people of tomorrow.
And if you're still wondering what is melody, just listen to this movement and you'll realize that melody is exactly what a great composer wants it to be.
曲目
1. Mendelssohn - Wedding March
2. Cesar Franck - Symphony in D minor
3. Mozart - Haffner Symphony
4. Beethoven - Symphony No.5
5. Tchaikovsky - Symphony No. 6
6. Wagner - Tristan and Isolde Prelude
7. Mozart - G minor Symphony
8. Bach - Italian Concerto
9. Paul Hindemith - Concert Music for String and Brass
10. Brahms - Symphony No.4
https://www.bilibili.com/video/BV1jJ411L71Y
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 什么是旋律_哔哩哔哩_bilibili
《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广播公司进行了电视转播，并在超过四十个国家播放，堪称有史以来影响力最大的讲座式音乐会。掘, 视频播放量 16615、弹幕量 186、点赞数 1020、投硬币枚数 982、收藏人数 2223、转发人数…
第二十三期：The Latin American Spirit
概要
这一期介绍的拉丁美洲的古典音乐，是一期忍不住想要跳舞的节目💃伯恩斯坦说拉丁美洲音乐的两大特点一是充满切分音的节奏，另一个是民族乐器带来的特殊色彩。伯恩斯坦还提到了拉丁美洲的“拉丁”一词来自于被殖民的历史（葡萄牙西班牙说的语言都属于拉丁语系），但是拉丁美洲的音乐更受到当地原住民以及非洲的深刻影响。这期节目里介绍了巴西作曲家Oscar Fernandez，Villa-Lobos，还有墨西哥作曲家Revueltas的作品，各具特色。除此之外还介绍了两位受到拉丁美洲音乐影响的美国作曲家的作品，一个是Aaron Coplan的一首，另一个是Bernstein自己的West Side Story🤣🤣🤣其实从West Side Story就可以猜到伯恩斯坦本人应该是很喜欢拉丁美洲的音乐的～这期节目里他指挥得也是很投入，感觉马上就要在指挥台上跳起来了～
我个人对拉丁美洲古典音乐的了解不是很多（当然，我对其他了解其实也不是很多），只听一两张那种"Latin American Classics"合集，但是一直都对拉丁美洲的音乐很上头，感觉它们在舞曲和热情的表面下有一种“英气”的东西（形容得不好😳）。看完这期准备再多explore一点拉美的作品，也欢迎大家推荐呀！
喜欢的Quote
Now actually I'm not crazy about that word "Latin" to describe this kind of music, because it tells only part of the story. When we speak of "Latin America" we are, of course, referring to the historical fact that these countries were conquered, settled, and exploited by invaders from Latin countries: like Spain—or, as in the case of Brazil, from Portugal. That's why Spanish and Portuguese are still the official languages of our friends to the south of us: and those languages are called "Latin" languages because they developed from the old language of ancient Rome. But the Latin American spirit—which is our subject today—has other ancestors besides the Latin ones, at least as important; and they are first of all the Indians,—the original inhabitants of those countries, and in some cases very strong civilizations in themselves—and secondly, Africans, a tremendously important influence, at least as important as it is in our own country. And it is the mingling of these different ancestors, influences, and heritages, which makes the Latin American spirit, what it is at any rate in the music.
The word America means much more than only the United States—that North America, South America, and Central America are, or ought to be, a solid united hemisphere.
曲目
1. Fernandez - Batuque
2. Villa-Lobos - Bachianas Brasileiras No. 5
3. Revueltas - Sensemayá
4. Aaron Copland - Danzon Cubano
5. Bernstein - West Side Story
https://www.bilibili.com/video/BV1AJ411m75w
#YPC
概要
这一期介绍的拉丁美洲的古典音乐，是一期忍不住想要跳舞的节目💃伯恩斯坦说拉丁美洲音乐的两大特点一是充满切分音的节奏，另一个是民族乐器带来的特殊色彩。伯恩斯坦还提到了拉丁美洲的“拉丁”一词来自于被殖民的历史（葡萄牙西班牙说的语言都属于拉丁语系），但是拉丁美洲的音乐更受到当地原住民以及非洲的深刻影响。这期节目里介绍了巴西作曲家Oscar Fernandez，Villa-Lobos，还有墨西哥作曲家Revueltas的作品，各具特色。除此之外还介绍了两位受到拉丁美洲音乐影响的美国作曲家的作品，一个是Aaron Coplan的一首，另一个是Bernstein自己的West Side Story🤣🤣🤣其实从West Side Story就可以猜到伯恩斯坦本人应该是很喜欢拉丁美洲的音乐的～这期节目里他指挥得也是很投入，感觉马上就要在指挥台上跳起来了～
我个人对拉丁美洲古典音乐的了解不是很多（当然，我对其他了解其实也不是很多），只听一两张那种"Latin American Classics"合集，但是一直都对拉丁美洲的音乐很上头，感觉它们在舞曲和热情的表面下有一种“英气”的东西（形容得不好😳）。看完这期准备再多explore一点拉美的作品，也欢迎大家推荐呀！
喜欢的Quote
Now actually I'm not crazy about that word "Latin" to describe this kind of music, because it tells only part of the story. When we speak of "Latin America" we are, of course, referring to the historical fact that these countries were conquered, settled, and exploited by invaders from Latin countries: like Spain—or, as in the case of Brazil, from Portugal. That's why Spanish and Portuguese are still the official languages of our friends to the south of us: and those languages are called "Latin" languages because they developed from the old language of ancient Rome. But the Latin American spirit—which is our subject today—has other ancestors besides the Latin ones, at least as important; and they are first of all the Indians,—the original inhabitants of those countries, and in some cases very strong civilizations in themselves—and secondly, Africans, a tremendously important influence, at least as important as it is in our own country. And it is the mingling of these different ancestors, influences, and heritages, which makes the Latin American spirit, what it is at any rate in the music.
The word America means much more than only the United States—that North America, South America, and Central America are, or ought to be, a solid united hemisphere.
曲目
1. Fernandez - Batuque
2. Villa-Lobos - Bachianas Brasileiras No. 5
3. Revueltas - Sensemayá
4. Aaron Copland - Danzon Cubano
5. Bernstein - West Side Story
https://www.bilibili.com/video/BV1AJ411m75w
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 拉美精神_哔哩哔哩_bilibili
《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广播公司进行了电视转播，并在超过四十个国家播放，堪称有史以来影响力最大的讲座式音乐会。掘, 视频播放量 3012、弹幕量 27、点赞数 268、投硬币枚数 288、收藏人数 435、转发人数 41…
第二十四期：A Tribute to Teacher
概要
轻松愉快的一期～伯恩斯坦把这一期献给自己的老师，包括了Serge Koussevitzky, Randall Thompson, Walter Piston, Fritz Reiner等，演奏了他们或者和他们相关的作品，分享了自己和他们的很多故事，而且现场也来了不少他的老师和亲属。正如伯恩斯坦所说，好的老师可以"light a spark in you"，不只是传授知识，更是传授对知识的热情，老师。伯恩斯坦用了Brahms的Academic Festival Overture作为结尾，这首作品是Brahms为一所学校所写，也是和老师有关～伯恩斯坦这么多年之后其实也成为了一位老师，而且是为大众普及音乐的老师，很感动于这样的传承～
喜欢的Quote
We can all think of a self-taught painter or writer, but it is almost impossible to imagine a professional musician who doesn't owe something to one teacher or another.
Teaching is probably the noblest profession in the world — the most unselfish, difficult, and honorable profession. It is also the most unappreciated, underrated, underpaid, and underpraised profession in the world.
You see, teaching is not just a dry business of scales and exercises; a great teacher is one who can light a spark in you, the spark that sets you on fire with enthusiasm for music, or for whatever you are studying. You can study the history of the Civil War for a year, memorizing battles and generals and dates and places; but if you don't care about the Civil War you'll wind up not knowing a bloody thing about it; But if you're lucky enough to have a teacher who makes that war part of your life, part of your country and your past — then you can drink in whole gallons of dates and names and places, and never forget them, because you learned them out of enthusiasm.
曲目
1. Mussorgsky - Khovanshchina prelude
2. Randall Thompson - Symphony No.2
3. Walton Piston - The Incredible Flutist
4. Brahms - The Academic Festival Overture
https://www.bilibili.com/video/BV1mp4y1h7Bx
#YPC
概要
轻松愉快的一期～伯恩斯坦把这一期献给自己的老师，包括了Serge Koussevitzky, Randall Thompson, Walter Piston, Fritz Reiner等，演奏了他们或者和他们相关的作品，分享了自己和他们的很多故事，而且现场也来了不少他的老师和亲属。正如伯恩斯坦所说，好的老师可以"light a spark in you"，不只是传授知识，更是传授对知识的热情，老师。伯恩斯坦用了Brahms的Academic Festival Overture作为结尾，这首作品是Brahms为一所学校所写，也是和老师有关～伯恩斯坦这么多年之后其实也成为了一位老师，而且是为大众普及音乐的老师，很感动于这样的传承～
喜欢的Quote
We can all think of a self-taught painter or writer, but it is almost impossible to imagine a professional musician who doesn't owe something to one teacher or another.
Teaching is probably the noblest profession in the world — the most unselfish, difficult, and honorable profession. It is also the most unappreciated, underrated, underpaid, and underpraised profession in the world.
You see, teaching is not just a dry business of scales and exercises; a great teacher is one who can light a spark in you, the spark that sets you on fire with enthusiasm for music, or for whatever you are studying. You can study the history of the Civil War for a year, memorizing battles and generals and dates and places; but if you don't care about the Civil War you'll wind up not knowing a bloody thing about it; But if you're lucky enough to have a teacher who makes that war part of your life, part of your country and your past — then you can drink in whole gallons of dates and names and places, and never forget them, because you learned them out of enthusiasm.
曲目
1. Mussorgsky - Khovanshchina prelude
2. Randall Thompson - Symphony No.2
3. Walton Piston - The Incredible Flutist
4. Brahms - The Academic Festival Overture
https://www.bilibili.com/video/BV1mp4y1h7Bx
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 教师礼赞_哔哩哔哩_bilibili
资源来自网络《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广播公司进行了电视转播，并在超过四十个国家播放，堪称有史以来影响力最大的讲座, 视频播放量 1501、弹幕量 3、点赞数 150、投硬币枚数 58、收藏人数 170、转发人数 25, 视频作者…
第二十六期：The Genius of Paul Hindemith
概要
时隔很久的更新😳🙈这一期是纪念Paul Hindemith的突然离世。之前我对这位作曲家没有一点了解，在这一期里学到了很多。Bernstein对于Hindemith的形容是德式传统的继承人，虽然他的音乐乍一听是不和谐的，但是这些不和谐下面还是对传统的继承，而且他也是抵抗了勋伯格开创的十二音作曲风潮。针对这一点，Bernstein举了两个例子，一个是他的Three Exercise Pieces，虽然听起来挺“现代”的，但是底色和巴赫的二部创意曲没有什么区别；另一个是他的Piano Sonata No.2，虽然也是有一些“奇怪”，但用的Alberti Bass也是非常传统。之后Bernstein介绍了他的交响曲Mathis der Maler，是由他的同名歌剧改编，写的是德国画家Mathis Gruenwald的三幅画。Bernstein介绍道，Hindemith对这位画家的痴迷很大程度上是因为二人共享类似的境遇：Hindemith内心挣扎于满足纳粹的需求和自己的创作自由，而当年Mathis Gruenwald也是陷入宗教争端，内心挣扎。这首交响曲成为一种他对于纳粹的抵抗，艺术家也是公民，而抵抗的方式就是创作艺术本身。
喜欢的Quote
He was a fun-loving man, for whom music was everything. He was my idea of the total musician; he played music, wrote it, taught it, breathed it. He played jazz in cafes; he was concertmaster of an orchestra; he played viola in a string quartet, he wrote books about music; but mainly he wrote music, every kind of music —big, little, serious, light, noble and jazzy, hard and easy, music for professionals, for amateurs, and for children. He was a modern composer; but he was certainly never what we call an Angry Young Man. He had too much love in him for that. He loved all the German music that he was born into — Bach, Mozart, Bruckner; and he just continued it, making his own additions and changes.
So this opera about Mathis der Maler was his way of protesting; and in it he solved Gruenwald's problem as well as his own, by deciding that an artist is also a citizen and a fighter, only his way of fighting is by practicing his art, by creating beauty, in his own way — even if it means leaving his country, forever, which Hindemith finally did in 1938.
曲目
1. Paul Hindemith - Übung in drei Stücken (Exercise in Three Pieces), Op. 31/I
2. Paul Hindemith - Piano Sonata No.2
3. Paul Hindemith - Quartet No.3QUARTET NO, 3, OPUS 22
4. Paul Hindemith - Kleine Kammermusik
5. Paul Hindemith - Mathis der Maler
https://www.bilibili.com/video/BV1pT4y1w7f6
#YPC
概要
时隔很久的更新😳🙈这一期是纪念Paul Hindemith的突然离世。之前我对这位作曲家没有一点了解，在这一期里学到了很多。Bernstein对于Hindemith的形容是德式传统的继承人，虽然他的音乐乍一听是不和谐的，但是这些不和谐下面还是对传统的继承，而且他也是抵抗了勋伯格开创的十二音作曲风潮。针对这一点，Bernstein举了两个例子，一个是他的Three Exercise Pieces，虽然听起来挺“现代”的，但是底色和巴赫的二部创意曲没有什么区别；另一个是他的Piano Sonata No.2，虽然也是有一些“奇怪”，但用的Alberti Bass也是非常传统。之后Bernstein介绍了他的交响曲Mathis der Maler，是由他的同名歌剧改编，写的是德国画家Mathis Gruenwald的三幅画。Bernstein介绍道，Hindemith对这位画家的痴迷很大程度上是因为二人共享类似的境遇：Hindemith内心挣扎于满足纳粹的需求和自己的创作自由，而当年Mathis Gruenwald也是陷入宗教争端，内心挣扎。这首交响曲成为一种他对于纳粹的抵抗，艺术家也是公民，而抵抗的方式就是创作艺术本身。
喜欢的Quote
He was a fun-loving man, for whom music was everything. He was my idea of the total musician; he played music, wrote it, taught it, breathed it. He played jazz in cafes; he was concertmaster of an orchestra; he played viola in a string quartet, he wrote books about music; but mainly he wrote music, every kind of music —big, little, serious, light, noble and jazzy, hard and easy, music for professionals, for amateurs, and for children. He was a modern composer; but he was certainly never what we call an Angry Young Man. He had too much love in him for that. He loved all the German music that he was born into — Bach, Mozart, Bruckner; and he just continued it, making his own additions and changes.
So this opera about Mathis der Maler was his way of protesting; and in it he solved Gruenwald's problem as well as his own, by deciding that an artist is also a citizen and a fighter, only his way of fighting is by practicing his art, by creating beauty, in his own way — even if it means leaving his country, forever, which Hindemith finally did in 1938.
曲目
1. Paul Hindemith - Übung in drei Stücken (Exercise in Three Pieces), Op. 31/I
2. Paul Hindemith - Piano Sonata No.2
3. Paul Hindemith - Quartet No.3QUARTET NO, 3, OPUS 22
4. Paul Hindemith - Kleine Kammermusik
5. Paul Hindemith - Mathis der Maler
https://www.bilibili.com/video/BV1pT4y1w7f6
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 保罗·欣德米特的天才_哔哩哔哩_bilibili
https://www.youtube.com/watch?v=_a45EY7n2JM《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广, 视频播放量 2634、弹幕量 23、点赞数 254、投硬币枚数 132、收藏人数 277、转发人数 35…
😁1
第二十七期：Jazz in the Music Hall
概要
这一期介绍的是音乐厅中的爵士乐，以The Third Stream为代表。The Third Stream把爵士和古典音乐融汇起来，由Gunther Schuller在1957年提出，节目中第一首便是请Gunther Schuller亲自指挥了自己的Journey into Jazz，讲的是一个小男孩学习爵士乐的历程，蛮有意思的～The Third Stream显然不是爵士乐和古典融汇的第一人，节目中介绍的第二首作品是1926年Aaron Copland写的Piano Concerto，其中包含了当年流行的爵士元素（Charleston rhythms等）。最后节目介绍了一首当下（不过也是快60年前了lol）的第三潮流作品Larry Austin的Improvisations for Orchestra and Jazz Soloists，其中有要求乐手们即兴的段落。
曲目
1. Gunther Schuller - Journey into Jazz (Peter and the Wolf of Jazz)
2. Aaron Copland - Concerto for Piano and Orchestra
3. Larry Austin - Improvisations for Orchestra and Jazz Soloists
https://www.bilibili.com/video/BV1Ua411A7ZV
#YPC
概要
这一期介绍的是音乐厅中的爵士乐，以The Third Stream为代表。The Third Stream把爵士和古典音乐融汇起来，由Gunther Schuller在1957年提出，节目中第一首便是请Gunther Schuller亲自指挥了自己的Journey into Jazz，讲的是一个小男孩学习爵士乐的历程，蛮有意思的～The Third Stream显然不是爵士乐和古典融汇的第一人，节目中介绍的第二首作品是1926年Aaron Copland写的Piano Concerto，其中包含了当年流行的爵士元素（Charleston rhythms等）。最后节目介绍了一首当下（不过也是快60年前了lol）的第三潮流作品Larry Austin的Improvisations for Orchestra and Jazz Soloists，其中有要求乐手们即兴的段落。
曲目
1. Gunther Schuller - Journey into Jazz (Peter and the Wolf of Jazz)
2. Aaron Copland - Concerto for Piano and Orchestra
3. Larry Austin - Improvisations for Orchestra and Jazz Soloists
https://www.bilibili.com/video/BV1Ua411A7ZV
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 音乐厅里的爵士乐_哔哩哔哩_bilibili
https://www.youtube.com/watch?v=gDOimlbhBgk《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广, 视频播放量 2627、弹幕量 19、点赞数 226、投硬币枚数 101、收藏人数 282、转发人数 56…
第二十八期: What is a Sonata Form
概要
这一期介绍的是Sonata Form～估计各位都对这个比较熟悉，但感觉这一期还是讲的非常好～Sonata来自于拉丁语Sonare，意思是器乐音乐，之后成为了古典音乐中可能最重要的一种音乐形制。伯恩斯坦介绍了这个form的两大特点，第一个是balance，Sonata Form可以看作是ABA form的一种延展，所以听起来很对称平衡；第二个是contrast，大多数的sonata form都会经历一个tonic-dominant-tonic的过程（当然也不是所有的选择都是dominant），这就创造出了戏剧效果。另外伯恩斯坦还有一个很好的总结：听出一个音乐的form是很难的，因为音乐不像绘画或是建筑，是存在于空间中的，所以形式一目了然，而音乐是时间上的艺术，听出它的形式就需要记住之前听过的内容，而了解类似于Sonata Form这种模式的一个好处就是有助于我们推断出一首作品的form～这一期里最有意思的是开头先演奏了Mozart的Jupiter Symphony，然后在伯恩斯坦大说特说一大通之后（其中还包括了他唱Beatles的And I Love Her😆），最后再一次演奏了Jupiter Symphony，但是这一次还请人在后面举牌子告诉大家现在是sonata form的哪个部分，非常喜欢这个设置～
喜欢的Quote
The form is harder to understand because grasping the form of a piece means seeing it all at once, or I should say hearing it all at once, which is of course impossible since music takes place in time instead of in space. So how could you hear it all at once.
But with a piece of music it takes time to hear the form; you have to keep in your head all the notes you've already heard while you're listening to the new ones, so that by the time the piece is over, it all adds up to one continuous form. Maybe that sounds impossible, but it's not. Of course, it's not easy, either. But if you know a little about the form in advance, (for instance, if you know the piece is going to be in sonata form) it all becomes much easier, because you can almost predict what musical shapes are going to happen.
曲目
1. Mozart - Symphony in C Major, "Jupiter"
2. Twinkle, Twinkle Little Star
3. Beatles - And I Love Her
4. Bizet - Carmen: Micael's Aria
5. Mozart - Piano Sonata in C Major
6. Prokofiev - Classical Symphony
https://www.bilibili.com/video/BV1ZE41197e7
#YPC
概要
这一期介绍的是Sonata Form～估计各位都对这个比较熟悉，但感觉这一期还是讲的非常好～Sonata来自于拉丁语Sonare，意思是器乐音乐，之后成为了古典音乐中可能最重要的一种音乐形制。伯恩斯坦介绍了这个form的两大特点，第一个是balance，Sonata Form可以看作是ABA form的一种延展，所以听起来很对称平衡；第二个是contrast，大多数的sonata form都会经历一个tonic-dominant-tonic的过程（当然也不是所有的选择都是dominant），这就创造出了戏剧效果。另外伯恩斯坦还有一个很好的总结：听出一个音乐的form是很难的，因为音乐不像绘画或是建筑，是存在于空间中的，所以形式一目了然，而音乐是时间上的艺术，听出它的形式就需要记住之前听过的内容，而了解类似于Sonata Form这种模式的一个好处就是有助于我们推断出一首作品的form～这一期里最有意思的是开头先演奏了Mozart的Jupiter Symphony，然后在伯恩斯坦大说特说一大通之后（其中还包括了他唱Beatles的And I Love Her😆），最后再一次演奏了Jupiter Symphony，但是这一次还请人在后面举牌子告诉大家现在是sonata form的哪个部分，非常喜欢这个设置～
喜欢的Quote
The form is harder to understand because grasping the form of a piece means seeing it all at once, or I should say hearing it all at once, which is of course impossible since music takes place in time instead of in space. So how could you hear it all at once.
But with a piece of music it takes time to hear the form; you have to keep in your head all the notes you've already heard while you're listening to the new ones, so that by the time the piece is over, it all adds up to one continuous form. Maybe that sounds impossible, but it's not. Of course, it's not easy, either. But if you know a little about the form in advance, (for instance, if you know the piece is going to be in sonata form) it all becomes much easier, because you can almost predict what musical shapes are going to happen.
曲目
1. Mozart - Symphony in C Major, "Jupiter"
2. Twinkle, Twinkle Little Star
3. Beatles - And I Love Her
4. Bizet - Carmen: Micael's Aria
5. Mozart - Piano Sonata in C Major
6. Prokofiev - Classical Symphony
https://www.bilibili.com/video/BV1ZE41197e7
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 什么是奏鸣曲式_哔哩哔哩_bilibili
《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广播公司进行了电视转播，并在超过四十个国家播放，堪称有史以来影响力最大的讲座式音乐会。掘, 视频播放量 9342、弹幕量 104、点赞数 537、投硬币枚数 554、收藏人数 994、转发人数 259…
第二十九期: Farewell to Nationalism
概要
这一期叫做告别民族主义，不过看完的感觉好像是在“追悼”民族主义音乐的good old days😂民族主义音乐大概就是那种一听就能辨别出来是哪个国家或地区的音乐，一般是因为使用了带有当地特色的节奏旋律，或者是folk music～19世纪以前的音乐没有那么”民族主义“，伯恩斯坦举例了巴赫（德国人）和维瓦尔弟的音乐很相似。进入十九世纪，伴随着欧洲民族主义精神和政治的兴起，音乐也越来越带有民族主义色彩，每个地区都有自己的代表人物和风格。而进入了20世纪，作曲家们变得更为国际化，音乐也再次难以分辨国籍（片中举例了Webern, Mayazumi, Babbit等人的作品）。介绍完了这些小小的历史知识之后，伯恩斯坦演了三首富有民族主义色彩的作品。第一首是美国作曲家Charles Ives（这位的个人故事也蛮有意思的）的Fourth of July，这首作品是作曲家怀念小时候国庆节所做，非常有趣，里面有很多国庆节歌曲的逗趣版本，而且他们全部叠加在一起，还创造了游行中一个乐队远去，另一个乐队靠近的那种效果（而且为了指挥这个需要两位指挥😂），还有疯了一样的烟花声。第二首介绍的是西班牙作曲家Manuel de Falla的芭蕾The Three Cornered Hat，从节奏到旋律都西班牙风味十足，活力四射。最后演奏的是大家都耳熟能详的，提到民族主义音乐就会想到的捷克作曲家Smetana的The Moldau，的确是“追悼”民族主义音乐的最佳“绝唱”了。
喜欢的Quote
That's the way music used to be written, neatly packaged with clear nationalistic labels, and tied with colorful native ribbons.
You see, we've jumped 6000 miles from Germany to Japan, and the music has hardly changed at all. So something strange is going on these days, isn't it? Perhaps music is finally becoming what so many people have always liked to call it: a universal language.
曲目
1. Gliere - Russian Sailor's Dance ("The Red Poppy")
2. Charles Ives - "Fourth of July"
3. Manuel de Falla - The Three Cornered Hat
4. Smetana - The Moldau
https://www.bilibili.com/video/BV1Qa4y1i79K
#YPC
概要
这一期叫做告别民族主义，不过看完的感觉好像是在“追悼”民族主义音乐的good old days😂民族主义音乐大概就是那种一听就能辨别出来是哪个国家或地区的音乐，一般是因为使用了带有当地特色的节奏旋律，或者是folk music～19世纪以前的音乐没有那么”民族主义“，伯恩斯坦举例了巴赫（德国人）和维瓦尔弟的音乐很相似。进入十九世纪，伴随着欧洲民族主义精神和政治的兴起，音乐也越来越带有民族主义色彩，每个地区都有自己的代表人物和风格。而进入了20世纪，作曲家们变得更为国际化，音乐也再次难以分辨国籍（片中举例了Webern, Mayazumi, Babbit等人的作品）。介绍完了这些小小的历史知识之后，伯恩斯坦演了三首富有民族主义色彩的作品。第一首是美国作曲家Charles Ives（这位的个人故事也蛮有意思的）的Fourth of July，这首作品是作曲家怀念小时候国庆节所做，非常有趣，里面有很多国庆节歌曲的逗趣版本，而且他们全部叠加在一起，还创造了游行中一个乐队远去，另一个乐队靠近的那种效果（而且为了指挥这个需要两位指挥😂），还有疯了一样的烟花声。第二首介绍的是西班牙作曲家Manuel de Falla的芭蕾The Three Cornered Hat，从节奏到旋律都西班牙风味十足，活力四射。最后演奏的是大家都耳熟能详的，提到民族主义音乐就会想到的捷克作曲家Smetana的The Moldau，的确是“追悼”民族主义音乐的最佳“绝唱”了。
喜欢的Quote
That's the way music used to be written, neatly packaged with clear nationalistic labels, and tied with colorful native ribbons.
You see, we've jumped 6000 miles from Germany to Japan, and the music has hardly changed at all. So something strange is going on these days, isn't it? Perhaps music is finally becoming what so many people have always liked to call it: a universal language.
曲目
1. Gliere - Russian Sailor's Dance ("The Red Poppy")
2. Charles Ives - "Fourth of July"
3. Manuel de Falla - The Three Cornered Hat
4. Smetana - The Moldau
https://www.bilibili.com/video/BV1Qa4y1i79K
#YPC
Bilibili
掘火中译：伯恩斯坦《年轻人的音乐会》| 告别民族主义_哔哩哔哩_bilibili
https://www.youtube.com/watch?v=fkOghMJJY80《年轻人的音乐会》是纽约爱乐乐团推出的全球最悠久的家庭音乐会系列，始于1924年。伯恩斯坦于1958年担任该团音乐总监之后的首次执棒便是1月18日在纽约卡内基音乐厅演出的《年轻人的音乐会》，这也是该系列音乐会通过电视播放的第一场。到1972年为止，伯恩斯坦一共主讲和指挥了53场该系列的演出，它们全部都由哥伦比亚广, 视频播放量 4861、弹幕量 94、点赞数 392、投硬币枚数 194、收藏人数 494、转发人数 61…
后面想不定期的给朋友们分享一点即兴的内容，今儿先分享一首baroque风格的管风琴即兴的fugue. 曲子的bach味道很浓，主题听上去应该是借鉴了bach著名的g 小调幻想曲与赋格（BWV542）中的fugue段落。我们知道，fugue 创作本身就难，在严谨的格律中想做发挥属于戴着脚镣跳舞；而现在不仅要求作曲家即兴创作fugue，而且还是管风琴fugue，这个难度可想而知。https://www.youtube.com/watch?v=22ti2ocp_T0
YouTube
Organ improvisation - Fugue in German Baroque Style
IV Ciclo Internacional de Concertos de Órgão da Sé Catedral do Porto
Concerto comemorativo do 31º aniversário do Grande Órgão da Sé Catedral do Porto
Programa: A arte da improvisação
Organista: Wolfgang Seifen, Alemanha
Concerto comemorativo do 31º aniversário do Grande Órgão da Sé Catedral do Porto
Programa: A arte da improvisação
Organista: Wolfgang Seifen, Alemanha
👍1
分享一首Mozart Piano Sonata的第二乐章，第二部分的theme和贝多芬的悲怆开头一模一样(3:20左右)
https://www.youtube.com/watch?v=jrpeZHWrx5Q
ref: https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Mozart)#Relation_to_Beethoven's_%22Path%C3%A9tique%22
https://www.youtube.com/watch?v=jrpeZHWrx5Q
ref: https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Mozart)#Relation_to_Beethoven's_%22Path%C3%A9tique%22
YouTube
Mozart- Piano Sonata in C minor, K. 457- 2nd mov. Adagio
Pianist: Mitsuko Uchida
继上一首借鉴莫扎特的作品之后，又发现一首贝多芬和莫扎特有关的作品，从魔笛 改编的variations～分享一首”Bei Männern, welche Liebe fühlen”，钢琴和大提琴作为duet的两“人”，一唱一和蛮有意思的～介绍中还提到贝多芬是使大提琴变成独奏乐器的重要人物～
#Beethoven #variations #Mozart
https://www.youtube.com/watch?v=bsSkpK-jS8w
#Beethoven #variations #Mozart
https://www.youtube.com/watch?v=bsSkpK-jS8w
YouTube
BEETHOVEN Variations on “Bei Männern, welche Liebe fühlen,” from Mozart’s Die Zauberflöte, WoO 4
*Ludwig van Beethoven*
_Variations on “Bei Männern, welche Liebe fühlen,” from Mozart’s Die Zauberflöte, WoO 4_
Oliver Herbert, cello
Ying Li, piano
As if more reasons were needed to celebrate Ludwig van Beethoven, modern-day cellists can be thankful…
_Variations on “Bei Männern, welche Liebe fühlen,” from Mozart’s Die Zauberflöte, WoO 4_
Oliver Herbert, cello
Ying Li, piano
As if more reasons were needed to celebrate Ludwig van Beethoven, modern-day cellists can be thankful…
分享一首John Cage的作品，The wonderful widow of eighteen springs～这首作品灵感来自乔伊斯的Finnegans Wake，vocal只有三个音高（但个人觉得旋律很优美！），钢琴是盖上盖子的，用手指、关节等击打琴盖演奏
https://www.youtube.com/watch?v=su3DRrTDbrM
#johnCage #modern #vocal
https://www.youtube.com/watch?v=su3DRrTDbrM
#johnCage #modern #vocal
YouTube
John Cage: The Wonderful widow of eighteen springs (1942)
John Cage (1912-1992): The Wonderful widow of eighteen springs (1942).
Cathy Berberian, voce.
Registrazione live effettuata a Venezia il 11/09/1967.
Cover image: John Cage e Cathy Berberian
****
The music published in our channel is exclusively…
Cathy Berberian, voce.
Registrazione live effettuata a Venezia il 11/09/1967.
Cover image: John Cage e Cathy Berberian
****
The music published in our channel is exclusively…
分享一个视频～这个视频从哈利波特中Dumbledore’s Farewell的配乐讲起，回顾了Lament Bass从Renaissance, Baroque, 到Classical, Romantic，再到Blue, Jazz和流行乐的发展和应用～
https://www.youtube.com/watch?v=Sois056oa-8
https://www.youtube.com/watch?v=Sois056oa-8
YouTube
The Music That Links Dumbledore's Death to Bach and Radiohead
Pre-order my new book! UK: https://shorturl.at/enn27 US: https://shorturl.at/4LIAP More info: https://www.barnabymartin.com/the-quiet
* The first 1,000 people to use this link will get a 1 month free trial of Skillshare: https://skl.sh/listeningin01224 …
* The first 1,000 people to use this link will get a 1 month free trial of Skillshare: https://skl.sh/listeningin01224 …
巴赫的第五个儿子JCF Bach的“小星星变奏曲”～
https://www.youtube.com/watch?v=Sd1Qf3S5eZk&list=OLAK5uy_ni9jIY8Diwh7ZTCwqscP8NDAA6xO_cCSw
https://www.youtube.com/watch?v=Sd1Qf3S5eZk&list=OLAK5uy_ni9jIY8Diwh7ZTCwqscP8NDAA6xO_cCSw
YouTube
J.C.F. Bach: Variations on 'Ah, vous dirai-je, Maman' - Thema (Allegretto)
Provided to YouTube by Universal Music Group
J.C.F. Bach: Variations on 'Ah, vous dirai-je, Maman' - Thema (Allegretto) · Daniil Trifonov · Johann Christoph Friedrich Bach
BACH: The Art of Life
℗ 2021 Deutsche Grammophon GmbH, Berlin
Released on: 2021…
J.C.F. Bach: Variations on 'Ah, vous dirai-je, Maman' - Thema (Allegretto) · Daniil Trifonov · Johann Christoph Friedrich Bach
BACH: The Art of Life
℗ 2021 Deutsche Grammophon GmbH, Berlin
Released on: 2021…
前几天发现一个作曲家Carl Friedrich Abel～他是Bach的学生，还和Bach最小的儿子Johann Christian Bach做过室友，他们一起创办了可能是欧洲第一个subnoscription concert series: Bach-Abel Concerts～曾经还有一首莫扎特的symphony最后发现是Abel的作品～他的Viola da Gamba作品最为出名，这也是他演奏的主要乐器～
我是通过上一条分享的专辑发现的这位作曲家，这套Drexel Manunoscript一共是29首，之前是保存在著名画家Thomas Gainsborough手中，后由Joseph W. Drexel获得，最终是藏于纽约公共图书馆。这位Drexel曾和J.P. Morgan是商业伙伴，还做过MET的director～
个人这两天听这张专辑还蛮喜欢的，大多数曲目都比较短小精悍，节奏自由，有即兴特质（Abel据说也是一个非常好的improviser），viola da gamba的音色也是非常悠扬～今天再分享一首以分解和弦贯穿全曲的～
https://www.youtube.com/watch?v=XmG0mamkqcg
#chamberMusic #ViolaDaGamba #Abel
我是通过上一条分享的专辑发现的这位作曲家，这套Drexel Manunoscript一共是29首，之前是保存在著名画家Thomas Gainsborough手中，后由Joseph W. Drexel获得，最终是藏于纽约公共图书馆。这位Drexel曾和J.P. Morgan是商业伙伴，还做过MET的director～
个人这两天听这张专辑还蛮喜欢的，大多数曲目都比较短小精悍，节奏自由，有即兴特质（Abel据说也是一个非常好的improviser），viola da gamba的音色也是非常悠扬～今天再分享一首以分解和弦贯穿全曲的～
https://www.youtube.com/watch?v=XmG0mamkqcg
#chamberMusic #ViolaDaGamba #Abel
YouTube
27 Pieces for Viola da gamba: Prelude, WKO 205
Provided to YouTube by NAXOS of America
27 Pieces for Viola da gamba: Prelude, WKO 205 · Petr Wagner
Abel: The Drexel Manunoscript
℗ 2016 Accent
Released on: 2016-06-24
Artist: Petr Wagner
Composer: Carl Friedrich Abel
Auto-generated by YouTube.
27 Pieces for Viola da gamba: Prelude, WKO 205 · Petr Wagner
Abel: The Drexel Manunoscript
℗ 2016 Accent
Released on: 2016-06-24
Artist: Petr Wagner
Composer: Carl Friedrich Abel
Auto-generated by YouTube.
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